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1 hour ago, LD_50 said:

Do you carry the camera lens down? It’s only then that I get lens creep. 

Yes, when walking about using strap (Peak Design). Don’t like lens protruding outward from hip.  I would check with Leica Service to see if they have a means to address.  Don’t know if DAG deals with SL line.  Selfishly, I hope this is more about sample variation, with a remedy, and not inevitable.

Jeff

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Thankfully so far mine doesn't creep either.

What's interesting is that far cheaper & lighter weight lenses have the lock button to stop lens creep e.g. Sigma 100-400mm L.  A case of Leica cutting corners?

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Hmmm, perhaps but also most of the time those stop-locks only works at the base focal lengh (ie 24 on a 24-70/90/105....). I had near misses when I wanted to suddenly zoom in and forgot to take this off. If there was a lock I would like it to have at ANY position (idealy on a lens that doesnt vary in lenght lol).
 

Perhaps we could reverse that supposition by saying that other manufacturers "cut corner" by not making their lenses creep-resistant and resorting to use a lock 😸

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1 minute ago, northernlights said:

You remove the rubber band when you shoot? 

No, its on all the time.I move the rubber band to just the zoom ring when I shoot.I'll add a couple of pics tomorrow.

 

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Here's what my lens looks like with the band. It partially overlaps the zoom ring and the body of the lens.  The lens still zooms smoothly and the zoom is minimal at all zoom lengths when in use.  If I'm hiking, though, I still notice some creep.

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18 hours ago, scroy said:

Here's what my lens looks like with the band. It partially overlaps the zoom ring and the body of the lens.  The lens still zooms smoothly and the zoom is minimal at all zoom lengths when in use.  If I'm hiking, though, I still notice some creep.

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I’d read about the LENSBand. Which size  are you using.

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I had a similar problem when hiking and posted ages ago about using an elastic band overlapping the barrel and zoom ring. Australia Post uses red rubber bands to bunch letters together and they’re just perfect for the job. I get at least a few daily with mail to my office🙂.

 

I had the lens adjusted recently by Leica and I don’t have the problem any more.

 

 

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  • 3 weeks later...

I decided to run some informal tests of my SL 24-90 Vario compared to my M 35mm Summicron ASPH (Ver 1) and my M 50mm APO Summicron. 

My impressions at f/8:

1. At center frame, no real differences between the lenses. (However, at some larger apertures, the Vario's auto-focus was better than my manual focus of the M 50mm APO.)

2. At slightly off center the SL 24-90 Vario outperforms the 35mm Summicron ASPH (Ver. 1).

2. At slightly off center the M 50 APO Summicron outperforms the SL 24-90 Vario.

So, based on this very rudimentary test, I can see why many compare the SL 24-90 Vario to prime lenses -- at least the non-APO primes.

 

 

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  • 3 weeks later...
On 4/16/2021 at 1:57 AM, gtownby said:

So, based on this very rudimentary test, I can see why many compare the SL 24-90 Vario to prime lenses -- at least the non-APO primes.

I can endorse this.  Having just completed an artist portfolio / promotion shoot for which I took the SL 24-90 and the 75 APO, I ended up using the 24-90 for pretty well all the shots - and was blown away by the quality.  I also have to say that I was converted to the use of "face recognition" mode for the head shot and contextual portraits.  As I bought the SL2 at the beginning of the pandemic, this was the first opportunity I've had to use it for a real world purpose - and I was very impressed by the accuracy and flexibility it offers.  SO looking forward to the UK becoming a bit more open in the coming days - and, please God,  that things improve around the world.  Stay safe.

 

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