Fotoklaus Posted September 29, 2016 Share #21861 Posted September 29, 2016 Advertisement (gone after registration) TMAX400 and D76 1:1 looks real nice....how long and at one temp do you develop? Thanks, Marc! I develop the Tmax 400 at 20°Celsius for 12 Minutes and 30 Seconds. First 30 Seconds moving constantly, then 3 times every minute, using a small tank (Jobo) 3 Link to post Share on other sites More sharing options...
Advertisement Posted September 29, 2016 Posted September 29, 2016 Hi Fotoklaus, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
MT0227 Posted September 29, 2016 Share #21862 Posted September 29, 2016 Well there you have it That's what I love about shooting the SWC handheld...Stopped down to f/8 you have a 35ft DOF with subjects 10ft away...more or less as point and shoot as you can get. Thanks, Marc. I totally get what you are saying. That is the method I used to get these with the SWC. With good light and stopped down, it is more hit than miss... 2 Link to post Share on other sites More sharing options...
gsgary Posted September 29, 2016 Share #21863 Posted September 29, 2016 How can you get reliably spot on sharpness from that great lens w/o a RF mechanism of some sort and only a focus scale on the lens, which is 40mm and not wide enough to have a deep sharp focus range at different apertures??? Is its reliable crazy sharpness limited to really bright light and infinity? If not and I am spreading disgusting rumors, please do correct the record.... They are only for skilled photographers[emoji1] Sent from my SM-G903F using Tapatalk 3 Link to post Share on other sites More sharing options...
gsgary Posted September 29, 2016 Share #21864 Posted September 29, 2016 (edited) One is Made in germany. But therer are only a few made in germany. So there is not a single S or SE with Sonnwar made in germany. The later "Rollei 35 classic" were made in germany, but in the early 90´s I've also have a 35xf Sent from my SM-G903F using Tapatalk Edited September 29, 2016 by gsgary Link to post Share on other sites More sharing options...
MT0227 Posted September 29, 2016 Share #21865 Posted September 29, 2016 Thanks Klaus... I use a Jobo 1520. I prewash for 2min with distilled water then follow the standard directions @ 20C. for 12.5min. I agitate continuously for the 1st min, then every 30sec for 3 seconds. Does more agitation create more contrast? Thanks, Marc! I develop the Tmax 400 at 20°Celsius for 12 Minutes and 30 Seconds. First 30 Seconds moving constantly, then 3 times every minute, using a small tank (Jobo) 2 Link to post Share on other sites More sharing options...
philipus Posted September 29, 2016 Share #21866 Posted September 29, 2016 Looking up Flickr Vista 200 (EI100) and 90 Elmarit-M 11 Link to post Share on other sites More sharing options...
gsgary Posted September 29, 2016 Share #21867 Posted September 29, 2016 (edited) Advertisement (gone after registration) Rollei 35 SE, Tmax 400, D 76 1:1 Mailand_Mai13_18.jpg Mailand_Mai13_19.jpg Perfect camera for street photography, load it with iso400 film set it to F8 1/125 and focus to 10 feet and away you go Sent from my SM-G903F using Tapatalk Edited September 29, 2016 by gsgary 6 Link to post Share on other sites More sharing options...
Fotoklaus Posted September 29, 2016 Share #21868 Posted September 29, 2016 Well there you have it That's what I love about shooting the SWC handheld...Stopped down to f/8 you have a 35ft DOF with subjects 10ft away...more or less as point and shoot as you can get. Why one should use a SWC instead of a 501 or 503... The best image quality combined in the most compact housing. That was also the intension to build a Rollei 35 back then. 4 Link to post Share on other sites More sharing options...
Fotoklaus Posted September 29, 2016 Share #21869 Posted September 29, 2016 Thanks Klaus... I use a Jobo 1520. I prewash for 2min with distilled water then follow the standard directions @ 20C. for 12.5min. I agitate continuously for the 1st min, then every 30sec for 3 seconds. Does more agitation create more contrast? No, I don't think so. Too much agitation leads to a more balanced negative but perhaps with little less sharpness (as ist does with rotating development). But I don't think that there is much difference between our habits, Marc. Your helicopter-pics are great and if this works for you then it's fine. A subject with generally low contrasts would not become one with high contrasts if shaking a few times less... 2 Link to post Share on other sites More sharing options...
