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5 hours ago, chrism said:I

…I know, I'm being silly. If I want MF, use MF. If I want LF, use LF. I can do that. But there is some fun in trying to make the smaller and cheaper be so close to the larger and more expensive that it's "as near as makes no difference". No?

The closest I got was using staining developers (Moersch Tanol and Finol). I stopped however as the results were not consistent, the colour of the stain seemed to change, and that messed up the printing process … but I can see your point 😁

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Containing the beast!

Leica R8+R80/1.4 lens

Ilford HP5+ @ 800iso

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10 hours ago, adan said:

No problem there - I was mostly commenting on the reaction of "believing" it could be a Rollei picture. ;)

I'm sorry - I'm guilty of concrete thinking, which is a hazard with us neuro-atypicals!

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Clearing out the cupboards, what a chore! Plus-X @400 in Diafine again.

 

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Heilbronn, Marketplace.  Of greater importance than the sculpture "citizens" , is the church with its eclectic tower, not at all in line with the otherwise gothic architecture.... The chairs ? If you need a rest after getting the jab.... 

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MD-2; CV 21/4; Yellow filter, Rollei "Paul & Reinhold" Special Edition 100 Years,  ISO /  ASA 29 / 640  at box speed, Rodinal 1+50

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Early Marking 
M-A APO 50 E100

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Lapsing
MDa Summaron-M 28 Portra 800

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10 hours ago, Kl@usW. said:

Heilbronn, Marketplace.  Of greater importance than the sculpture "citizens" , is the church with its eclectic tower, not at all in line with the otherwise gothic architecture.... The chairs ? If you need a rest after getting the jab.... 

MD-2; CV 21/4; Yellow filter, Rollei "Paul & Reinhold" Special Edition 100 Years,  ISO /  ASA 29 / 640  at box speed, Rodinal 1+50

You are really working the MD-2 overtime with the 21 mm! Very cool!

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OM-2n, 85/2, Plus-X @400 in Diafine (a wonderful combination - as far as I'm concerned Kodak should throw away TMax 100 and bring back Plus-X!)

 

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8 minutes ago, chrism said:

Plus-X @400

I keep on wondering why you push that film if you want to reach an MF level of image ‘quality’ (if that’s a consistent concept at all, but you know what I mean). That creates only more grain that you want to reduce with Diafine, or am I mistaken?

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I wasn't being serious in suggesting 35mm can look the same as medium format; I was just rather pleased that I had made one of those photos—the ones that keep you engaged in the whole business. But it's nice to know I'm not the only one capable of concrete thinking. 😀 I see Flickr (their algorithm for this is way beyond me, with its striking predilection for birds and unrealistic HDR) has stuck it on 'Explore' today.

As for pushing Plus-X, you know by now I am no fan of grain, and Diafine certainly enjoys no reputation as a fine-grain developer. Diafine generally suggests exposing a film 2 stops faster than box speed, although you quickly realise when using it that this will give gritty, contrasty results. Tri-X at 1600 in Diafine - not for me! I find being more conservative about the speed gives me negatives that suit me better, by which I mean they don't look like classic Diafine negatives! So Tri-X at 1000 for me, HP5 at 640, FP4 at 200, Pan F at 80 and so on. (An aside, I do wonder whether Ilford films contain less silver than Kodak's, both explaining cheaper prices and smaller speed gains in Diafine? It would fit with the general tendency for fast films to have the larger speed gains in Diafine, whilst slow films with less silver get less or no speed gain.) Plus-X 125 is a film that somehow withstands Diafine very, very well (maybe it had lots of silver, was expensive to make, and had to go?) I can expose it at 400 and develop it that way and get results that are smoother and more pleasing to me than rating it at 125 and developing in D-76, HC-110 etc. I'm not here to proselytize for Diafine, and I'd be too late if I were as it seems to be near-impossible to buy. It is seen as a lazy way to develop, giving generally bad results to people who can't be bothered to do it properly. I'm convinced it can give excellent results if you use it wisely. That means knowing what EI to use for your film, not worrying overmuch about temperature and time whilst not blatantly ignoring them, and getting the agitation right. It's wildly sensitive to vigorous agitation. Continuous uniform agitation makes it purr, but get a bit rough and it will scratch and bite and give you lots of grain.

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52 minutes ago, chrism said:

Plus-X 125 is a film that somehow withstands Diafine very, very well (maybe it had lots of silver, was expensive to make, and had to go?) I can expose it at 400 and develop it that way and get results that are smoother and more pleasing to me than rating it at 125 and developing in D-76, HC-110 etc.

Thanks, didn’t know that. Anyway, it’s too late for me, I really loved PlusX but didn’t fill my freezer with it in time

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The Grand Canyon, Speed Graphic, Zeiss Icon 135mm, Fuji Provia 4x5

 

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