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I like film...(open thread)

Doc Henry

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mdp

mdp

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White flowers

MP Summarit 90/2.4 Ektachrome

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Wayne

Wayne

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Pedestrian

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Wife:....."Don't they know they can fly?" :)

 

M3, 28 Summicron, Portra 400

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A miller

A miller

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On 6/29/2019 at 1:55 AM, blueskyoveraquatic said:

Kodak Ektar 100 (developed at a local lab) - M5 + 50mm Summicron

car show by Bluesky Overaquatic, on Flickr

love these colors!  Has a very American feel 👍

On 6/29/2019 at 10:26 AM, chris_z said:

Pentax 67II & Tri-x

 

Fantastic, as usual, Chris.  You seem to be a magnet for beautiful models!   I can't help but wonder why you did not clone out the birthmark on her forehead.  Did the model insist on keeping it?

14 hours ago, SteveYork said:

F + 50mm Nikkor-H (yellow filter) + Kentmere 100 in HC-110

 

Gulf Stream Hotel by Steve, on Flickr

Love this one, Steve.  

7 hours ago, jcraf said:

Wiltshire in winter.

 

Nikon F5, 80-200 AF-S, Fuji Superia 400.

Wow, this is stunning, John.  How are  you scanning these?

4 hours ago, Wayne said:

Pedestrian

 

Wife:....."Don't they know they can fly?" :)

 

M3, 28 Summicron, Portra 400

awesome, Wayne.  Love the storyline behind this.

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A miller

A miller

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Another icy cool persepctive from the Dead Sea, c/o Velvia 50 and my SWC

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SunnySixteen

SunnySixteen

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The summer heat has finally arrived and it's got me thinking back to cold crisp days.

Switzerland March 2019

Velvia 50 - 35 summicron - M6

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SunnySixteen

SunnySixteen

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Chamonix France March 2019

Velvia 50 - 35 summicron - M6

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SunnySixteen

SunnySixteen

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Chamonix France March 2019

Velvia 50 - 35 summicron - M6

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Suede

Suede

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La glycine.  [Tri-X]

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adelie

adelie

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Beauty of the South Pacific.

Leica M5 - Kodachrome 64 colour slide film.

 

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Rennrocky

Rennrocky

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Berlin Kantgarage Linhof 612 PCII Rollei RPX25

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benqui

benqui

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Lake Garda, Italy

M4, Ilford Delta 400, Elmar 2.8/50

 

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Ernest

Ernest

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Chiaroscuro
M-A APO 50 & Macro-Elmar-M ADOX Color Implosion

In an antique store 53 years ago, I bought this original photograph of John H. Malona and his wife, Melvina. Their names were written in pencil on the back, a very well-schooled cursive. I asked my wife to run an Ancestry.com search, and she found that they married in 1858, but John died in 1862. My wife also located a descendant, and I offered to send him the original photograph, evidence of a moment in his family’s history 161 years ago, but he thought the digital he could add to the family tree online was sufficient.  I was elated to know the history, that this was a photograph of the record of a brief marriage and was no doubt in the hands of John and Melvina.

For this construct, I wanted to use Josef Albers’s image layering, like lapse dissolves in cinema used to give a sense of time passing. I started with the marriage photograph, then reshot it out of focus as a note of John passing and leaving Melvina. I included my 19th-century wood letterpress type because everyone needs at least one alphabet. There is always that orchestration of text and image, but forgive me, I’ve left out the orchestra itself.

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chrism

chrism

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F6, 1.4/85mm, Speedlight SB-600, XP2 @200, HC-110, X1 scan:

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Thomas by chrism229, on Flickr

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Flash details added
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mikemgb

mikemgb

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Reflection, London, Leica M2, DR 50mm, Lomography Berlin.

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mikemgb

mikemgb

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The same image, the "right" way up, a completely different look.

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jcraf

jcraf

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Dartmouth Steam Railway, Devon.

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M7, 21 Elmarit-M, Kodachrome 200.

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jcraf

jcraf

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Leicester Square at Dawn.

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M3, Noctilux F1, Delta 3200.

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blueskyoveraquatic

blueskyoveraquatic

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Tri-X 400TX - D76 (1+1) 9 mins - M5 + 50mm Summicron

 

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jcraf

jcraf

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Cutty Sark, Greenwich, 2005. Before the catastrophic fire of 2007 from which she was restored.

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MP, 24 Elmarit-M Asph, Fuji 400CN.

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Mark II

Mark II

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La Boqueria, Barcelona. Leica M7 with 50mm on Delta 400 at EI 1600.

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