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On 1/26/2017 at 2:04 PM, Paul J said:

I have a very good copy as well that I would never part with. I fit in to the category of having one that wasn't great but came back from Leica a new lens that blew me away. You are right, it's impossibly beautiful.

So do I. I had mine coded and serviced in Wetzlar a few years ago, and since then it is a dream Lens. Don’t use it often, but oh my.. how wonderful for portraits wide open... the buttery smooth bokeh...

 

 

 

On 6/1/2021 at 11:02 PM, pgk said:

Its a surprisingly good all-round lens

+1

Stopped down it is excellent and tack sharp. Just a little heavy for a go-to lens :) 

 

 

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M10M + lux 75

 

Edited by didier
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(Formerly posted  - SL601 with lux 75)

 

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12 hours ago, didier said:

 ..... a little heavy for a go-to lens :) 

It balances very well with the SL though. Bigger, heavier camera with appropriately sized and weighted lens. I'm enjoying it on the SL more than I thought I would. Caveat; I also used it on the Sony A7II but the ergonomics just didn't work for me all that well - funny!

Edited by pgk
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  • 3 weeks later...

Couldn't resist. Propped on a table. SL and 75 Summilux wide open.

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On 6/9/2021 at 2:31 AM, pgk said:

It balances very well with the SL though........ Caveat; I also used it on the Sony A7II but the ergonomics just didn't work for me all that well - funny!

I will bet that is due to the taller SL body and grip.

Back in the 90s, I used Kyocera/Contax for a while. First body was the stylish and svelte ST, and I fould its short grip to be - painful - with heavier lenses (no room for my little finger, and the sharpish base corner dug into my palm). The taller (by a finger-width) Contax RX was much more comfortable, even though heavier.

https://en.wikipedia.org/wiki/Contax#/media/File:Contax_RTS_III_with_1.4,_50mm_lens.JPG

About the only time in my life where I found a larger, heavier camera to be more comfortable. ;)

https://www.cameraegg.org/leica-sl-vs-sony-a7rii-vs-canon-5ds-r-size-comparison/

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12 hours ago, adan said:

I will bet that is due to the taller SL body and grip.

Back in the 90s, I used Kyocera/Contax for a while. First body was the stylish and svelte ST, and I fould its short grip to be - painful - with heavier lenses (no room for my little finger, and the sharpish base corner dug into my palm). The taller (by a finger-width) Contax RX was much more comfortable, even though heavier.

I do think that ergonomics versus style is a lesson which manufacturers tend to forget and constantly need reminding about. I still remember the OM1 fondly as being a very comfortable camera to use (actuall in size terms it wasn't that ar from an M). The Pentax MX too things a little too far. Later there was a bit of a revolution in ergonomics with contoured grips built in. Leica's current M handgrip attachments seem to me to have devolved back to being clunky and ergonomically poor - they could take lessons from the current Aplas in style and use of materials, as well as some of the aftermarket grip makers for ergonomics, and produce some really good grips if they considered what they were trying to achieve. The SL balances very well with the 75mm Summilux though and makes me wonder which 20 and 35 M lenses (not necessarily Leica) would compliment it as well? I might ask the question in the SL section.

Edited by pgk
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Had a 75 Lux many years ago. Had to sell it for SLR gear needed for other work at that time.  Regretted that move the day I sold it. Have another one now along with it's brother (80 Lux) that I use with an SL2-S.  These two are my most used Leica lenses. I will never sell them again. Here's the 75 Lux

 

 

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Here's it's brother -my 80 Lux - a perfect pair -- FOR ME

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Edited by OR120
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6 hours ago, pgk said:

The SL balances very well with the 75mm Summilux though and makes me wonder which 20 and 35 M lenses (not necessarily Leica) would compliment it as well? I might ask the question in the SL section.

The 21mm Elmarit-M pre-ASPH is a very good match with the 75 Summilux in color and general imaging. Comes from the same Mandler/Canada "Class of 1980." Also E60.

But I don't know how well it plays with the SL sensor/firmware - it needs a LOT of Italian-Flag correction (well-handled by M firmware, if coded).

The 1980 35 Summicron-M v.4 is similar, but a bit less cyan/green in color.

(You didn't ask, but for completeness - most of the 1980-era lenses have a certain family resemblance, including the earlier 50 Summilux v.2, 90 cron E55, 28 Elmarit v.3, and 135 Elmarit.)

