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ZM 21 2.8 or Elmarit 21


mtomalty

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As an owner of the ZM 21 on an M8 I'm running out of tolerance for the severe red/magenta sides.

Shooting in snowy conditions is proving to be all but impossible to clean up in post, without a

huge time expense, as the cast also creep in on all sides in varying degrees.

 

My question is, "does the optical design of the Elmarit 21, asph or non, eliminate these casts

or is it purely a function of this focal length reacting with the M8 sensor.

 

Thanks, in advance, and apologies for sort of rehashing a known issue but I picked up the M8 and

ZM 21 and 35 just before Xmas as a 'budget' way to determine if I could get back into the

rangefinder 'lifestyle' after abandoning it a few years back and the color obstacles aren't making the

experience particularly satisfying.

Before losing any more momentum on my eventual (inevitable?) endgame of M9 and 3-4 lenses

just wanted to poll users to see if Leica M lenses are resulting in similar concerns.

 

Mark

Mark Tomalty Photography Montreal Canada Travel Landscape Stock FineArt

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I have a ZM 21/2.8 and have not seen red or magenta casts, though to be fair there is not much snow in Hawaii and the sand is either gold or black. I have, however, had to have the focus of this lens adjusted twice - first by Zeiss then, to get it right, by DAG.

 

When I compare this lens to my Leica lenses, it is just as good optically but the build quality is no where near as good. While I don't believe a new Elmarit 21/2.8 ASPH is worth 3 times the price of the Zeiss, were I to buy a 21 again, I'd probably opt for a good used Elmarit. But when I switch over to a M9, a 21 mm is a focal length that will not see that much use so the ZM 21 is good enough for my purposes.

 

Tom

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I have the zm 21 2.8 on both M8 and M9 - to make it short: it is a wonderfull lens!

 

The only thing: you need to code it and have the bajonet flange modified/exchanged to make the 28/90 framelines to show in the finder. Then it works peferctly...

 

Code it as 21 2.8 asph, that is what most would recommend you. I hace made an other experience on the M9 where it works with an other lens code... I think 21 pre apsh - but I don't have it on hand now.

 

Good luck!

 

JPH

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I am having the combination 21 mm / M8 as well . Got the bajonet exchanged by Zeiss and coded it with a sharpie. Everything fine now. The lens is very good, quality is high. See the Erwin Puts review if you have doubts on the optical quality. Mechanics is a different thing. I trust that Leicas mechanic is way better ... You get what you pay for.

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Thanks for the replies. The additional data help me form a more accurate expectation

 

First off, I have no issues with the optical qualities, or mechanical for that matter (apart from

that little focussing 'nub'). Very happy with the sharpness,etc

 

My beef is with the magenta issue which, it would appear, I seem to have an overly sensitive

sensor in this regard.

 

I have the original bayonet and have the lens manually coded as the asph 21 which the

body recognizes. Leice UV IR also in place

Have gone with the non asph code as well but with no appreciable difference.

 

Will post a sample, tomorrow, for visual reference.

 

Thanks again

 

Mark

Mark Tomalty Photography Montreal Canada Travel Landscape Stock FineArt

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The red shift problem is - as far as I can see it - not caused by any lens nor specific to the M8 or M9, but shows on both cameras with many wide-angle lenses. There are many theories around about it; the most probable seems to be that it is caused by the camera software overcorrecting cyan shift. It is typical that you see it on snow, where it easily may be aggravated by underexposure.

 

There is hope that Leica will deal with the issue by the next firmware update, which is due in the next weeks, may be only days.

 

In the meantime you can use CornerFix (look for the threads about it here) which cures it effectively or very often just with a little adjustment of white balance.

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I have a 21 Biogon 28. Optically I could not be happier - but it fell to pieces internally after three years and is virtually impossible to repair.:mad::mad: Anyway, I never had any of the problems you describe. I coded it as an Elmarit 21/2.8 asph and that appears to fit perfectly. If the lens is coded but has the original mount, it is impossible for the camera to recognize it. It must bring up the 28 mm framelines for the coding to be effective, otherwise you will always see just the problems you describe. All M8 sensors are equally sensitive to IR.

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You can simulate the new bajonet by pusing the frame selector to the right (towards lens). If the lens is coded (with for example a Sharpie) , camera will recognise the difference and correct the colors. This is tested in various threads and works. Try it , the magenta issue will disappear !

 

Of course Jaap is right . There are no differences in the sensor design.

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Thanks for the suggestions.

 

Unfortunately, my ZM 21 does have the bayonet that calls up the 28mm framelines

yet the magenta sides remain.

 

Lens is Sharpie coded as a 21 asph and is seen, as such, by the camera.

 

Just something I'll have to accept, I guess.

 

 

Mark

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For point of reference here is the degree of red/ magenta I get when shooting in a situation

with neutral colored light.

The center of the image has been set to a neutral gray.

I can, certainly, minimize the color cast with gradients, etc but wanted to post this uncorrected

image as the camera records.

M8 with Leica UV-IR, Sharpie coded as Asph 21 which camera recognizes.

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I have the same problem with mine, when coded as a Leica 21mm, the correction seems to be to strong hence the magenta corners, I shoot a lot of blue sky's and this drives me crazy. The best option seems to be to use corner fix. Whenever I use this lens (which is most of the time), I turn the lens detection off, then run the raw files through cornerfix which works perfectly.

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Taken with CV 21, without lens correction, coding, or post-processing. Just adjusted temp.

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Here is a test of my 21 Biogon. The setup is tripod mounted at closest focus. The first shot shows my 24x36 copyboard and control scales. The second shot is of a piece of 32x40 foamcore. Exposure is F8 at 1/45 of a second. The lights are a pair of North Light HID banks.

 

(the setup can be downloaded from a pdf on my website How to Print the Perfect Giclée: Kauai's Printmaker )

 

Foamcore is slightly yellow and not a pure white. Color temp is 6050K.

 

Lens has Leica IR filter and is coded as a Elmarit 21. Lens detection is on.

 

You can see some vignetting and color shift but it is no where near as bad as your sample.

 

Tom

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Foamcore shot.

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Coverage with 4x5 scanback as a control and for comparison.

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