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The magnolia are almost out.

Plus another Hellebore pic

R8

35 Summicron R

Kodak Gold 200

Plustek 8100

Gary

 

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M6, 35CronASPH, Fuji Reala

 

Frank

Edited by fotomas
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"The Red and the Black"

 

Kodak Gold 400 ASA.

 

Paul

 

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Kodak Gold 400 ASA.

 

Paul

 

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Shoppers; on Kodak Gold 400 ASA.

 

Paul

 

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K2, 100/2.8 Macro, TMax 100, HC-110, X1:

29287691095_6ff816e830_c.jpg

The Ladybird and the Fig by chrism229, on Flickr

 

I've been impressed with how this TMax does with the HC-110. It's very old (bought in 1990 but frozen since), and I originally used it in Diafine, but found it developed ugly grain. I recently discovered a few rolls at the back of the freezer and I'm rather enjoying them.

 

Chris

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K2, 100/2.8 Macro, TMax 100, HC-110, X1:

29287691095_6ff816e830_c.jpg

The Ladybird and the Fig by chrism229, on Flickr

 

I've been impressed with how this TMax does with the HC-110. It's very old (bought in 1990 but frozen since), and I originally used it in Diafine, but found it developed ugly grain. I recently discovered a few rolls at the back of the freezer and I'm rather enjoying them.

 

Chris

This is beautiful, Chris.
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On the edge ....

 

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Fuji GA645Zi, Kodak Ektar

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 fujic200 - haitian canon balls

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Edited by janorun974
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A break from my latest colour sortie.

Some travel shots.

Came across a television advert being shot, Rue de Temple, Paris.

M6

35mm Summicron M

Agfa APX100

R09

Plustek 8100

Gary

 

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Piazza della Signoria, Florence

M6

35mm Summicron M

Agfa APX100

R09

Plustek 8100

Gary

 

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Very nice street action, Paul, with interesting muted colours. I like this kind of photography.

 

The pipe.

 

Kodak Gold 400 ASA.

 

Paul

 

attachicon.gifman_with_pipe1.jpg

 

Good catch, must have been a warm and humid day, seeing how they're both suffering :) 

 

Singapore

(TMax 400 in R09 @ 1:50)

29246694196_9b7c93530d_b.jpgA015 by Eoin Christie, on Flickr

 

 

 

Very dramatic Ramesh. I very much like the sharp silhouette. The only thing I would have tried in post (but I say this knowing that it is tricky to edit scanned slides) is to brighten the lighter parts of the immediate foreground to make the temple stand out even stronger. 

 

I wish I shot Hasselblad when I was there but I only have EOS shots. You've inspired me to try to dig out a few.

 

This is from a old batch of slides I recently scanned... Sunrise at AngkorWat temple, Cambodia. Hasselblad, Fujifilm Astia 100, 50mm C lens Comments are welcome... Ramesh

 

Terrific colours and definition, Gary. 

 

The magnolia are almost out.

Plus another Hellebore pic

R8

35 Summicron R

Kodak Gold 200

Plustek 8100

Gary

 

I bet this would look fantastic on a large print, Chris. Impressive results. 

 

K2, 100/2.8 Macro, TMax 100, HC-110, X1:

29287691095_6ff816e830_c.jpg

The Ladybird and the Fig by chrism229, on Flickr

 

I've been impressed with how this TMax does with the HC-110. It's very old (bought in 1990 but frozen since), and I originally used it in Diafine, but found it developed ugly grain. I recently discovered a few rolls at the back of the freezer and I'm rather enjoying them.

 

Chris

 

Kevin, this is an amazing photograph. Well done.

 

29010424880_b55ea91d2b_b.jpgi love you by Kevin, on Flickr

 

 

SF, 2011 -- M6, 35 Summicron ASPH, Efke 25, Xtol.   (The tear off tabs read "i love you, too", but it has to be printed very large to read that.)

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