Jump to content

Recommended Posts

5 minutes ago, stuny said:

What a lovely, sensitive portrait.  I wonder if it would be even stronger with 1 or two inches cropped from the left, keeping all her wind-blown hair in the final frame.

Thank you! I was going for a cinematic look but yes possibly.

 

  • Like 1
Link to post
Share on other sites

Sorry chaps, totally disagree!!  It’s a great portrait, evenly balanced, cropping would disrupt the harmony for the sake of orthodoxy.  Her wistful expression is what really makes this portrait so special.  The space around the girl strongly suggests a sense of isolation.  Congratulations Sohail.

David
 

 

Edited by David Cantor
Comment revised
  • Like 4
  • Thanks 1
Link to post
Share on other sites

The portrait is great, indeed; and that was not the issue!

As for framing, this is what is great in photography. Each one has a different way of seeing the same subject, what makes us different from each other!… Otherwise, all photographs would look the same! ;)  Nobody is wrong; nobody is right! Thanks God, we are different! :) 

  • Like 4
  • Thanks 2
Link to post
Share on other sites

On 3/17/2023 at 8:23 AM, fotografr said:

I agree with David. I think it's a fabulous portrait as presented. The cinematic effect comes through strongly and that's how I perceived it as soon as I saw it. This is a superb portrait. 

Thank you Brent and David!

  • Like 1
Link to post
Share on other sites

Cropping the right, stopping just short of her jacket, creates an even more cinematic effect, like Antonioni asymmetry, leaving us to speculate the off-screen moment. The animation of the hair in the wind becomes its own poetic stanza, playing the left two-thirds of the composition. Antonioni used a fan in the opening scenes of L'eclisse to gently blow Monica Vitti's hair, adding movement in a surprisingly static scene that defined the tension in the deterioration of a relationship. Sohail's "actress/model" is "in the moment," and what we don't see is provocative. Sohail has deftly caught the cinematic moment.

  • Thanks 2
Link to post
Share on other sites

10 hours ago, Ernest said:

Cropping the right, stopping just short of her jacket, creates an even more cinematic effect, like Antonioni asymmetry, leaving us to speculate the off-screen moment. The animation of the hair in the wind becomes its own poetic stanza, playing the left two-thirds of the composition. Antonioni used a fan in the opening scenes of L'eclisse to gently blow Monica Vitti's hair, adding movement in a surprisingly static scene that defined the tension in the deterioration of a relationship. Sohail's "actress/model" is "in the moment," and what we don't see is provocative. Sohail has deftly caught the cinematic moment.

Thanks for the Antonioni reference! If you have a movie still of the scene, please share it though of course cropping shortens the width too and disrupts the cinematic aspect ratio. 

4 hours ago, Lelmer said:

Great portrait 

Thank you!

Link to post
Share on other sites

12 hours ago, Sohail said:

Thanks for the Antonioni reference! If you have a movie still of the scene, please share it though of course cropping shortens the width too and disrupts the cinematic aspect ratio. 

Thank you!

Here's a link to watch L'eclisse and see what Antonioni does with Monica Vitti and that fan during the first ten minutes of the film. Turning the sound off focuses on composition, and though we've been talking about cropping, your shot is perfectly rendered cinematic and tugs at the imagination to flesh out the narrative. Good show!

 

Link to post
Share on other sites

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 4
  • Haha 1
Link to post
Share on other sites

  • 2 weeks later...

@Sohail, Outstanding image. 

I am onboard with your assessment of placing her near the center - it does enhance the feeling of isolation and loneliness.  We can split hairs for days about cropping here or there, but to my eye - you got it right.

Edited by Herr Barnack
  • Like 1
Link to post
Share on other sites

5 hours ago, Herr Barnack said:

@Sohail, Outstanding image. 

I am onboard with your assessment of placing her near the center - it does enhance the feeling of isolation and loneliness.  We can split hairs for days about cropping here or there, but to my eye - you got it right.

Thank you! 😀

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...