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I like film...(open thread)

Doc Henry

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stray cat

stray cat

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1 hour ago, Ernest said:

The Eclectic Series VII
M-A APO 50mm & Nikon F2 Micro-Nikkor 55mm
ADOX Color Implosion & E100

Excuse the avalanche, but I'm going away for two weeks.

 

Well, we're left with an avalanche but no St. Bernard with a barrel of brandy round its neck... although perhaps Adam's Dorothy had one out of picture.

We are left with a BARRAGE of color and intriguing assemblages - enough to keep us well occupied!

Bon voyage, and remember to take lots of film! And a camera!

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
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On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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stray cat

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28 minutes ago, Kleinkamera said:

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Fall colors at a lake in the mountains near Eldora, Colorado

IIIb / Summar / Portra 160

This is lovely, Klein - what a magnificent sky blue!

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AntonioF

AntonioF

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Military area - Access forbidden

At an old Italian Military Aeronautics beach resort

M6, Summicron 35 asph and Astrum 400

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20190217-DSC02245 by antoniofedele, on Flickr

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11 hours ago, philipus said:

Wow that is s-h-a-r-p! I love the perspective and how the wall leads towards the Minster. Very well executed. Out of curiosity was the XP2 developed in C41 or HC-110?

 

Thanks for the comment. The film was developed in C41 by a lab. I sometimes develop my own B&W films but I always leave XP2 to the professionals.

 

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Keith (M)

Keith (M)

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Stopped for a chat.  Another from the recent snowy weekend with AgfaVista 200, MP, 28mm Elmarit-M ASPH.

 

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philipus

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From Stockholm.

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TTL 50/2 Superia 200 (EI100) X1


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FM3A 50/2 Portra 160 X1
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Leica M6 - Summicron 2/35 - Kodakcolor Gold 200

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Keith (M)

Keith (M)

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The 28mm Elmarit-M ASPH seems to handle direct sunshine quite well...  MP & AgfaVista 200.

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vor 14 Stunden schrieb benqui:

Skyscraper in L.A., MP, 35mm Summarit, Portra 400

Marc,

I do like such photos and take them often by myself. Most of them i took with my digital cameras. When I see this stunning one, I think, I have to take more with my analogue items :)

As you know, there are some buildings in my hometown, which are worth to do so ;)

Regards Joerg

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Firkin Point Loch Lomond

Ricoh GR1 (28mm) - Fuji Sensia converted in Lightroom

The tree had probably stood here for over fifty years until it was blown over in a gale a few years ago. 

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fotomas

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Last remains of the old industry. Another time. The old Ruhr-area 1983.

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PAN F, 1,8/50 mm

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Steve Ricoh

Steve Ricoh

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How many legs does a chair have?? :)

Lomography 400 film

Pentax MX, 135mm f/3.5

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Kleinkamera

Kleinkamera

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5 hours ago, joergel said:

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Leica M6 - Summicron 2/35 - Kodakcolor Gold 200

Nice picture... and I'm curious about the remnants of the older structure. It has some historical significance?

Thanks,

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Keith (M)

Keith (M)

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Lakeside information. MP, 28mm Elmarit-M ASPH & AgfaVista 200.

 

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vor 1 Stunde schrieb Kleinkamera:

Nice picture... and I'm curious about the remnants of the older structure. It has some historical significance?

Thanks,

Thank you, James.

These are remnants from an old mansion, which was destroyed in WW2. The cubic building inside is a museum. It was built in there a couple of years ago.

Regards Joerg

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Sparkassenkunde

Sparkassenkunde

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Am 17.2.2019 um 23:23 schrieb stray cat:

James, this snow series of your is outstanding. This picture shows that whiteout effect perfectly - a very subtle trailing off of tones and definition, but you have captured it perfectly here. Your work with all manner of cameras is a joy to behold - for example, notably, the Mamiya with Cinestill is producing spectacular pictures as well.

Hi Phil. thank you much for these encouraging words! I - as seemingly many others - am sometimes in doubt about the right path in photography. Whenever I come to this thread, I see the work of other gifted talents, who seem to me much more consistent than I am. Against many an advice I have read, I don't care to much about the approach of using one camera / one lens / one film only but rather change my gear as I change my trousers. In this context your praise comes in very gratifying :)

Am 18.2.2019 um 13:57 schrieb gnuyork:

I found these negatives (that I forgot about) under a pile of books on my coffee table. Was trying to flatten them. These were shot a few years ago. I was testing a camera that was gifted to me, a Canon AE-1 Program with a 50 mm lens. I did these scan this past Friday (after nearly a week in Vegas for work, scanning was my resting therapy). I used my newly acquired 9000ED and I must say, using the 35mm holder is a bit of a pain. I think I prefer my 5400 for scanning 35mm, though the 9000 is of course great for 120.

Film used was expired TMax 100 and I can't remember the developer, it was either D76 or XTOL.

I really like the contrasts and structures in these pictures!

Am 18.2.2019 um 15:35 schrieb philipus:


...

Very cool capture of this visually alluring composition.

Am 18.2.2019 um 23:26 schrieb benqui:

Tmax 400, Apo 50, M6 and light and shadows

Your are the king of available light portraits of beautiful women near windows :)

Am 19.2.2019 um 13:55 schrieb Keith (M):

I posted the colour version (Ektar 100) in #58507 but then decided I wasn't happy with the colour balance (often a problem for me), so decided that the strong shapes plus light/shade would make it a better image in b&w. 

(Fuji GW690II, ON1 Photo 10 plug-in)

Don't let the Doc catch you for this one :) I can absolutely understand your approach, as I often enough found the same problem regarding the "right" color balance. Nice and convincing conversion, in my opinion.

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analog-digital

analog-digital

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Alone? Lonely? take a camera, a film and go!

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Fuji GS645S Wide 60, 4.60mm, Illford PANF Plus 50 Edited by analog-digital
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analog-digital

analog-digital

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In the middle of the winter .......

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Fuji GS645S Wide 60, 4.60mm, Illford PANF Plus 50

Edited by analog-digital
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