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3 hours ago, Anbaric said:

ChatGPT, please write a short film script in the style of 'The Godfather' about the Leica mafia of Wetzlar and their vendetta against a photographer.

Title: The Leica Mafia

I think you're writing these yourself

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7 minutes ago, Huss said:

As linked in another thread, Jono Slack posted his review of the new M6.

https://www.macfilos.com/2023/02/24/new-leica-m6-rebirth-of-a-photographic-legend/

If you click on his pics, then enlarge them, his new M6 scratches film.  Way worse than mine.

 

I see some scratching, but it’s inconclusive whether it’s another ‘scratcher’.

Pictures are pretty boring, I’d say.

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1 minute ago, Steve Ricoh said:

Jono should run another film through the camera and check it before processing for conclusive evidence, then contact Leica. Imagine if the film held really important, never to be repeated images. 😳

"Your Honour, we cannot accept this image of Elvis Presley water-skiing with the Yeti and the Loch Ness Monster as admissible, as there are evidently scratches on the film"

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On 2/22/2023 at 12:11 PM, Huss said:

Just got an email.  They forgot about the ISO dial.  But luckily grabbed my camera before UPS picked it up.

ALSO THEY DID NOT CHECK TO SEE IF THE CAMERA NO LONGER SCRATCHES FILM.  They will do that now.

Le sigh.

Eh what?

This sounds typical of my experiences with New Jersey. At least it smacks simply of incompetence rather than deliberate antagonism.

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In designing the earliest M3 cameras, Leitz engineers were worried about how the all new advance mechanism would affect the film. Glass pressure plates to reduce the chances of static or scratching, double stroke advance to reduce the amount of pressure and stretching the film. Like many things in the early designs, they were found to be both unneeded and overly expensive to continue with. Glass pressure plates were replaced with metal and film was able to easily tolerate the added stress of the single stroke mechanism. 
Even with today’s computer aided designs, there are still manufacturing flaws that happen and assemblers who could pay more attention. Today, there are far fewer people involved in the assembly process. Problems that may have been discovered in the past are missed and having a new camera returned for corrective repair is now a regular part of business. What is concerning is the lackadaisical pursuit of assessing and repairing the product as a whole. We would all hope a company selling such a specific and high end product would have staff in place to do these evaluations.

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2 minutes ago, logan2z said:

My understanding is that glass pressure plates were the cause of static, which is why Leica switched to metal.  

Apparently, the glass plates aren't any more susceptible to static than the metal ones. However; they are more fragile and the cracks in the glass would scratch the film. Also, more expensive to manufacture than the metal ones. But with todays much stronger creamics, it might be worth another look.

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2 hours ago, madNbad said:

Apparently, the glass plates aren't any more susceptible to static than the metal ones. However; they are more fragile and the cracks in the glass would scratch the film. Also, more expensive to manufacture than the metal ones. But with todays much stronger creamics, it might be worth another look.

Didn't Contax release a camera with a ceramic pressure plate?

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5 minutes ago, Mikep996 said:

As we learned by doing in ninth grade science, If you rub a glass rod with a wool cloth you will generate considerable static electricity; if you do the same with a steel rod there will be none.  🧐

OK, I won’t use film with a wool base.🐑

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