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M4 RS Elmar 5cm.  Kodak Portra 400.  @Hanoi

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MP Summilux-M 35 Type 1  Kodak GC400 Ultramax

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MP Summilux-M 35 Type 1  Kodak TRI X 

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MP Summilux-M 35 Type 1  Kodak Portra 160

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MP Summilux-M 35 Type 1  Kodak Portra 160

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MP Summilux-M 35 Type 1  Kodak Portra 800

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Fisher Building

MP | 35 ‘Lux Pre-Asph v2 | Yellow Filter | Tri-X +1

Edited by Sunyforreal
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4 hours ago, RayD28 said:

Pushed two stops?

Yes that’s right.

Almost all my concert photos are HP5+ exposed at EI 1600 and pushed two stops in development with XTOL stock solution. 13:00 at 20°C.

I find it cheaper and easier for me than Delta 3200 or Tmax P3200. 

This one is photographed with my MP - Summicron-M 50mm V5 . HP5+ pushed two stops in XTOL. 

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4 hours ago, david_92 said:

Yes that’s right.

Almost all my concert photos are HP5+ exposed at EI 1600 and pushed two stops in development with XTOL stock solution. 13:00 at 20°C.

I find it cheaper and easier for me than Delta 3200 or Tmax P3200. 

This one is photographed with my MP - Summicron-M 50mm V5 . HP5+ pushed two stops in XTOL. 

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Thanks for explaining.  Great shots.  

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Love letter ?    35:1.4 v2 , Porta 400 & MP 

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Portra 400, MP & 35:1.4 v2

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vor 6 Stunden schrieb david_92:

Yes that’s right.

Almost all my concert photos are HP5+ exposed at EI 1600 and pushed two stops in development with XTOL stock solution. 13:00 at 20°C.

I find it cheaper and easier for me than Delta 3200 or Tmax P3200. 

This one is photographed with my MP - Summicron-M 50mm V5 . HP5+ pushed two stops in XTOL. 

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Really, really cool - what a happy fan!

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MP, Summaron 28, Tri-X 400 pushed to 1600, HC110, negative lab pro. It has been raining here for weeks... so my photography consists of muddy puddles and reflections.

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Edited by Crem
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Winter in an English wood.

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Leica M2 and TTArtisan 35/1.4 ASPH on Kodak Colorplus 200.

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