If you look at Erwin Puts' M-lenses Souls and Secrets .pdf, on page 18-19, you can find a "color table" for some lenses as of 2002. The ones from 1980 tend to run high in green (>4) and/or low in red (≤3), which gives that signature color. Which my own experience matches.

http://www.l-camera-forum.com/leica-wiki.en/images/3/3a/Puts-2002-M-lenses.pdf

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On 6/8/2021 at 3:42 PM, didier said:

So do I. I had mine coded and serviced in Wetzlar a few years ago, and since then it is a dream Lens. Don’t use it often, but oh my.. how wonderful for portraits wide open... the buttery smooth bokeh...

 

 

 

+1

Stopped down it is excellent and tack sharp. Just a little heavy for a go-to lens :) 

 

 

Same experience, mine was good, went to Wetzlar for coding, came back amazing. I should use it more often!

 

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1 hour ago, adan said:

The 21mm Elmarit-M pre-ASPH is a very good match with the 75 Summilux in color and general imaging. Comes from the same Mandler/Canada "Class of 1980." Also E60.

But I don't know how well it plays with the SL sensor/firmware - it needs a LOT of Italian-Flag correction (well-handled by M firmware, if coded).

The 1980 35 Summicron-M v.4 is similar, but a bit less cyan/green in color.

(You didn't ask, but for completeness - most of the 1980-era lenses have a certain family resemblance, including the earlier 50 Summilux v.2, 90 cron E55, 28 Elmarit v.3, and 135 Elmarit.)

If you look at Erwin Puts' M-lenses Souls and Secrets .pdf, on page 18-19, you can find a "color table" for some lenses as of 2002. The ones from 1980 tend to run high in green (>4) and/or low in red (≤3), which gives that signature color. Which my own experience matches.

http://www.l-camera-forum.com/leica-wiki.en/images/3/3a/Puts-2002-M-lenses.pdf

Adan - Thank you for the 'M-lenses Souls and Secrets' - also enjoyed page 62 - regarding 75 Lux and 90 Summicron

Edited by OR120
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Some pictures I'd like to share with my 75mm Summilux on an M10 Monochrom. Just snapshots, hand held, but I like the results.

Alain

 

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  • 2 weeks later...

Leica M240 with Summilux 75mm.  These shots are for comparison with similar work by the Noctilux 50mm f0.95 posted in Karbe's thread here only two weeks ago.  All shorts were taken in the National Mall, Washington, DC during which I revisited Henry Moore's Sculpture Garden of the Hirshhorn Museum. 

Please opine on the difference in rendering between the two lenses.  I am inclined to prefer the Noctilux, but am not really sure.  Please let me know of your thoughts.  Of course, resolution improves considerably when all shots are viewed on the light-box.  Thank  you. 

 

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Edited by ibramr
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Thanks for this @ibramr.  An interesting comparison.  I assume they were taken at comparable apertures?  F/1.4?

It doesn’t really matter much, as they are taken on the same day and almost the same framing.  I’m not surprised that the Noctilux is sharper than the Summilux - it is a more modern lens.  If both lenses were stopped down, the difference would be less, I’m guessing.  The colour cast of the Noctilux is warmer than the Summilux, and it also has a smoother treatment of the out of focus areas, which should not be surprising as the 75 Summilux was a design based on the 50 Summilux (which I assume was in turn influenced by Mandler’s design of the f/1 Noctilux).  I have never been a fan of the swirly bokeh of the f/1 Noctilux, and I’m not surprised to see traces of it in the second and third images above.

I also prefer the image taken with the Noctilux.

Cheers
John

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2 hours ago, IkarusJohn said:

....hich should not be surprising as the 75 Summilux was a design based on the 50 Summilux (which I assume was in turn influenced by Mandler’s design of the f/1 Noctilux).

The Mandler 50 Summilux came well before the f/1.0 Noctilux - 1961 (50 Summilux 2/"3") vs. 1976 (Noctilux f/1.0).

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1 hour ago, adan said:

The Mandler 50 Summilux came well before the f/1.0 Noctilux - 1961 (50 Summilux 2/"3") vs. 1976 (Noctilux f/1.0).

And yet the 75 Summilux was released after.  I think it was Erwin who said the 75 Summilux was based on the 50 Summilux - do I have that round the wrong way?  Was the 75 Summilux based on the f/1 Noctilux?  I should just check the Compendium, I guess …

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1 hour ago, IkarusJohn said:

And yet the 75 Summilux was released after.  I think it was Erwin who said the 75 Summilux was based on the 50 Summilux - do I have that round the wrong way?  Was the 75 Summilux based on the f/1 Noctilux?  I should just check the Compendium, I guess …

Karbe explains his derivation of the 50 Summilux ASPH (page 1), then references Mandler’s inspiration for the 75 Summilux ASPH (page 2), and how that in turn influenced him…

https://www.shutterbug.com/content/leica-lens-saga-interview-peter-karbe
 

Jeff

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