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Thanks Harold for posting your camera picture in its nice A&A case :)

 

"I am taking a big risk. I am going on holiday for two weeks and I have decided to just take a new film camera and two new lenses. I have ordered tons of Fuji Superior 400, Kodak Portra 400 and Kodak Tmax 400 from amazon which has come (prime I love you)".

Me too I am today at Paris with only my 2 M7 :) and 3 HP5 + 1 Kodak Portra 400

My 2 digital M are at home in Billingham bag !

 

For the picture I recognize color of Fuji , specially the nice green color !

Best

Henry

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For you Otto, at Notre Dame Cathedral of Paris

Summicron 28 asph , open at f:2 only with light candles :)

and Kodak TX400 (tripod not needed)

Leica M7

 

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Otto I think both TX400 and HP5 are good :)

 

Best

Henry

Edited by Doc Henry
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and for Otto , Ilford HP5 for fog , it's superb

fine grain of film in "symbiosis" with fog droplets

under bad light condition at 7:00 am

 

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Leica M7

Summilux 35 Asph

Ilford HP5

Ilfosol S - 9 mns - dil 1+9 20°C

 

With digital picture , not the same atmosphere because no grain :D

 

Best

Henry

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This last photo I knew, as I said. I wonder if you print, e.g. at 30*40 or so. In print the grain of HP5+ might not always be that nice. Depends on the developer too of course.

I once used HP5+ for a reportage of a stringorchestra conducted by Lev Markiz, that is, their rehearsals in a hall with awfull TL-light. I developed in Ilfotec. The grain was a disappointment for me, I was used to Tri-X.

In collusion with the grain of this fog here it has a dramatic effect, I agree.

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This last photo I knew, as I said. I wonder if you print, e.g. at 30*40 or so. In print the grain of HP5+ might not always be that nice. Depends on the developer too of course.

I once used HP5+ for a reportage of a stringorchestra conducted by Lev Markiz, that is, their rehearsals in a hall with awfull TL-light. I developed in Ilfotec. The grain was a disappointment for me, I was used to Tri-X.

In collusion with the grain of this fog here it has a dramatic effect, I agree.

Otto thanks for your reply.

Yes I have enlarged in b&w 30x40 cms with my Focomat and developped (home lab)

in Ilford silver paper, framed with a large margin , it looks nice for me. The grain of fog is well reproduced :)

I admit for some pictures Kodak is "blacker" vs Ilford

Best

Henry

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Me too I am today at Paris with only my 2 M7 :) and 3 HP5 + 1 Kodak Portra 400

My 2 digital M are at home in Billingham bag !

 

In Paris with HP5?! Paris is a native TriX city

 

(I saw your fog photos along the Seine with HP5, so don't tell me)

 

;):)

 

Oh to be in Paris, with a roll of HP5+ in one's camera and another two in the pocket :)

 

I shot half a roll of it when I was left stranded there by AirFrance for a day last year (and, to my shame, some digital when I was back more recently). Two from that half-roll:

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Very nice shots with Ilford HP5 Stephen

Another nice pictures ? thanks to post here :) you are welcome !

http://www.l-camera-forum.com/leica-forum/other/286747-i-like-film-open-thread.html

Why I love film now ?

... because of the feeling when we look at a picture, there is something different,

the overall effect (grain, shade of gray and black, relief effect, depth of field effect) as the trees of the Tuileries ( ?) (first picture)

garden here , is not the same compared to digital

that's what I call a "picture with soul"

Best regards

Henry

Edited by Doc Henry
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Very nice shots with Ilford HP5 Stephen

Another nice pictures ? thanks to post here :) you are welcome !

http://www.l-camera-forum.com/leica-forum/other/286747-i-like-film-open-thread.html

Why I love film now ?

... because of the feeling when we look at a picture, there is something different,

the overall effect (grain, shade of gray and black, relief effect, depth of field effect) as the trees of the Tuileries ( ?) (first picture)

garden here , is not the same compared to digital

that's what I call a "picture with soul"

Best regards

Henry

 

Henri, non: Jardin du Luxembourg :)

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Hi Henry,

 

The scenic photos you take in the fog are quite lovely. How do you meter them? Is it the same for both the Ilford and Tri-x and do you rate them differently from the box speed?

