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brivadois

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About these copyright laws concerning the tower, does that also apply to painters who paint at night?

 

Life seems to get more and more complicated for no real apparent reason. I think photographers are going to have to start organizing lobby groups to protect the profession from idiotic nonsense laws.

 

Cheers,

Wilfredo

Benitez-Rivera Photography

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An eaven easier strategy is for photographers to collectively ignore such rules and regulations. They cannot possibly bring 100.000+ people per year to court.

 

This is called the voice of the people - well tried and tested.

 

Meanwhile my legally informed wife tells me that she would doubt if the US (or elsewhere) courts would take any action on an Eiffel Tower illumination breach of copyright charge. Apart from more burning issues requiring their attention (murder, theft, impeachement), one might argue that if they do not want the thing photographed they should pack it in opaque plastic (or whatever suites your fancy) so that such offences are not possible. Moreover how is one supposed to know about this copyright thing - is this obvious to the beholder, written via a lasershow, attached to your camera instruction manual? I think not.

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It seems indeed a difficult copyright to enforce. In this age of cellphone cameras and weblogs there must be any number of infringements all ove the Internet. Added to which: The main artwork seems to be the colour of the light illuminating the tower. Postprocessing is certain to change the exact colour, making the photograph a new and original work of art and thus exempt.It is even possible to take a 50 year old night photograph af the tower and change the colours to approach the effect we see now. Is that a breach of Copyright? I doubt it.

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You should always check the fine print

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.. it would indeed being farcical if you would get copyright granted to you for your next photo book in the UK, and I could just buy a copy, reproduce it and sell it in Italy without any consequence. Wouldn't it?

 

The copyright protections for Italians in Italy would be agreeably similar to the copyright protections to a UK photographer in UK law; there would be no conflict in any agreement on copyright between Italian and UK law in this example [and others cited earlier in the thread].

 

The issue of night Eiffel photographs is only special because of radical differences of law between France and the UK [and presumably other countries who are signatories to the same copyright agreement].

 

you can believe what you choose to believe

 

Vieri - It really is not a matter of belief for me, I completely understand your certainty, I simply do not share it because regardless of what appears to be signed up to, for me; a central question still has to be answered:

 

Can the law of another country take precedence in the UK's courts over UK law?

 

The answer to that question will determine my belief.

 

For the record I am one of those photographers who has stood up and fought my battle over copyright protection, I have campaigned on the subject and it cost me.

 

................ Chris

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Can the law of another country take precedence in the UK's courts over UK law?

 

 

Yes it can - provided there are international treaties - or EU law- that provide a legal basis.

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Yes it can - provided there are international treaties - or EU law- that provide a legal basis.

 

True, but rather not the law of (one) another country, but - as a rule of thumb - international treaties or law-systems based on those, like EU Law.

 

For copyright: the Berne Convention. See:

Berne Convention for the Protection of Literary and Artistic Works

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