RPS Posted June 23, 2009 Share #1 Posted June 23, 2009 Advertisement (gone after registration) During the summer of 2008, there was a "Which B&W film" thread here in the Film Forum. As someone returning to film photography in a serious way after an absence of many years, I found that thread both interesting and very helpful. With the announced demise of Kodachrome, I thought it might be interesting to explore which color reversal film(s) the members of this forum favour ... and why. I searched the forum to see if this topic had been raised before, but did not find a similar thread ... if there is one, moderators please either remove this thread or merge it into the earlier thread of a similar nature. Quote Link to post Share on other sites More sharing options...
Advertisement Posted June 23, 2009 Posted June 23, 2009 Hi RPS, Take a look here Which Color Reversal Film?. I'm sure you'll find what you were looking for!
JBA Posted June 24, 2009 Share #2 Posted June 24, 2009 Ektar Quote Link to post Share on other sites More sharing options...
antistatic Posted June 24, 2009 Share #3 Posted June 24, 2009 Portra VC, both 160 and 400 I have not had the chance to try Ektar Quote Link to post Share on other sites More sharing options...
JBA Posted June 24, 2009 Share #4 Posted June 24, 2009 Oops, I've always used the term "transparency" for slides. It's been so long since I heard the term "reversal" that I mistook it to meant negative film. Silly me! I'll shoot mostly Velvia. I might give Ektachrome another chance, but I don't expect to like it any better than when I abandoned it in favor of Kodachrome 30 years ago. Ektar is amazing film with a palate similar to that of Kodachrome. It works better for night photography than any other film I've used thanks to its lack of reciprocity failure. I anticipate shooting lots of it, even though I've never had much fondness for color negative films. Quote Link to post Share on other sites More sharing options...
andybarton Posted June 24, 2009 Share #5 Posted June 24, 2009 If we are talking negative film - anything BUT Ektar... For slides, I use Astia 95% of the time. Quote Link to post Share on other sites More sharing options...
abrewer Posted June 24, 2009 Share #6 Posted June 24, 2009 If we are talking negative film - anything BUT Ektar... Probably a good thing, too! :D:D I like the Fuji slide films: Velvia for landscapes and sports because of the great colors, Astia for people (great skin tones) Quote Link to post Share on other sites More sharing options...
andybarton Posted June 24, 2009 Share #7 Posted June 24, 2009 Advertisement (gone after registration) I'll show you the result I got from it, Allan, then you'll see why it can stay on the shelf in the shop. Quote Link to post Share on other sites More sharing options...
jpattison Posted June 24, 2009 Share #8 Posted June 24, 2009 Ektachrome 100G all the time. Home processed. John Quote Link to post Share on other sites More sharing options...
mongrelnomad Posted June 24, 2009 Share #9 Posted June 24, 2009 For negative, I really like both Kodak Portra 160NC and Fuji Pro 160S (shoot the latter if there are lots of greens), and Fuji Pro 400H. For slide: big fan of Velvia 100F (and about to try my first roll of Astia). Quote Link to post Share on other sites More sharing options...
NZDavid Posted June 24, 2009 Share #10 Posted June 24, 2009 E100G or Elite 100 plus Fuji Astia 100F - which has incredibly fine grain and neutral colors. I liked Agfa's RSX, but it is no longer made. Quote Link to post Share on other sites More sharing options...
JBA Posted June 24, 2009 Share #11 Posted June 24, 2009 Andy, you probably feel about Ektar the way I feel about Elite Chrome. Quote Link to post Share on other sites More sharing options...
