LUF Admin Posted February 20 Share #1 Posted February 20 Advertisement (gone after registration) Leica today presents the Leica Summilux-M 1:1.4, another standard focal length for the Leica M system. The optical calculation is based on the second version of the Summilux-M 50 f/1.4 (II), which does not require aspherical elements. The Leica Summilux-M 1:1.4 is now available from Leica dealers at £3,310 / €3,850 / $3,895. B&H has the Summilux-M 1:1.4 already for pre-order! First experience reports on the Leica Summilux-M f1.4 Some forum members have already had the opportunity to test the lens, here you can find their experiences: Jono Slack Review: Leica 50mm Summilux f1.4 Review Milan Swolfs: The Leica 50mm Summilux Pre Asph Review by Elmar Streyl: A modern classic - The new Leica Summilux-M 50 mm f/1.4 Leica Summilux-M f1.4 Images Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Leica Summilux-M f1.4 at a glance Focal length 50mm Lens speed 1:1.4 7 elements in 5 groups 12 aperture blades Close focusing distance at 70cm Weight 417 g Dimensions 45 x 58mm (L x Ø) Price 3.850 € New: Leica Summilux-M 50 f/1.4 A new version of the historic M classic expands the Leica Classic Line with a lens that has unrivalled bokeh. Wetzlar, 20th of February 2025 – Leica lenses are rich in history, with production spanning over and impressive 150 years. During this time, many handcrafted masterpieces have been created and have gone on to reach numerous milestones while defining trend-setting standards. The history of the legendary M-Lenses began over 70 years ago. Each lens tells its own success story, with some of these legends now enjoying a renaissance decades later. This is the case for the new Leica Summilux-M 50 f/1.4. The Summilux-M 50 f/1.4 (I) was launched onto the market in 1959, the first lens released under the name ‘Summilux’, which is derived from the Latin “summa lux”, meaning “maximum light”. Since then, Summilux has become synonymous for particularly fast Leica lenses featuring an aperture of f/1.4 to f/1.7. The new interpretation combines the classic vintage look with state-of-the-art technology and is the fifth member of the Leica Classic Line. Just like the Summaron-M 28 f/5.6, the Thambar-M 90 f/2.2, the Noctilux-M 50 f/1.2 ASPH. and the Summilux-M 35 f/1.4, its timeless aesthetics are reminiscent of its historical predecessor. The optical calculation is based on the second Summilux-M 50 f/1.4 (II), an almost unchanged version that was produced from 1962 to 2004, that is famed for its impressive image quality and unmatched image characteristics at a wide aperture. The new Summilux-M also captures the moment in this unique look with particularly soft bokeh when a wide aperture is used, making it ideal for portrait photography. When stopped down, the new lens produces sharper and higher-contrast images than its historical predecessor. This is ensured by modern production techniques and the use of special types of glass. The new edition of this classic lens fulfils all the requirements of modern M-Cameras with a high-resolution sensor. Compared to its historical predecessor, it offers even more creative freedom thanks to its extended close focusing distance of 0.7 m. Like all M-System lenses, the new Summilux-M proudly bears the “Made in Germany” label and is testament to the quality for which Leica lenses are known all around the world. The new lens is made by hand from solid brass and fitted with a high-quality, round vintage lens hood. As the new standard lens in the Leica Classic Line, it combines a charming vintage design with technical precision par excellence. The Summilux-M 50 f/1.4 is the first Leica lens to come in the newly designed packaging. The high-quality boxes do not contain any plastic at all and are also produced in Germany. The Leica Summilux-M 50 f/1.4 is now available worldwide from all Leica Stores, the Leica Online Store and specialist retailers. The recommended retail price is £3,310.00 / €3,850.00 / $3,895.00 incl. VAT. 13 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Leica Summilux-M f1.4 at a glance Focal length 50mm Lens speed 1:1.4 7 elements in 5 groups 12 aperture blades Close focusing distance at 70cm Weight 417 g Dimensions 45 x 58mm (L x Ø) Price 3.850 € New: Leica Summilux-M 50 f/1.4 A new version of the historic M classic expands the Leica Classic Line with a lens that has unrivalled bokeh. Wetzlar, 20th of February 2025 – Leica lenses are rich in history, with production spanning over and impressive 150 years. During this time, many handcrafted masterpieces have been created and have gone on to reach numerous milestones while defining trend-setting standards. The history of the legendary M-Lenses began over 70 years ago. Each lens tells its own success story, with some of these legends now enjoying a renaissance decades later. This is the case for the new Leica Summilux-M 50 f/1.4. The Summilux-M 50 f/1.4 (I) was launched onto the market in 1959, the first lens released under the name ‘Summilux’, which is derived from the Latin “summa lux”, meaning “maximum light”. Since then, Summilux has become synonymous for particularly fast Leica lenses featuring an aperture of f/1.4 to f/1.7. The