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North Yorks Moors, near Hawnby.  M262 and LLL 8e 35mm lens at f/2

 

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35mm Summilux FLE.

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M11 Summilux 35 FLE

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On 8/17/2023 at 2:43 AM, overexposed said:

please explain to me how this 2048x759 image reveals the supremacy of that combo? honest question

One could say that about any web-sized JPG, yes? There is only so much one can get across with regard to a camera’s and lens’ capabilities in a small image.

That being said, the 35 APO is one of the best lenses I have ever used. It has extraordinary micro contrast even wide open, is flare resistant, is compact, is easy to focus accurately at most subject distances (like all 35’s), is sharp to the corners, has very low coma, and has essentially no visible chromatic aberration. The M11 with its 3.76 micron pixels, low read noise, and high sensitivity takes good advantage of the 35mm APO-M.

This particular photo was made under wonderfully soft pre-dawn light at a location filled vibrant colors and stunning scenery. I was happy with the photo. Others may find it cliche; it’s hard to find a unique perspective at such a well known location with very limited choices on where to stand or sit due to the surrounding cliffs. The M11 and 35mm were a great combo. Small and light kit for a moderately challenging scramble in the dark. I also had a 21mm, a 50mm, and a 75mm Noctilux with me, but this image was the best. In my admittedly biased view it conveyed the wide perspective without feeling unnatural or forced. That’s one of the things 35mm’s are really good at.

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6 hours ago, Jared said:

One could say that about any web-sized JPG, yes? There is only so much one can get across with regard to a camera’s and lens’ capabilities in a small image.

That being said, the 35 APO is one of the best lenses I have ever used. It has extraordinary micro contrast even wide open, is flare resistant, is compact, is easy to focus accurately at most subject distances (like all 35’s), is sharp to the corners, has very low coma, and has essentially no visible chromatic aberration. The M11 with its 3.76 micron pixels, low read noise, and high sensitivity takes good advantage of the 35mm APO-M.

This particular photo was made under wonderfully soft pre-dawn light at a location filled vibrant colors and stunning scenery. I was happy with the photo. Others may find it cliche; it’s hard to find a unique perspective at such a well known location with very limited choices on where to stand or sit due to the surrounding cliffs. The M11 and 35mm were a great combo. Small and light kit for a moderately challenging scramble in the dark. I also had a 21mm, a 50mm, and a 75mm Noctilux with me, but this image was the best. In my admittedly biased view it conveyed the wide perspective without feeling unnatural or forced. That’s one of the things 35mm’s are really good at.

thank you for your information behind the shot, but matic made the statement that this picture shows the supremacy of this combo, still waiting for an explanation from him.

 

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Volkswagen Golf Duct tape edition... Or Swan edition? 🤔

 

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Light Lens Lab 35/2, M10-P

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35 Sumicron on an M4-P with HP5+ Developed this myself after taking a re-fresher course and am now trying to re-learn how to get the best image out of Silverfast. 

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Summicron iv 35mm/ M-E 220.

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Once, our time will be the good old times

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M-P: Summicron 35mm type IV

Edited by Alberti
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At the excellent Evelyn Hofer exhibition at TPG London.

M10-D, 35mm Summilux v2 @ f/1.7 or  f/2

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LLL 35mm 8E clone.  Kodak Double-X in D96.

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Summicron 35mm type IV

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Off to the recruitment station

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M10-D, 35mm Summilux v2 @ f/8

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