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Following this photo of Pete in Ilford FP4

http://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?p=3119828

mine is less nice because the sun rise is at left ! :)

 

 

Kodak TX400

MP-50 LA

 

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Henry

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MP-50LA-Ilford HP5

 

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Henry

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Why avoid?  I prefer these street photos.  They tend to make me on the instruments and the subjects actions as opposed to the random people playing them whom I don't know.  Cheers to Neil, Jane and Dean!

 

I normally avoid taking this sort of picture, (street musicians) but I'd like to introduce Neil, Jane and Dean!

 


attachicon.gifthree.jpg

 

Leica MP - 35mm Summicron - Ilford HP5 (developed in HRX)

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Philip,

 

I'm not sure of your budget, but I've done a fair amount of research.  If you can, look for an SWC with serial numbers from around 1986-88.  These are more or less the 903 in the older look, at a much better price.  You will get the enhanced finder from the 903 with the bubble level also on the camera. The latter is a nice to have it you plan to use a low level finder or some other form that does not have a level built in (they took away the bubble on the camera in the 903). It will also have the Prontor, CF Lens.  The other suggestion would be those serial-ed between 1982-85, these models started with the new Prontor shutter, CF lens but will have the older finder and bubble level on the camera. Enjoy the search!

 

-Marc 

 

Good thinking Gary. I'll have a think about that one. I need to read up a bit more and would ideally like to try the different models first too.

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Thank you Marc, this is very helpful indeed. 

br

Philip

 

Philip,

 

I'm not sure of your budget, but I've done a fair amount of research.  If you can, look for an SWC with serial numbers from around 1986-88.  These are more or less the 903 in the older look, at a much better price.  You will get the enhanced finder from the 903 with the bubble level also on the camera. The latter is a nice to have it you plan to use a low level finder or some other form that does not have a level built in (they took away the bubble on the camera in the 903). It will also have the Prontor, CF Lens.  The other suggestion would be those serial-ed between 1982-85, these models started with the new Prontor shutter, CF lens but will have the older finder and bubble level on the camera. Enjoy the search!

 

-Marc 

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Tmax400 and D76 1:1... very good combination. And are you sure, that a Makina 67W AND a SWC is not too much to handle for you?

I would take care of the SWC, totally selflessly ;-)

You'll have to get in the queue, Klaus. I've been camped out here for months, waiting for someone to donate their SWC to a worthy cause.

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Great colors Henry!

Thanks Marc

I cann't find the same picture taken with my M digital but it's completely different in color

clearer and must be corrected ! I tried but I can not  :angry:

I'll post if I find it !

.... but people still like shoot in digital because it's convenient ! It's a shame they do not know this

difference ! in conclusion film is better in color

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Henry

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For your information and for Philip just to compare the price

1500 E for all the camera,lens and back

http://www.summilux.net/forums/viewtopic.php?f=21&t=79067

Henry

translation in google

https://translate.google.fr/translate?sl=fr&tl=en&js=y&prev=_t&hl=fr&ie=UTF-8&u=http%3A%2F%2Fwww.summilux.net%2Fforums%2Fviewtopic.php%3Ff%3D21%26t%3D79067&edit-text=

in good condition but I think this is negotiable

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Alexandre bridge

Paris sept 2016

 

Kodak Portra 160-M7-35 LA

 

 

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Rg

H.

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My favorite camera.  I literally wore mine out traveling.  I still have it, but it needs serious work.  Yours looks much better than mine, want to trade?  

I'm not sure, if I could live without it...  ;-)

 

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... and one of a big statue of the bridge

Impressive head bigger than mine :)

 

 

KP160-M7-35 LA

 

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Henry

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Some Portra reds from Kyoto.

 

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M4-P, 28, Portra160, ns

 

Rgds

 

 

C.

 

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And some Cinestill 50 reds from Nara. I was fascinated with the material feeling in the cloth that Cinestill is able to transmit. 

 

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M4-P, 28 or 35, Cinestill 50, ns

 

Rgds

 

C.

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