new interpretation combines the classic vintage look with state-of-the-art technology and is the fifth member of the Leica Classic Line. Just like the Summaron-M 28 f/5.6, the Thambar-M 90 f/2.2, the Noctilux-M 50 f/1.2 ASPH. and the Summilux-M 35 f/1.4, its timeless aesthetics are reminiscent of its historical predecessor. The optical calculation is based on the second Summilux-M 50 f/1.4 (II), an almost unchanged version that was produced from 1962 to 2004, that is famed for its impressive image quality and unmatched image characteristics at a wide aperture. The new Summilux-M also captures the moment in this unique look with particularly soft bokeh when a wide aperture is used, making it ideal for portrait photography. When stopped down, the new lens produces sharper and higher-contrast images than its historical predecessor. This is ensured by modern production techniques and the use of special types of glass. The new edition of this classic lens fulfils all the requirements of modern M-Cameras with a high-resolution sensor. Compared to its historical predecessor, it offers even more creative freedom thanks to its extended close focusing distance of 0.7 m. Like all M-System lenses, the new Summilux-M proudly bears the “Made in Germany” label and is testament to the quality for which Leica lenses are known all around the world. The new lens is made by hand from solid brass and fitted with a high-quality, round vintage lens hood. As the new standard lens in the Leica Classic Line, it combines a charming vintage design with technical precision par excellence. The Summilux-M 50 f/1.4 is the first Leica lens to come in the newly designed packaging. The high-quality boxes do not contain any plastic at all and are also produced in Germany. The Leica Summilux-M 50 f/1.4 is now available worldwide from all Leica Stores, the Leica Online Store and specialist retailers. The recommended retail price is £3,310.00 / €3,850.00 / $3,895.00 incl. VAT. 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Advertisement Posted February 20 Posted February 20 Hi LUF Admin, Take a look here Modern Classic: Leica Summilux-M 50 mm f1.4. I'm sure you'll find what you were looking for!
haikos Posted February 20 Share #2 Posted February 20 I'm excited about this one! 1 Link to post Share on other sites More sharing options...
brickftl Posted February 20 Share #3 Posted February 20 (edited) here's how ChatGPT compares the new lens to the summicron 50/2 rigid (which I have and love) Here’s a comparison of the Leica 50mm f/1.4 Summilux-M Classic and the Leica 50mm f/2 Summicron Rigid in terms of size and weight: Leica 50mm f/1.4 Summilux-M Classic (2024) • Length: 52mm • Diameter: 58mm • Weight: 332g (black) / 371g (silver) • Filter Thread: E46 Leica 50mm f/2 Summicron Rigid (1956-1968) • Length: ~43mm • Diameter: ~48mm • Weight: ~240g (chrome version) • Filter Thread: 39mm (Series VI or E39 with adapter) Size & Weight Comparison • The Summilux-M Classic is noticeably larger and heavier than the Summicron Rigid, mainly due to the f/1.4 aperture and modern construction. • The Summilux-M Classic uses a larger E46 filter compared to the Summicron’s E39 (Series VI). • The Summilux is about 9mm longer and around 90g heavier than the Summicron Rigid. Optical Rendering & Character Comparison Leica 50mm f/1.4 Summilux-M Classic (2024) This lens is a modern recreation of the original 1959 Summilux but with updated mechanics. It retains the vintage character while improving usability. • Rendering: Soft, dreamy glow wide open with pronounced spherical aberrations. • Bokeh: Swirly, smooth, and painterly, with slight “soap bubble” characteristics at f/1.4. • Sharpness: • Wide open: Soft with a glow due to spherical aberrations. • Stopped down: Sharpens up significantly by f/2.8. • Contrast: Low to moderate, giving a classic, cinematic look. • Flare Resistance: More controlled than the 1959 version but still prone to flaring in strong backlight. • Color Rendering: Slightly warmer with subtle vignetting at f/1.4. Leica 50mm f/2 Summicron Rigid (1956-1968) One of the sharpest lenses of its time, the Rigid Summicron is known for its clinical precision with a classic touch. • Rendering: Neutral, balanced, and three-dimensional with a bit of classic Leica glow wide open. • Bokeh: Smooth but less pronounced than the Summilux; no “soap bubble” effect. • Sharpness: • Wide open: Very sharp, even by modern standards, with minor field curvature. • Stopped down: Exceptional sharpness from f/4 onward. • Contrast: Higher than pre-war designs but lower than modern ASPH lenses. • Flare Resistance: Good but can exhibit veiling flare when shooting into the light. • Color Rendering: Natural and neutral, with slight warmth but less vignetting than the Summilux. Which One to Choose? • If you want a dreamy, vintage glow with swirly bokeh and cinematic character: Summilux-M Classic • If you prefer a balanced, crisp, and classic look with great sharpness: Summicron Rigid The Summilux-M Classic is for those who love a vintage aesthetic, while the Summicron Rigid remains a great all-around classic 50mm. Edited February 20 by brickftl 2 1 2 Link to post Share on other sites More sharing options...
