Why I love and hate the Leica M

[Markey]

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People today are probably more ambitious in terms of what they want to capture and what result they deem to be acceptable.

I`ve been using M`s since the `80`s and love using them but....

I shoot a lot of equestrian sports and although I can employ techniques to ensure that I get a sharp frame I feel that its a rather pointless exercise .

The M isn`t the correct tool for that  job although it still could be the one that you like using .

Threads like this always remind me of Pythons Four Yorkshire men sketch

 

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[jgeenen]

Every camera I had and have triggers "likes" and "dislikes" (Why should I love any camera? Or hate it?).

What I love about the Leica is its compactness and its traditional operations. What I don't like is its lack of versatility and the steep price tag. I did not mention image quality for a good reason - for my needs image quality has reached the peak already years ago. For that reason I am personally not interested in medium format sensor cameras from Hasselblad, Fujifilm or Leica. Heavy, pricey, overpowered and way too modern (and still not versatile enough). For that reason I am still using MFT equipment: lightweight, moderate costs, image quality still ok and very, very, very versatile. 

[JoshuaR]

This is a weird discussion.

Yes, the M system is not as good as a modern AF camera at taking burst shots of seagulls focussed on the birds' eyes as the fly toward the camera.

No, not everyone aspires to make such photographs; many people don't need that sort of capability. Although some do! But not everyone.

No, Leica should not stop selling Noctilux lenses because some people try and fail to use them to photograph Formula 1 or running toddlers or whatever. (Although I have photographed my running children at f/1.2.)

Yes, there are people who spend huge sums on Leica gear when they've never even used an M before. They eventually sell their barely used equipment and the rest of us buy it used at a discount while Leica Camera AG reports its highest profits ever.

It was ever thus. This stuff is Leica 101, no need to rehash it again.

Edited December 8, 2024 by JoshuaRothman

[jaapv]

Especially as I was able to take it precisely at the right moment, when the meniscus of the water at its feet was at its maximum. AF almost certainly would have missed it. 

[Cattoo]

Shooting moving subjects with an M, with a 50mm lens is definitely doable.  And you don't need luck.  Practice will do.

Here's three I shot with a 50mm summilux of a girl posing on the steps at Times Square at night.  She was moving around, posing randomly for another photographer.  I just happened to be standing there, so snapped off a few without really thinking about it.  

Yeah.  It's doable.  

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Edited December 8, 2024 by Cattoo

[charlesphoto99]

Perfect focus and sharpness is overrated. How about we concentrate more on how the image makes the viewer FEEL vs thinking how great a camera it is we have that can do everything for us in any light and scenario known to man and make images that are just as 'perfect' as all of the other owners of the same camera. Until a 'better' one comes along that is, that makes even more 'perfect' photos, done 'easier.' What a sad joke. 

And do keep in mind that the Summiluxes and Noktons (and Canon 85 1.2's etc) of this world were once a necessity beyond the 'look' and were never considered easy to use wide open, but when one is 'stuck' at iso 400-1600 they could save the day. With the advent of clean digital high iso's they are mostly dilettante items now, imo, which is not bad per se, but still difficult to use wide open, even more so with the unforgivingness of digital vs film. 

 

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[lct]

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3 hours ago, Markey said:

People today are probably more ambitious in terms of what they want to capture and what result they deem to be acceptable.

People today look more interested in reprography than photography but ambition is not what it used to be 😉

[anonymoose]

@Altair in an effort to tie this back to your other thread (discussing the reaction from reddit), this is why some people react negatively to someone going in to buy a Q3 (with modern AF, EVF, etc.) and walking out with an entire M system.

You went from sitting in a shallow pool to jumping into the deep end of a wave pool and you're surprised that it's hard to stay above water. Instead of learning to swim in a more controlled way (e.g. 35 Cron @ higher f-stops + practice) you're saying that the wave pool should be designed differently to accommodate you.

Edited December 8, 2024 by anonymoose

[evikne]

An example of three images in a row, taken at a short distance at f/1.4. The room was so dark that I could hardly see anything (the pictures are brighter than reality). But that didn't stop me from taking pictures of the girls dancing and singing. My M10 is the only camera I have, and I use it for everything.

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[IkarusJohn]

8 hours ago, pgk said:

Whilst Leica still continue to market the M as a 'street' camera, its purpose will be confused. An M is really a camera which is capable of high precision results (so 'street' isn't really its forte) when used within its operational envelope. But building M lenses which are too fast (f/0.95/1.25), or focus too close for RF use, confuses the marketplace. Most long term users of the M understand its strengths and weaknesses and use M cameras accordingly. But today's world always seems to want to uprate things when doing so is neither logical nor desirable.

FWIW I would say that a ~25MPixel M camera with good higher ISO capability (again within the RF tolerance of lower light/contrast levels), weather proofed as far as possible, is probably a sweet spot. But from a marketing point of view it possibly doesn't meet expectations. At some point hopefully realism is going to impinge though.

I agree, Paul.

The only thing I would say is that the fast lenses were first developed in the film age to deal with low light without a flash; which is a logical extension of the M’s function.  These days, people assume that it’s all about bokeh, which again is only part of the picture - not its subject.  Peter Karbe advises to use aperture to control depth of field, and for me this is really the charm of Leica’s fast lenses.

Now, a lot has been written about the 0.95 having a depth of field as thin as an eyelash, and lots of criticism follows.  The truth is, at a given distance, the 75 Summilux has a thinner depth of field at 1.4 than the Noctilux at 0.95.  I will never understand why anyone would bother to take such a photo - a fast lens wide open taken at minium focus distance would not produce a photo of any interest.  Conversely, both lenses can produce pleasing subject isolation where the out of focus areas are not at all distracting at sensible distances.

