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Field, Latchford Herts


biglouis

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has the potential for a great image.... the highlights are blown and I would consider a different time of day and angle to get the best out of this...brigt sunny days are murder on any digital sensor.

 

 

Cheers, JRM

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has the potential for a great image.... the highlights are blown and I would consider a different time of day and angle to get the best out of this...brigt sunny days are murder on any digital sensor.

 

 

Cheers, JRM

 

Interesting point about digital sensors which I can exemplify with this capture which was a few seconds later from my M7, lux35, Fuji Superia 100.

 

[ATTACH]169995[/ATTACH]

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I like both versions, possibly because of different viewpoints.

 

It is difficult to identify the crop from a distance, but my guess is it is for green manure. Watch that space! I bet it is ploughed in early next year.

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Virgil, Jos, Paul, David - thanks for taking the time to comment. I also think the film version looks better. Quite a surprise for me. Virgil, I agree with you about a B&W version but I wanted to express my surprise at seeing such a verdant field in what is late Autumn, almost the onset of winter. David, thanks for the clarification as to what it might be.

 

LouisB

 

PS David's website is well worth a visit.

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Ditto...see what I mean!!!

 

I am sorry, I am terribly biased towards film, a deep and indelible prejudice that I am afraid will never change no matter how "good" digital gets..unless of course Fuji finally has the guts to come out with their "emulsion" sensor....I guess they are still having problems, once they get that ironed out, that will be the only viable alternative to film.

 

 

 

Cheers, JRM

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Louis, the film version is so much better, digital skies like that always look 'wrong' to me and are often virtually impossible to avoid.

 

Thanks, James, vdb and liecaman. This shot really has altered my entire perspective towards film, I have to say.

 

LouisB

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  • 1 month later...

Very pleasant shot(s), Louis.

 

 

 

I'm afraid I'm at a bit of a loss here because both shots are of digital skies - one from the sensor in a digital camera and the other from a sensor in a (digital) scanner. So to say that one is definitely better than the other is simply to compare digital sensors isn't it? :confused: The only person (presumably) who's seen the true film version is Louis.

 

Pete.

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Very pleasant shot(s), Louis.

 

 

 

I'm afraid I'm at a bit of a loss here because both shots are of digital skies - one from the sensor in a digital camera and the other from a sensor in a (digital) scanner. So to say that one is definitely better than the other is simply to compare digital sensors isn't it? :confused: The only person (presumably) who's seen the true film version is Louis.

 

Pete.

 

Pete

 

I think the point I am making is that there is a better representation of the sky to be scanned from a film frame than from the sensor in the M8. I am incidentally one of the world's greatest supporters of the sensor in the M8 but I was taken aback when I saw the results of scanning the film frame versus the digital capture.

 

LouisB

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How was the film scanned, Louis?

 

The film was scanned at source at Snappy Snaps when it was processed. I then processed the raw tiff that they produced (unusually for me, not very much).

 

In the past when I owned a scanner I was never able to get as good a result with my own scanning as they do for me down at my branch of Snappy Snaps. Could be I did not own a particularly good scanner. I'm still suspicious of whether or not a home scanner can do as good a job as the source scan. Have toyed with the idea of a V700 which is at the top of my price range though...

 

I never bother with prints.

 

LouisB

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