johnson184 Posted February 20 Share #4 Posted February 20 (edited) I currently have a 35mm APO, a 50mm APO and recently a 75mm Noctilux. Was considering a more vintage, character 50mm lens for wedding/engagement photos for lens flares and soft bokeh. I don’t have any experience with Noctilux and Summilux lenses. How would you guys say the older Summilux lenses this one’s based on compares to say a F1 or F1.2 Noctilux? Edited February 20 by johnson184 Link to post Share on other sites More sharing options...
TomB_tx Posted February 20 Share #5 Posted February 20 Finally a "modern" (new production) lens I'd consider. 5 Link to post Share on other sites More sharing options...
evikne Posted February 20 Share #6 Posted February 20 How is the wide open performance compared to the v3 pre-ASPH? Link to post Share on other sites More sharing options...
Olaf_ZG Posted February 20 Share #7 Posted February 20 Advertisement (gone after registration) Just when I thought I was done with M-lenses… 2 1 7 Link to post Share on other sites More sharing options...
brickftl Posted February 20 Share #8 Posted February 20 53 minutes ago, evikne said: How is the wide open performance compared to the v3 pre-ASPH? no one knows until it is released and third party reviews come out. But it will be interesting to see. On a similar basis, I have the 35 steel rim reissue of the original pre-asph 35/1.4 that I know you love - I've seen all your fantastic pics. What I can say about that comparison is that it appears to me that the original pre-asph, wide open compared to the SRR, is a bit softer and more glowy. I almost got the pre-asph, but then Ye talked me out of it, recommending instead that I get the SRR. Currently I have the cron 50/2 rigid, so I'm especially looking forward to seeing what reviewers have to say about the new 50mm f/1.4 Summilux-M. Just based on initial reports, I may be interested in it. 3 Link to post Share on other sites More sharing options...
Bear Posted February 20 Share #9 Posted February 20 I guess now I'll have to get a chrome body to match 🤑 3 Link to post Share on other sites More sharing options...
adan Posted February 20 Share #10 Posted February 20 1 hour ago, evikne said: How is the wide open performance compared to the v3 pre-ASPH? Leica's own MTF charts (NB: Leica's charts are traditionally based on the design-computer's simulation/prediction, not actual lab measurements.) Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 5 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/419366-modern-classic-leica-summilux-m-50-mm-f14/?do=findComment&comment=5760751'>More sharing options...
wlaidlaw Posted February 20 Share #11 Posted February 20 I am feeling very happy that in effect, I already have this lens with a 1999 50/1.4 Summilux III LTM Special Edition. It is my favourite 50mm lens. I works beautifully on both digital on my M10-R and film on both my M7 and IIIg. I use a Rayqual adapter when using it on the M10-R, to avoid the "no lens detected" message. Wilson 3 Link to post Share on other sites More sharing options...
MacDougall Posted February 21 Share #12 Posted February 21 (edited) 5 hours ago, Olaf_ZG said: Just when I thought I was done with M-lenses… Oh me too! I traded for the ASPH VII 2 days ago! I might have to get 3rd 50 to aide my daily indecision. It might be nice if they ported this design to the SL, in which case I'd finally get a native lens. Oh, but why... Edited February 21 by MacDougall 1 Link to post Share on other sites More sharing options...
