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I like film...(open thread)

Doc Henry

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Leica IIIC + Leica Summitar 5cm F2 LTM + Fuji C200

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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frame-it

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Leica IIIC + Leica Summitar 5cm F2 LTM + Fuji C200

Dodgy Alley

 

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A miller

A miller

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15 hours ago, Ernest said:

Shadow Play II Polyptych

M-A Thambar-M CS
ADOX Color Implosion 100

A shadow and transparency/scale study.

 

I have no idea what is going on here, Rog.  You are taking me on a journey in which the destination is not stated in advance.  Very cool!

2 hours ago, frame-it said:

Leica M5 + 50mm Summilux F1.4 ASPH + LomoGraphy LOMO 400

Night

 

Wow, love the colors in these!!  They are Lomolicous!

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A miller

A miller

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Another destination sunrise at the Dead Sea. 🌅 I really liked how the cloud coverage seemingly replicated the patterns of the salt formations in the foreground , and of course the colors from the raging dawn ♥️

503cw, 80mm Planar, Ektar

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AntonioF

AntonioF

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A couple of classic shots of Locorotondo

Leica M6, Summicron 50, Kodak Colorplus 200

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20181016-DSC01519 by antoniofedele, on Flickr

20181016-DSC01522 by antoniofedele, on Flickr

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chrism

chrism

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645n, 45mm, FujiPro400H, X1 scan:

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gbealnz

gbealnz

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Seneghe

SWC

Portra 400

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Xelor

Xelor

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Cutting the trees.

Yashica Mat 124, Portra 400.

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gbealnz

gbealnz

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SWC

Delta 100

Gary

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Xelor

Xelor

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.

 

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A miller

A miller

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51 minutes ago, gbealnz said:

SWC

Delta 100

Gary

I really like this one, Gary.  And it has Delta 100 written all over it :)    A keeper for sure,

50 minutes ago, Xelor said:

.

 

 

This one is really interesting in how the zig zag of the negative space between the large bushes is replicated in the zig zag of the staircase in the distance.

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mdachs

mdachs

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m6 2/50IV Portra 400

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Joachim

 

 

 

 

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schattenundlicht

schattenundlicht

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Here comes something a bit more raw: Good old HP5...

Sorry for the redundancy - these sentiments have been uttered numerous times in this thread. Yet, sometimes long standing, temporarily neglected insights hit home again with force. For me, using film side by side with my digital bodies (yes, I do stand by that) is extremely helpful and important to "re-calibrate" my visual aesthetics. Besides being of value of its own, film is invaluable for me to counteract the dangerous momentum of unduly exaggerated postprocessing that looms in the digital realm. Moreover, there are few things more pleasing than winding a recently CLA'd M3, and there is nothing more liberating than using a 90 year old LTM. But sometimes, metering can be helpful, especially with filters.

Land / Sea / Sky

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[ M7 ; Summicron 50 (V) f/2 ; Ilford HP5+ ; B+W 090 ; digital capture, no PP other than negative inverting and global contrast adjustment ]

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A miller

A miller

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1 minute ago, schattenundlicht said:

Here comes something a bit more raw: Good old HP5...

Sorry for the redundancy - these sentiments have been uttered numerous times in this thread. Yet, sometimes long standing, temporarily neglected insights hit home again with force. For me, using film side by side with my digital bodies (yes, I do stand by that) is extremely helpful and important to "re-calibrate" my visual aesthetics. Besides being of value of its own, film is invaluable for me to counteract the dangerous momentum of unduly exaggerated postprocessing that looms in the digital realm. Moreover, there are few things more pleasing than winding a recently CLA'd M3, and there is nothing more liberating than using a 90 year old LTM. But sometimes, metering can be helpful, especially with filters.

Land / Sea / Sky

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[ M7 ; Summicron 50 (V) f/2 ; Ilford HP5+ ; B+W 090 ; digital capture, no PP other than negative inverting and global contrast adjustment ]

you are so right.  This is why everyone needs at least one film camera.  Your photograph shows a vast range of tones , ranging from deep black to peak highlights, which still have detail.   Even the splashes of water above the wave have an intricate range of contrast and tones.  And don't forget the sky and all of its detail.  The grain and non-clinic aspects of this photograph are what make it so great, at least to a film aesthetic...

 

Well done..

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Guest

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Leica M2 - Summicron 2/35 - APXnew in Spur HRX

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mdachs

mdachs

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m6 2/50IV Kodak 200

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Thank you. I was never absent, but during the summer was  no time to take pictures nor to develop the few.

Joachim

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benqui

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Tmax 400, Summarit 2.5/35 and MP

 

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