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It was shot meterless with the M4 and intended to be ISO400 but given my exposure skills it was probably somewhere between 200-500...

philip 

On 6/14/2020 at 11:38 PM, Kl@usW. said:

Very impressive, Philipus. At what speed did you use the XP2 ? 

See, there simply HAS to be a scooter in a pinhole picture :) 

On 6/15/2020 at 6:26 AM, christoph_d said:

January in Lyon

Horizon, Portra160

This is an amazing photograph. Well done Sharif.

23 hours ago, Sharif said:


Fujifilm GF670 W, 6x7, Kodak Ektar 100

Sharif

Excellent Antonio!

23 hours ago, AntonioF said:

I tried some DIY redscale with a roll of expired Kodak Max 400

Leica M6 + Summicron 35 asph

I really dig in-your-face flower pictures like this one. Wonderfully done, from framing, to exposure to focus.

21 hours ago, Wayne said:

Sunrise

Rollei SL66, 2.8/80 Planar, Ektar

Very good Rog. Very intriguing and fitting palette. 

16 hours ago, Ernest said:

Grid Work
M3 APO 50 Fuji Natura

The timing couldn't be more perfect. Look at the people in the train car, perfectly lined up on either side of the man in the middle. Wow

13 hours ago, fotomas said:

Another Berlin S-Bahn shot. 

A train is coming in at the station Feuerbachstraße 1986

Fuji HR100

That is a great point and shoot and with the Hektor you are sure to attract envious looks from other photographers. I mean, one should have one just for the Leica order name - HOOPY - alone :D  I see your Hektor is one of the rarer ones, from the very last batch in 1950 that only goes to f/22, same one I have. Really looking forward to your pictures!

13 hours ago, Wayne said:

Warning! Protocol Violation! Digital Images!

But taken with Leica C, and involving a film camera :)

For the past few years I have, when perusing various photography Blogs,  noted that the "Ultimate Point and Shoot Camera" question has provided considerable grist for the mill......as well as much debate and frustration. Not to mention absurdity in pricing for the main contenders to the championship. I laughed as I considered my entry into the fray.

Just back from DAG, I give you........"The Ultimate Point And Shoot Camera." And smaller than many, as well as much less in cost (years ago when I purchased.)

 

Best,

Wayne

Nice, I really like the totally surreal post-processing. Makes it look like a monochrome rotten orange.

12 hours ago, leicamour said:

Moon stars and me!

Nikon F4 - Carl Zeiss 5,6Tele-Tessar/350mm - 2 focal duplicators -  Crop - Ilford Delta Pro 3200 at 12800

 

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It's all Rog's fault, really...

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Flickr
M4 50/2 Gold 200 CS9000
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19 hours ago, Kl@usW. said:

Very nice, Wayne. The clematis are among my favorites.. 

Thank you, Klaus. It is one of my favorites as well. The vines are so delicate, coming out of soil, yet the plant is so hardy....a beautiful companion throughout the Summer months.

Best,

Wayne

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25 minutes ago, philipus said:

I really dig in-your-face flower pictures like this one. Wonderfully done, from framing, to exposure to focus.

 

That is a great point and shoot and with the Hektor you are sure to attract envious looks from other photographers. I mean, one should have one just for the Leica order name - HOOPY - alone :D  I see your Hektor is one of the rarer ones, from the very last batch in 1950 that only goes to f/22, same one I have. Really looking forward to your pictures!

 

 

Thanks, twice, Philip. I was overwhelmed with the size of the SL66; it sat on the shelf for a couple of months while I contemplated whether or not it was a mistake. I have decided to give it a go. The bellows feature is just too cool, and worth the extra size and weight. It is certainly larger than the Hassy, but the Hassy is by no means a small, light camera.

It was an uneventful stroll yesterday, but I did take the "Ultimate Point and Shoot Camera" along, and burned up a roll of TriX. I will post some when I process the roll.

Best,

Wayne

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Thanks so much for the support of this group for the photos I am posting! Really appreciate it, also that some of you decided to follow me on IG. Fantastic work published here continuously by great film shooters. 

Leica M7, CV 21/1.8, Kodak Gold 200 film, home developed with C-41.

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Edited by Martin B
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9 hours ago, philipus said:

It's all Rog's fault, really...


Flickr
M4 50/2 Gold 200 CS9000

If there's blame to go around, strike up the band for Malevich and the Bauhaus boys and girls. I mean, the Black Square and the encore of White on White, such audacity. I need to underscore how I have agonized over the diagonal, which you have so artistically orchestrated here, not to mention the pro/con arguments you must have wrestled with to include or exclude the one dimensional note, perhaps a window ledge, in the upper right corner. Otherwise, you would have a flat color field composition that alludes to a construction that bleeds beyond the boundaries of the square. That impasto, so delicate a reminder that this is photo-art, and the two white values, just a subtle note. Bravo!

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M3 APO 50 Fuji Natura

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Double One
M3 APO 50 Fuji Natura

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Broad Daylight
M3 APO 50 ADOX Color Implosion

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On 6/16/2020 at 7:14 AM, leicamour said:

Moon stars and me!

Nikon F4 - Carl Zeiss 5,6Tele-Tessar/350mm - 2 focal duplicators -  Crop - Ilford Delta Pro 3200 at 12800

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An outstanding image - superb.

 

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duck 2020

M6TTL, 135mm, Velvia 50

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