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I like film...(open thread)

Doc Henry

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Wayne

Wayne

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17 hours ago, Shlomo said:

Sicily from the train. Stazione Acirealia

Nikon F3 HP, Nikkor AiS 35mm 1:1.4, Fuji Pro 400H

 

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This is fantastic. The level of resolution frees up the mind. A novel, as opposed to a news article.

Wayne

 

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Shlomo

Shlomo

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18 minutes ago, Wayne said:

This is fantastic. The level of resolution frees up the mind. A novel, as opposed to a news article.

Wayne

 

Wayne - thank you very much! This lovely comment from You is of course extra valuable, I know almost all Your pictures here in the forum, and they really have that special something. 

Greetings from Berlin, Shlomo 

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chrism

chrism

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OM-2n, 80mm macro on the telescopic auto-tube, Plus-X etc

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Guest

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This roll of Tri-X didn't survive the long hibernation all to well (expired 1981). Nonetheless I like this street snap from a recent trip to Italy... 🙂

"The Connaisseur", Via Martiri della Liberazione, Chiavari, Liguria, Italia

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Canon A1,  FDn 28mm f/2.8, Tri-X (exp. 1981), Plustek 8200i SE

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Bobitybob

Bobitybob

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Look Mom, a man with a camera ...

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Canon AF35ML, Kodak BW400CN

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dimm

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Fashion, 2021

 

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M2 | Summaron 28mm f/5.6 | HP5+, Max dev 1;4

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cobbu2

cobbu2

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Along Penn Street, Pittsburgh.

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M6, 15/4.5 Voigtländer Super -Wide Heliar (v.1 + Adapter), Ilford Delta 3200.

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mdachs

mdachs

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m6 2/90 I/2 hp5

rgds

Joachim

 

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mdachs

mdachs

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m6 2/90 hp5

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Joachim

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Prosophos

Prosophos

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"Blue Welllington"

  • Leica M3
  • Voigtländer 35mm f/2
  • Kodak Portra 400

Sometimes, everything just lines up.

—Peter.

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Bo-Sixten

Bo-Sixten

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When minutes feel like hours....  Dusty old negs revisited. Stockholm, 1983. Leica M4, Tri-X, D-76

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Aryel

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M3, rollei planar 80, sfx200 (rodinal 1:50)

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Aryel

Aryel

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the Merlion, Singapore (2020)

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minolta cle, summaron-m 28, hp5+ (id11 1+1) printed on mgfb and scanned

 

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Wayne

Wayne

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For me,, too,  it started at a very young age.

 

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Nikon F2, Nikkor-O 35/2, Washi S

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Wayne

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Nikkor-0 35/2, Nikon F2, Washi S

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Kl@usW.

Kl@usW.

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Am 5.11.2021 um 04:07 schrieb Ernest:

I have found a peculiar phenomena when shooting my MDa composing a particular object with all the elements falling into place, which results in a marked increase in the heat of the silver chrome of the MDa. I thought perhaps that it was coincidental and decided to test this phenomena with a kind of placebo "garbage" shot to see if there was a heat register, and sure enough, there was a definite cooling of the silver chrome confronted with visual garbage. So, putting the question directly to you, given you have the wondrous black chrome Canadian MD-2, did you perceive to your touch any elevated heat factor with your riverside landscape? Or, do you call this a riverscape, or perhaps just an escape? Whatever, it's hot.

Thank you Rog, that's really interesting. I was hesitant to disclose my MD-2s peculiarities--but since you open the box: No, no heating or  cooling of the  top plate of the MD2.... And I'm happy about that because otherwise  I'd be in constant fear my index finger might freeze  on the "Leitz" logo.... 

No, with the MD2  it´s a hidden, undocumented feature; a man-machine thing.  As soon as your MDa would become "hot", my shutter release button will say  " Yes, Yes, Yesss !! " by a vibration, inducing a kind of tingling, electric feeling on my finger tip. "Garbage" on the other hand  is indicated by "No, no,  NOOO !!! " ; a rotation of the shutter release button, clearly a different feeling, not to be mistaken. 

As you know, the late Dr. Walter Mandler was on of the heroes of Midland, leaving behind a huge following of enthusiasts, still hailing the "Mandler Glow" , the "Mandler Magic" , " Mandlers  little gem" and so forth. Critics of this cult say  the teaching can be reduced to the slogan: better pictures by more abberrations and less contrast... but that´s a different story.  The interesting thing is, the Mandler spirit might have found it´s way into that MD2 ! Walter put an end to calculating by spreadsheets but got the computer into camera construction ! And here my suspicion: Mandler gave up the space consuming metering system to make room for the MM MD , the integrated circuitry of Mandler´s man machine device !  Possibly, heating or cooling the metal is V1, a clumsy effort of the Wetzlar crew, while my rotation of the shutter release is at least V 2...who knows. Perhaps there's even a menu hidden somewhere so you can choose....?  Sigh, so little do we know, so much research to be done.... I'm off now to  get the   feeling again ( of the magic shutter release ) ... 😇

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Wayne

Wayne

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To my favorite shirt:

Drip-dry only. Who would tumble-dry a friend?

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F2, Nikkor-0 35/2, Washi S

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chrism

chrism

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Back to real medium format, as opposed to the faux kind. TMax 100 as promised, but exposed at 200 and developed in Diafine, just because it works! Also trying out a new to me Sonnar 250/5.6. Usual lighting set up.

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