RPS Posted June 24, 2009 Author Share #12 Posted June 24, 2009 You guys are giving me a chuckle. Before starting this thread, I spent a fair amount of time deciding whether to call it "Which Color Slide Film?" or "Which Color Transparency Film?" before deciding on "Which Color Reversal Film?". I even looked up Kodachrome on Wikipedia to verify the term typically used to describe that particular film. My logic for this decision came from my perception that "hey, there's a lot of really sophisticated photographers on this forum ... they'll probably prefer that I use the more technical term." Who knew I would cause so much confusion! Quote Link to post Share on other sites More sharing options...
earleygallery Posted June 24, 2009 Share #13 Posted June 24, 2009 No confusion here, I used to shoot a lot of Kodachrome - in preference to colour negative - but have moved more towards negative film, mostly for convenience. I do prefer slide/transparencey/reversal film however. Ektachrome or Agfa were my next best alternatives, obviously Agfa is no longer available. I always thought Fuji was a bit too 'cold' looking but I've not tried the latest films. I was thinking of buying up some Kodachrome and making the most of it while it lasts, but maybe I'd be better off experimenting with some of the alternatives. That said I've got a freezer load of colour neg to get through! Quote Link to post Share on other sites More sharing options...
jplomley Posted June 24, 2009 Share #14 Posted June 24, 2009 In 4x5 I shoot E100VS and RVP-50. In MF, Provia 100F. In 35mm, RVP-100 for urban graffiti projects, and Provia 100F for street portraits. Quote Link to post Share on other sites More sharing options...
twittle Posted June 24, 2009 Share #15 Posted June 24, 2009 I'm at a crossroads, of sorts. I'm a Kodachrome user. Shot a smattering of other films here and there, but nothing I like as well as the aforementioned. I don't know what I'll switch to when my stock's gone. I prefer reversal, but I suppose if I have to go to negative I will. Quote Link to post Share on other sites More sharing options...
abrewer Posted June 24, 2009 Share #16 Posted June 24, 2009 I'll show you the result I got from it, Allan, then you'll see why it can stay on the shelf in the shop. I think I remember you posting it a few months ago, but go ahead for anyone else who missed it. I do remember vividly the shots someone (not you) posted where the colors were gone all orange and weird. That was ugly, for sure. Not sure what labs on this side the pond are doing differently, but as you know I've been very happy with the Ektar. It's most definitely all down to the processing. Quote Link to post Share on other sites More sharing options...
matiasgd Posted June 24, 2009 Share #17 Posted June 24, 2009 now with the K14 in his last days. E100G and Provia 100F will be me election Quote Link to post Share on other sites More sharing options...
hamey Posted June 24, 2009 Share #18 Posted June 24, 2009 After spending a few hours projecting some of my slides it become apparent to me that Kodak series of transpararency film was the winner. I don't know if it's the strong light down here but on the screen it's gorgeous, Summer...100G. 100GX is slightly warmer probably better for the cooler seasons. And if you really want to be blown away by it's punch and sharpness try 100VS great for dull days unlike Kodachrome. I also like Fuji's films Velvia,Provia and Astia and if I am desperate I will use Sensia. Good luck with your choice. Ken. Quote Link to post Share on other sites More sharing options...
RPS Posted June 12, 2010 Author Share #19 Posted June 12, 2010 (edited) With the apparent demise of Astia (http://www.l-camera-forum.com/leica-forum/film-forum/125995-astia-blink-its-gone.html) I thought I would bump this thread to see whether the passage of a year might produce a different take on this question ... it would be good to learn what others think before I stock up on film for my summer vacation. Yes ... I realize Astia still can be purchased, but if it's going to be gone eventually, I thought I might start getting familiar with some of the other options. Edited June 12, 2010 by RPS Added a comment Quote Link to post Share on other sites More sharing options...
FiZZ Posted June 12, 2010 Share #20 Posted June 12, 2010 With the apparent demise of Astia (http://www.l-camera-forum.com/leica-forum/film-forum/125995-astia-blink-its-gone.html) I thought I would bump this thread to see whether the passage of a year might produce a different take on this question ... it would be good to learn what others think before I stock up on film for my summer vacation. Yes ... I realize Astia still can be purchased, but if it's going to be gone eventually, I thought I might start getting familiar with some of the other options. Three months ago I started using Portra NC, and I'm more than happy with it, on both 35mm and 120. I always shoot 400 and it's incredibly clear and sharp. Gives gorgeous skin tones as well, so if you're doing street with lot's of people then I highly recommend this. Quote Link to post Share on other sites More sharing options...
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