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jaapv

By jaapv
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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 2000 kB (5000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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helged
helged

Atl puffin. SL + 280-R APO f4. Handheld, f 4.5, 1/1000 s, ISO 1600.

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jip
jip

Leica R8 Vario-Elmar-R 1:4/80-200 Kodak Portra 160  

jip
jip

Leica R8 with DMR Vario-Elmar-R 1:4/35-70 Macro  

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Keith (M)

Keith (M)

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European Garden Spider (Araneus diadematus), M240, 60mm Macro Elmarit-R, hand-held.

 

 

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tritentrue

tritentrue

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CL with 280mm f/2.8 APO-Telyt-R + APO-Extender-R 1.4X . . . cropped at about 40%, shot at MFD, which is considerably longer than its f/4 sibling.

 

The more I use my R APO telephotos on the CL, the more I get reminded that, good as they may be, they were made for film, not digital.

 

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helged

helged

Posted
Posted (edited)

CL with 280mm f/2.8 APO-Telyt-R + APO-Extender-R 1.4X . . . cropped at about 40%, shot at MFD, which is considerably longer than its f/4 sibling.

 

The more I use my R APO telephotos on the CL, the more I get reminded that, good as they may be, they were made for film, not digital.

 

 

 

Nice capture! Can you elaborate on your last comment?

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tritentrue

tritentrue

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Nice capture! Can you elaborate on your last comment?

 

What prompted that thought yesterday was that in bright sunlight at more than 50% magnification, blooming highlights were obvious and had to be pulled strongly.  That and image texture in moderate to low light are the most striking differences between the 280 APO and the 300mm PF non-Leica  lens I often use.

 

The older lenses seem to be at their best in bright overcast outdoor conditions, where detail and color are spectacular.

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helged

helged

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What prompted that thought yesterday was that in bright sunlight at more than 50% magnification, blooming highlights were obvious and had to be pulled strongly. That and image texture in moderate to low light are the most striking differences between the 280 APO and the 300mm PF non-Leica lens I often use.

 

The older lenses seem to be at their best in bright overcast outdoor conditions, where detail and color are spectacular.

I see. Yes, the Nikkor 300mm f4 PF is a fine, small, low-weight and reasonably priced (short) tele. Works very well with the 1.4 extender. You know it, but others may not, so a tip... Would be fantastic to have such - or similar - lens in L-mount...

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finarphin

finarphin

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80mm Summilux-R on a Sony a7ii.  ISO 400, 1/125.  I think it was f8.  This was June 30, 2018.

 

 

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tritentrue

tritentrue

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CL with 180mm APO-Elmarit-R + APO-Extender-R 1.4X @ f/5.6 . . . 

 

And, yes, it will do ninja stars one stop down . . . 

 

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fernando_b

fernando_b

Posted
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400/6.8 at f/8, R8.

 

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Musotographer

Musotographer

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San Francisco Bay

 

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M10, Summilux-R 80mm

Edited by Musotographer
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helged

helged

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Fall colours in the garden.

 

S006 + APO-Extender-1.4 + 280mm APO-R at f4.

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Keith (M)

Keith (M)

Posted
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This pollen-collecting malarkey is hard work...   ;)  60mm Macro Elmarit-R on Sony A6500.

 

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fernando_b

fernando_b

Posted
Posted

180/3.4, I don't remember the f-stop.

 

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fernando_b

fernando_b

Posted
Posted

135/2.8 2nd version, at F/8, TL.

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fernando_b

fernando_b

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Same as before.

 

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tritentrue

tritentrue

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CL with 280mm f/2.8 APO-Telyt-R @ f/2.8 . . . 

Yellow-Vented Bulbul . . . 

 

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gbealnz

gbealnz

Posted
Posted

Borridge

50Summicron R (V1) @f11

Fuji X-Pro2

Gary

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