Wwin Posted February 21 Share #13 Posted February 21 I’m very curious if it has a glow like the Summilux 35mm SR re-edition???? i’m new to Leica glass (I use VL) and want to buy my very first Leica lens 😊 I tryed the 35mm SR lens and love the glow it produces! Butt I’m doubting between a 35mm and a 50mm….love both focal lengths! Link to post Share on other sites More sharing options...
elmars Posted February 21 Share #14 Posted February 21 vor einer Stunde schrieb Wwin: I’m very curious if it has a glow like the Summilux 35mm SR No glow wide open at the new Summilux 50. 1 Link to post Share on other sites More sharing options...
adan Posted February 21 Share #15 Posted February 21 No, the 50 Summilux (v.2) has never had the extreme glow of the 35 Summilux. Not even in 1961. There had been 50mm f/1.5s dating back to the 1930s, so it was not an especially new or exotic optical problem to solve. The 35 Summilux SR is/was VERY different, due to its very small size and ~43% wider field of view (a lot more light rays to bend correctly) - and was the FIRST 35 f/1.4 ever made by anyone (and thus breaking new ground). 4 1 Link to post Share on other sites More sharing options...
costa43 Posted February 21 Share #16 Posted February 21 (edited) 3 hours ago, Wwin said: I’m very curious if it has a glow like the Summilux 35mm SR re-edition???? i’m new to Leica glass (I use VL) and want to buy my very first Leica lens 😊 I tryed the 35mm SR lens and love the glow it produces! Butt I’m doubting between a 35mm and a 50mm….love both focal lengths! In my experience, the 50mm v2/v3 optical design doesn’t really give you much glow at all wide open. It does have a softness to the image that is very pleasing to me though. If you want glow, I would go for the 35mm Summilux pre asph v2. There is sample variation as it was made for over 30 years but most of them are going to give you the character wide open in spades, stopped down the lens is sharp but never clinical, it is my most favourite optic, the one I will take if I can own only one. The steel rim reissue is another choice if you prefer to buy new but in my opinion it lacks the character of the vintage lens and will give you a more controlled, somewhat glowy performance at f1.4 and a lot of performance stopped down, which is something you may prefer. There are really extensive image threads for these lenses on this forum which could give you a feel for what to expect. Edited February 21 by costa43 1 1 Link to post Share on other sites More sharing options...
Biotar Posted February 21 Share #17 Posted February 21 vor 3 Stunden schrieb Wwin: i’m new to Leica glass (I use VL) and want to buy my very first Leica lens 😊 I tryed the 35mm SR lens and love the glow it produces! Butt I’m doubting between a 35mm and a 50mm….love both focal lengths! ... however, you have the best chance for glow again with VL in the Heliar 1.5/50 😉 - which I love very much next to my various S-Lux's 50 1 1 Link to post Share on other sites More sharing options...
Smudgerer Posted February 21 Share #18 Posted February 21 A nice new offering by Leica, I am happy to see them continuing to refresh classic lenses from the past, tempting for sure but I will pass on it myself being more than a 35mm FL person in what I generally choose to go out with...............And of course it is only offered in silver chrome where my first preference would be for a black chrome finish, ( no doubt in a year or so though Leica will come out with a black chrome edition at three times the price for the same lens as they did with the 35mm Summilux SR re-issue, a double pass on that! ). I trust this re-issue will be clear of the rather stupid hood/filter design mistakes of the new Summilux 35 SR, hopefully there's a lesson learned. A heretical note......I recently bought the LLL 50mm f2 Rigid, in black of course, and that more than scratched my itch for another M-50mm, it's a very nice "re-make" in all respects. Link to post Share on other sites More sharing options...
FrozenInTime Posted February 21 Share #19 Posted February 21 (edited) I found this photo of the new hood: Will it fit when E46 filters are on the lens Is the hood reversible for storage Is it reversible with a filter attached There is also a plastic push cap supplied ; does it fit the reversed hood Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited February 21 by FrozenInTime Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/419366-modern-classic-leica-summilux-m-50-mm-f14/?do=findComment&comment=5761039'>More sharing options...
wlaidlaw Posted February 21 Share #20 Posted February 21 This looks just like the 12585 hood, I use on my 1959 35/2.8 Summaron. My 50/1.4 Summilux III SE has a built in sliding hood, IMHO much more convenient. Wilson 2 Link to post Share on other sites More sharing options...
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