Somewhere here, I have posted a picture of my partner and her mother taken with the 75 Summilux wide open at a ditance of 20 metrres or so, soft, but perfectly in focus with light blur of the background.  I have no problem focusing either lens on my M cameras, at all apertures.

Edited December 8, 2024 by IkarusJohn

[pgk]

2 hours ago, IkarusJohn said:

The only thing I would say is that the fast lenses were first developed in the film age to deal with low light without a flash; which is a logical extension of the M’s function.

Back in the day I had a 50/1 Noctilux and M6, used the combination and sold photos from them which were duly published. Reality though was that wide-open the lens was far from perfect and the combination was not easy to use in the low light levels where f/1 was needed (together with a steady hand more of the time than not). I didn't hang on to the Noctilux for long and have never regretted selling it. I miss my 75mm Summilux at times but have few regrets over its disposal either good as it is.Perhaps its an age and experience thing but these days I am happiest with my M9 and 35/1.4 pre-FLE which remains the sweet spot of M ownership for me.

[pippy]

2 hours ago, IkarusJohn said:

...a fast lens wide open taken at minium focus distance would not produce a photo of any interest...

With the very greatest of respect, John, I disagree.

Then again I'm thinking, primarily, about some unquestionably majestic potraits I've taken with 50mm f1.1 lenses at min. focus / max ap. where the subject-matter was my cat.

Pics available on request!

Philip.

Edited December 8, 2024 by pippy

[IkarusJohn]

44 minutes ago, pippy said:

With the very greatest of respect, John, I disagree.

Then again I'm thinking, primarily, about some unquestionably majestic potraits I've taken with 50mm f1.1 lenses at min. focus / max ap. where the subject-matter was my cat.

Pics available on request!

Philip.

I think I'll pass on the cat photos! 😂

By my calculations, at f/1.1 the depth of field at 1 metre is 2mm - if that gets the whole of your subject in focus, perfect!  Not sure what you disagree with ...

[pippy]

1 hour ago, IkarusJohn said:

I think I'll pass on the cat photos! 😂

By my calculations, at f/1.1 the depth of field at 1 metre is 2mm - if that gets the whole of your subject in focus, perfect!  Not sure what you disagree with ...

PrrrrrMeaowwwww!

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Philip.

[3D-Kraft.com]

vor 11 Stunden schrieb IkarusJohn:

By my calculations, at f/1.1 the depth of field at 1 metre is 2mm - if that gets the whole of your subject in focus, perfect!  Not sure what you disagree with ...

For the usual "circle of confusion" setting, it is 2cm for 50mm at f/1.0 and not 2mm. Typical portrait distance (for human subjects) is about 2 - 3 m (1m distance is not particularly flattering, unless you like big noses). At 2m, we talk about 9cm DoF.

[lct]

13 hours ago, IkarusJohn said:

By my calculations, at f/1.1 the depth of field at 1 metre is 2mm

On which CoC (circle of confusion) value did you base your calculations if i may ask? On the usual 0.03mm CoC value, the total DoF  for a 50mm lens at f/1 & 1m is about 2cm, and for a 0.015mm CoC value, the total DoF there is about 1cm according to the site below if i read it well:

https://www.dofmaster.com/dofjs.html

Edited December 9, 2024 by lct

[Smudgerer]

To to OP's original posting, "Why I love and hate the Leica M", I can't say that I love or hate any camera, it is just an inanimate object after all and really can those emotions actually apply to lumps of metal and glass? Maybe for some, not for me. A camera is just a tool, it's the results that trigger emotions in me, what the camera with my eye and for sure other's eyes and skills too of course can produce by way of images that pull on emotions, not the tool itself..............That could be anything from a Box Brownie to you name it something up there in the €€€€ stratosphere. If love and hate are emotions that come into it for a "tool" then I could say that I "love" my Estwing hammers ( except perhaps when they hit my thumb rather than the nail head ), but more so for what they've faithfully over the years helped me build..........like a final print made from an images from whatever camera, the final print / image is the thing, it's your eye, your skills, not the camera............I "like" Leica M's because they've been part of my "toolkit" for decades and are comfortable for me to use, they get out of my way when imaging because most now is muscle-memory with their use, they sort of leave the path clear for me to be with whatever I am trying to make in a photograph.

[fotografr]

On 12/8/2024 at 5:56 AM, costa43 said:

I don’t think there has been a better camera invented at documenting your life and world around you than the Leica M, mine has become an extension of me. I for one enjoy the process of shooting as much as the final image, if not more. 🤣

 

 

 

That point of view resonates with me. If my priority was getting nearly every shot tack sharp I'd probably have a Sony system. I use the M because I'm more process oriented. I enjoy the mechanics of image making and if I miss focus now and then, it's my fault and not a shortcoming of the camera. 

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[fotografr]

M6, f1.0 Noctilux wide open. Not tack sharp, but I enjoyed making the shot more than if I'd used an autofocus camera that pinpointed the eyeball.

 

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[costa43]

1 hour ago, fotografr said:

That point of view resonates with me. If my priority was getting nearly every shot tack sharp I'd probably have a Sony system. I use the M because I'm more process oriented. I enjoy the mechanics of image making and if I miss focus now and then, it's my fault and not a shortcoming of the camera. 

In a world which demands instant gratification and automation, I've been craving more tangible and 'real' experiences. I've been shooting and developing a lot of film recently with a Leica M and it's been a blast, a learning curve for sure but really rewarding when you nail it.

Here is one I'm quite happy with that I developed at home. Who said you can't stop motion with an M? 

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