 

Thanks

 

Joe

Joe Thanks for your comment :)

I think I was at aperture f:1,4 and 1/45-60 exposure time for fog picture

and f:2 at around 1/6 and 1/45-60 for light candles

In both pictures , I am not in good light conditions.That why you need good lens and

Leica lens are fabulous in these conditions .

Best

Henry

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  • 1 month later...

Recently switched to a M7 from a M6 Classic. Couldn't be happier! Now I am contemplating if I should go for a 35mm Summicron from the 50.

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Couldn't be happier!

Congratulations! Felt the same way when I made the switch in 2002. Let us know if your film consumption increases by a factor of 5 like mine did. That camera's light meter will contribute new pleasures to your experiences in photography.

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Recently switched to a M7 from a M6 Classic. Couldn't be happier! Now I am contemplating if I should go for a 35mm Summicron from the 50.

 

Wow nice combo Mc , beautiful pictures in perspective :)

Congratulations !

 

I does not miss any picture (I say not) with the M7

You will see that it works fine !

Just check the status of two batteries from time to time

and clean the electrical contacts on the back (for DX)

Best

Henry

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How often do you shoot with speed set at A -- for the wonderful photos you show above, especially the woman lighting the candles? Or do you meter manually, through camera or with a external meter?

Steve , as I said in the post above

http://www.l-camera-forum.com/leica-forum/2847940-post103.html

I only choose the aperture f :2 (I'll like to have a little bokeh in background) , the M7

chooses for me the speed exposure may be 1/60 with TX400 (monopod not needed)

The summicron is really a luminous lens !

Usually I am almost always in A

Regards

Henry

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Steve another example :)

I have not felt any particular difficulties to take this picture below , always open to f:2, still more degraded light conditions as the previous photo.

The film still has a wide dynamic range and Kodak TX can support a wide variation and measurement cell exposure of M7 is still sensitive in these conditions.

 

As what a good camera with good lens it can give perfectly correct images :)

 

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M7

Summicron 28 Asph

Kodak TX400 (no correction)

without monopod

 

Best

Henry

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Thanks! By the way what year is your M7?

Steve, according to the serial number , date of manufacture 2004, bought new purchased from my advisor Leica.

I never have DX problem . I know some have had problems but serial number at the beginning

Best

Henry

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I have to admit I had a pretty rough time when I got my M7 (first Leica) last Year. Actually I just bought it because I was longing for an always with me point-and-shoot (wich is actually kind of a derision for such camera) to accompany my Hasselblad.

 

I took it out for quite a long holiday trip but I somehow got the feeling it'd never be "my" Leica. It is to say I've always been longing for the MP. I bought the M7 with a 35 Lux ASPH just because I got an incredibly good deal on it. In fact that good, i just payed for the Lux. I'm one of these guys complaining about the fact the M7 isn't fully mechanical and 2.5mm taller than the classic Leicas. As negligible as it might sound, these few mm encumber me to place my little finger underneath the body. To cut a long story short: there just haven't been the right feelings.

 

But when I had the first chance to look at the results of the 6 rolls of film I shot during my vacation... well it just thrilled me. The results the lux is able to produce are simply outstanding. I'm not that amazed by the optical qualities of the lens (I simply assume those at that price tag) but from the character it holds. Therefore I decided to keep the lens and also giving the M7 another chance.

 

A couple of months and a few rolls of film later I still think of going for an MP in the future, but I highly doubt to be selling my M7 someday.

Feeling this masterpiece of engineering in my hand enlightens my day, every day. Its puristic appearance combined with the convenience of the AUTO mode not only facilitates my shooting experience, it also encourages friends (wich are mostly not into photography) to shoot one or two frames on it and later enlarge them in my dark room, sharing the joy of film photography.

 

So after all those odd feelings I had, I can now truly say:

I love my M7! :)

Edited by Seshiro
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