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So I used to shoot the Canon 50mm f1.4 LTM with an M9. For some dumb reason decided to sell the lens. Now I have an M10-P and I decided to require the lens. I find the images to be absolutely beautiful with this lens and more so with this camera. I purchased the Canon 50mm and because of its age, found it focusing and f-stop super stiff. Sent it to DAG for some work and it's perfect now. Any other folks have experiences with this lens?

 

 

IMG_7655.HEIC

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This lens was dubbed by the internet as "Japanese Summilux". At the iused price of $300 it is hardly that, but is has a huge fanbase nevertheless. I had two but did not like either, they were both same make and model but rendered slightly differently - the older did better.

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It's been my first 50mm when I got my first Leica, the M246: on monochrome sensors it works gorgeously, even wide open. I tend to use a cheap chinese light yellow filter for portraits, but with or without, I love it (sample from the last elopement I shot, f1.4).

When I got the M240 as well, I did enjoy using it, but color wise, it's, let's say, a bit washed out. For some dreamy wide open portraits it's still lovely, but when I got my 50 cron v3, well, there is absolutely no match.

I'd get it only if you paln to use it as a 1.4 dreamy lens. All in all it's cheap.

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11 hours ago, Besprosvet said:

It's been my first 50mm when I got my first Leica, the M246: on monochrome sensors it works gorgeously, even wide open. I tend to use a cheap chinese light yellow filter for portraits, but with or without, I love it (sample from the last elopement I shot, f1.4).

When I got the M240 as well, I did enjoy using it, but color wise, it's, let's say, a bit washed out. For some dreamy wide open portraits it's still lovely, but when I got my 50 cron v3, well, there is absolutely no match.

I'd get it only if you paln to use it as a 1.4 dreamy lens. All in all it's cheap.

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That’s an excellent shot. As always, lenses are a matter of personal preference and the purpose of the shot. I think the portrait is excellent for the situation. I like how the lens creates a painting-like effect. Almost like an oil color painting. Wide open it’s especially noticeable. There are circumstances where that may be welcome.
 

I think it’s unfair to simply call it the “Japanese summilux”. It really has its own character and they’re relatively inexpensive compared to a Cron or Lux 50mm. There are situations where I prefer to use my 50mm Lux but the Canon 50mm f1.4 ltm has its place. 

Edited by xveruskax
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I appreciate the Canon 50 too. I must say my "MINT. EXC.+++" copy had dry grease when I got it. The focus ring and aperture just floated along. Had to send it in for a full CLA.

The result was marvelous. It has it's own character. It has a nice separation of subject and background. In that sense it is unique. And even on the modern high-res sensors it performs well. It has great colours.

 

Edited by Alberti
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On 9/26/2023 at 12:21 AM, Alberti said:

I appreciate the Canon 50 too. I must say my "MINT. EXC.+++" copy had dry grease when I got it. The focus ring and aperture just floated along. Had to send it in for a full CLA.

The result was marvelous. It has it's own character. It has a nice separation of subject and background. In that sense it is unique. And even on the modern high-res sensors it performs well. It has great colours.

 

These two shots were shot with Canon 50mm f1.4 LTM on an M10-P. Love making portraits with this lens.

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I actually keep the earlier 1952 50mm f/1.5 Sonnar design on my M10-P.   I love that lens.

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On 9/25/2023 at 10:58 PM, xveruskax said:

That’s an excellent shot. As always, lenses are a matter of personal preference and the purpose of the shot. I think the portrait is excellent for the situation. I like how the lens creates a painting-like effect. Almost like an oil color painting. Wide open it’s especially noticeable. There are circumstances where that may be welcome.
 

I think it’s unfair to simply call it the “Japanese summilux”. It really has its own character and they’re relatively inexpensive compared to a Cron or Lux 50mm. There are situations where I prefer to use my 50mm Lux but the Canon 50mm f1.4 ltm has its place. 

I think that some lenses from that generation shine in soft light, highlighting subtle shades and nuances of light, especially on monochrome sensors

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