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On 1/23/2025 at 5:25 PM, hdmesa said:

I only need 1 fps because I have flawless timing. All you 30 fps people need to practice more 🙃

But how can you make that frame at 12bit? can you do that?

In the last few years of shooting professionally with SL2, I never shot continues ! Crazy, I must be missing out.

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6 minutes ago, Photoworks said:

But how can you make that frame at 12bit? can you do that?

In the last few years of shooting professionally with SL2, I never shot continues ! Crazy, I must be missing out.

Don't tell anyone, but there also a secret 6-bit mode for true artists 🤫

 

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45 minutes ago, helged said:

Diversity is good, isn't it; some does, some doesn't need/use AF-C.

If one needed flawless AFc tracking, would the SL3-S be the one to choose? I wouldn't think so. The SL3-S seems to be for those that want to shoot Leica and only occasionally need AFc and/or are ok with the current hit rate.

Personally, if I had to rely on the AFc for eye-AF professionally, there's no way I'd choose anything but a current Canon or Sony system (not even Nikon).

Edit: bracing for the incoming "how did we do it in the days before autofocus" crowd 😵‍💫

Edited by hdmesa
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Just coming home with SL3-S on APS-C. Very happy with the walk and the results at low light! Did use Leica TL 35 f/1.4 tonight :) Much less to carry than with SL Lux 50 :) To me personally resolution of 10 MP is sufficient. But matter of personal priorities and preferences of course.

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46 minutes ago, hdmesa said:

If one needed flawless AFc tracking, would the SL3-S be the one to choose? I wouldn't think so. The SL3-S seems to be for those that want to shoot Leica and only occasionally need AFc and/or are ok with the current hit rate.

Personally, if I had to rely on the AFc for eye-AF professionally, there's no way I'd choose anything but a current Canon or Sony system (not even Nikon).

Edit: bracing for the incoming "how did we do it in the days before autofocus" crowd 😵‍💫

Flawless AF-C+ tracking does not exist. Some cameras do it better, some worse. I am more interested in AF-C than subject detection and tracking. I have not gathered enough experience, but the SL3-S seems much closer to what I am used to with my DSLRs. It may be that AF-C is now good enough to become my default setting on the SL3-S.

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6 hours ago, SrMi said:

Flawless AF-C+ tracking does not exist...

True, which is why I'd still choose an R5 Mark II or one of Sony's current stacked sensor cameras. I don't have the SL3-S, but I did have the S5IIX for a while – long enough to know the AFc was good enough but not on the same level as Canon – at least not at f/2 for hitting the iris. You've had or have the R5, right? I had extremely high hit rate on the iris with their eye-AF even at f/1.2. Not flawless, but pretty close. Of course grandiose statements like that become less so the more challenging the movement 🙃

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vor 6 Minuten schrieb hdmesa:

True, which is why I'd still choose an R5 Mark II or one of Sony's current stacked sensor cameras. I don't have the SL3-S, but I did have the S5IIX for a while – long enough to know the AFc was good enough but not on the same level as Canon – at least not at f/2 for hitting the iris. You've had or have the R5, right? I had extremely high hit rate on the iris with their eye-AF even at f/1.2. Not flawless, but pretty close. Of course grandiose statements like that become less so the more challenging the movement 🙃

Can you >feel you Canon and Sonys? I mean emotionally?

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11 minutes ago, mpauliks said:

Can you >feel you Canon and Sonys? I mean emotionally?

No, which is why I'd only buy one if I needed it professionally. Canon feels great in the hand, but it's not very inspiring as a physical object. That said, they both have a few lenses that are emotionally compelling, such as their 50 1.2s and 28-70 f/2s. The new Sigma 50 1.2 and 28-45 1.8 would be my choices for L-mount and are just as inspiring in rendering.

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vor 25 Minuten schrieb hdmesa:

No, which is why I'd only buy one if I needed it professionally. Canon feels great in the hand, but it's not very inspiring as a physical object. That said, they both have a few lenses that are emotionally compelling, such as their 50 1.2s and 28-70 f/2s. The new Sigma 50 1.2 and 28-45 1.8 would be my choices for L-mount and are just as inspiring in rendering.

I understand you as a Pro. For me as amateur is the emotional tie important. No doubt about lenses please! SL3 was for me like a work horse! I could do more creative images with my M 246. SL3-S feels different to me. Can get  more creative images out of it! But this is all emotional please.

 

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I'm liking the shadow detailI get from my SL3-S in low light scruffy after snow shots:

 

 

 

 

 

SL3-S, SL 35/2.0

Edited by scott kirkpatrick
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1 hour ago, mpauliks said:

I understand you as a Pro. For me as amateur is the emotional tie important. No doubt about lenses please! SL3 was for me like a work horse! I could do more creative images with my M 246. SL3-S feels different to me. Can get  more creative images out of it! But this is all emotional please.

 

I was agreeing with you. I said if I was a pro, I might need/choose something else. I'm not, and I use the SL2-S 👍

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11 hours ago, hdmesa said:

True, which is why I'd still choose an R5 Mark II or one of Sony's current stacked sensor cameras. I don't have the SL3-S, but I did have the S5IIX for a while – long enough to know the AFc was good enough but not on the same level as Canon – at least not at f/2 for hitting the iris. You've had or have the R5, right? I had extremely high hit rate on the iris with their eye-AF even at f/1.2. Not flawless, but pretty close. Of course grandiose statements like that become less so the more challenging the movement 🙃

I've been having some very good results with the OM-1 ii - of course there are the shortcomings of the µ43 sensor, but this is a stacked sensor, probably akin to a cut down A1 sensor (but I don't know for sure). . . Focusing performance seems to be up there with the Sony A1 (haven't tried the new one). . . and although it might not be as loveable as an SLx-S, it's not bad, and there are a bunch of lovely small lenses too. Pre-Capture is really useful too. 🤷‍♂️

best

Jono

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3 hours ago, jonoslack said:

I've been having some very good results with the OM-1 ii - of course there are the shortcomings of the µ43 sensor, but this is a stacked sensor, probably akin to a cut down A1 sensor (but I don't know for sure). . . Focusing performance seems to be up there with the Sony A1 (haven't tried the new one). . . and although it might not be as loveable as an SLx-S, it's not bad, and there are a bunch of lovely small lenses too. Pre-Capture is really useful too. 🤷‍♂️

best

Jono

+1 for OM-1 II.

P.S.: It has a stacked Quad Bayer (80MP) Quad Pixel AF sensor with a readout speed of 1/120th of a second.

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On 1/23/2025 at 1:52 PM, jonoslack said:

They are if someone pays them!

Looks like it's time for Leica to open up their wallets to Panasonic. Just saw this:

 

 

Panasonic is serious about their S5II/X even two years later. But I'm not so sure that Leica is overly concerned about keeping up with the S5II/X since they didn't even launch the SL3-S with anamorphic support.

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Not really surprising. Leica builds stills cameras with very good video added; Panasonic builds video cameras with very good stills added. 

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