Fotoklaus Posted September 29, 2016 Share #21870 Posted September 29, 2016 Leica M6, Color-Skopar 2.5/35, Tmax 400 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 14 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3120931'>More sharing options...
Stealth3kpl Posted September 29, 2016 Share #21871 Posted September 29, 2016 I'll just leave this link here http://www.lettherebefilm.com/blog/digital-and-film-exposures Pete 3 Link to post Share on other sites More sharing options...
Fotoklaus Posted September 29, 2016 Share #21872 Posted September 29, 2016 Mamiya DSX 1000, Mamiya Sekor 4/21, Film... can't remember... Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 12 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3120937'>More sharing options...
Doc Henry Posted September 29, 2016 Author Share #21873 Posted September 29, 2016 (edited) Thanks, Marc. I totally get what you are saying. That is the method I used to get these with the SWC. With good light and stopped down, it is more hit than miss... Adam , difficult and I can not decide between your photos, they are all excellent and superb ! I like the photo of the back of the ladies . Oh I forgot the colors are beautiful Thanks Adam . It's a feast for eyes Best Henry Edited September 29, 2016 by Doc Henry 1 Link to post Share on other sites More sharing options...
Doc Henry Posted September 29, 2016 Author Share #21874 Posted September 29, 2016 Looking up Flickr Vista 200 (EI100) and 90 Elmarit-M The details of faces in spite of the contre-jour. Difficult to have this kind of picture with digital because the faces will be underexposed in the dark. Well done Philip Best Henry 2 Link to post Share on other sites More sharing options...
Doc Henry Posted September 29, 2016 Author Share #21875 Posted September 29, 2016 Mamiya DSX 1000, Mamiya Sekor 4/21, Film... can't remember... Moped_kuh_3_kl.jpg Nice cows and bike in contre-jour Klaus Nice Best Henry Link to post Share on other sites More sharing options...
Doc Henry Posted September 29, 2016 Author Share #21876 Posted September 29, 2016 (edited) Leica M6, Color-Skopar 2.5/35, Tmax 400 Lucca26.jpg Superb Klaus. I saw it's with the Skopar 35 Henry Edited September 29, 2016 by Doc Henry Link to post Share on other sites More sharing options...
christoph_d Posted September 29, 2016 Share #21877 Posted September 29, 2016 Right on, Christoph. And in re-reading my last post to you I realized that I didn't pepper it with enough emojis to show how silly I was being about the "disgusting rumor" part 1 Link to post Share on other sites More sharing options...
MT0227 Posted September 29, 2016 Share #21878 Posted September 29, 2016 My SWC was my grandfather's Additionally... I have the 80mm focal length covered in medium format elsewhere (Makina 67 and Rollei 2.8F) and I don't seem to shoot much at 150mm. I also think the SWC is more compact all in with the A12 magazine attached, especially with this special weapon https://www.cameraquest.com/frames/4saleSWC.htm. Why one should use a SWC instead of a 501 or 503... The best image quality combined in the most compact housing. That was also the intension to build a Rollei 35 back then. 1 Link to post Share on other sites More sharing options...
christoph_d Posted September 29, 2016 Share #21879 Posted September 29, 2016 I find three of the outstanding characteristics of the Rollei 35 cameras are: Firstly that they can always be with you they are so small. Secondly, people hardly notice them and if they do they don't take them seriously. Thirdly I have the tendency to experiment more using a Rollei than a "serious" Leica. Here a shot from the first category. It was the Rollei with the Tessar and you can notice some Barrel distortion. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Rollei 35T, Kentmere 400 @ 800, ns Rgds C. 7 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Rollei 35T, Kentmere 400 @ 800, ns Rgds C. ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3120958'>More sharing options...
christoph_d Posted September 29, 2016 Share #21880 Posted September 29, 2016 Here a shot from the third category Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Rollei 35SE, Tri-X, ns Rgds C. 9 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Rollei 35SE, Tri-X, ns Rgds C. ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3120959'>More sharing options...
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