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M3, Summicron 50 DR, Silbersalz35 250D

 

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Hello again!

M3, Summicron 50 DR, Silbersalz35 250D

 

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Cropped to square as the right portion of the negative was messed up at the end of the roll. 

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Mid-winter does not seem to deter the sailors on the English Channel

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Leica M3, Elmar-M 2.8/50 (yellow filter), Ilford XP2

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Lazy day in the park.

M-A | 50mm cron | SilberSalz35 250D

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Outdoor barber shop.

M-A | 50mm cron | SilberSalz35 250D

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Leica M3/RS Elmar 5cm.  Ilford Pan 400 in HC-110.

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Hey!

M3, Summicron 50 DR, Silbersalz35 250D

 

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M2-R | 35 lux SR | ilford hp5+ | ilfotec hc

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HP5 box, 50 Summulix ASPH

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After the storm, the chainsaws

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Leica M2, TTArtisan 1.4/35 ASPH, Kodak ColorPlus 200

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Summer memories

 

 

 

M6, Summitar 50mm f/2 LTM, Ilford Pan-F 50, Rodinal 1:25

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MP | 35 ‘Lux Pre-Asph v2 | Portra 800

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Manhole. Leica M6TTL w/ Noctilux f1.2 reissue. Portra 800 pushed to 1600. Scanned at 7200dpi on a Plustek 8300i. Please click through for hi-res!

 

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Winter sunset 

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Leica M2, TTArtisan 1.4/35 ASPH, Kodak ColorPlus 200

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A BBQ, Somewhere in Georgia

MP | 35 ‘Lux Pre-Asph v2 | Cinestill 800T

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Into the mist

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Leica M3 and Elmar-M 2.8/50 (yellow filter) on Ilford XP2

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15 hours ago, Sunyforreal said:

Yup! One of my favorite film stocks, but unfortunately not cheap. Then again what Kodak film stock is cheap these days 🙄

but now i feel, shooting with this pricey films only make the photos more valuable that what already was... i might be more careful before pulling the trigger with every shot, slows me down a little more, but that's something im already familiar with when using the M, speaking bout cheap films from kodak, the gold 120 professional is.. 😃

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