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1 hour ago, ianman said:

I don't think of myself as a bah humbug person either.... but everyone else does 🤨

M4-P with 21mm Super-Angulon f/3,4 and orange filter. Ilford Pan400 developed in HC-110 (B) for 6 mins.

edit: This really needs to be seen in lightbox mode (by clicking on the image), it looks terrible otherwise.

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Love this and you were dead right about lightbox mode

Josh

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“Sonate pour Monsieur Canard” (Sonata for sir Duck)

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M3, 50 summilux pre-asph, delta 3200 (dd-x 1+4), printed on ilford mgfb and scanned. 

Edited by Aryel
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MP, Thambar LTM, Ilford Pan400, Adonal 1+25

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Couple of different looks at St Julian's House, St. Alkmund's Square, Shrewsbury.. Psalm 17:5 KJV inscribed in the central mullion.. this now private house was once the Vicarage.

M6 CV 35 Ultron Kodak Gold

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Bessa R2 CV 75mm 1.5 HP2

Edited by Boojay
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Am 10.8.2021 um 23:17 schrieb ola.fiske:

Rare type of boathouse in misty weather
Hafrsfjord Rogaland Norway
Leica MP // 50mm summilux asph bc // Ilford hp5+ in rodinal
 

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just wonderful! Congrats!

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This isn't my first film shot with a Leica, but my second. However, it's also a first for me. It's the first colour film I developed myself. I've been doing my own B/W processing for many years, but somehow colour intimidated me. I used to think it's impossible, or almost impossible, to do without an automated processor. It turns out it isn't.

Leica M-A, Fujicolor 200 developed in the simplified C-41 kit from CineStill. "Simplified", because it combines the bleach and fixer in one bath.

Summilux-M 35 ASPH + Voigtländer 75mm f/1.5

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These are straight from the scanner, no post-processing, just resized.

Edited by Vlad Soare
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Discovered old Kodachrome,

when scanned with M240, viewing emotion and magic still there

 

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Remote village, traditional sate cooking with full smoke

M5, Noctilux 1/50, Kodachrome

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I have always loved delta 3200 😊, even more now that I print

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m3, summilux pre-asph, delta3200(ddx 1+4) printed on mgfb. 
 

ps: scanner is dead so I am back at taking photos of the prints with my phone for now 😅

Edited by Aryel
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Since the whole point of shooting this film was seeing how (and if) my first attempt at colour development works out, I was looking not so much for photographically interesting subjects, but rather for colourful ones (though one doesn't necessarily rule out the other). Like these nice grafitti that I stumbled upon one day.

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Fujicolor 200, Summilux-M 35 mm ASPH, probably around f/11 if memory serves.

Edited by Vlad Soare
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Two shots from an M2 with TTArtisan 1.4/35 ASPH (looks uncannily like a Summilux).  Under-exposed Fuji Superia 400 yields an interesting soft grain and desaturated colours.

Fishing on the English Channel on a fine English summer day.

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Walls of a 16th Century castle, with Ivy.

Edited by John Robinson
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23 hours ago, Aryel said:

I have always loved delta 3200 😊, even more now that I print

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m3, summilux pre-asph, delta3200(ddx 1+4) printed on mgfb. 
 

ps: scanner is dead so I am back at taking photos of the prints with my phone for now 😅

Reposting after getting a new scanner 😊

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7 minutes ago, Phil_P said:

Well the owner of the blue car gets the prize for skillful parking, yipes!! :)

Unless someone else put it there as a joke. 😁
Back when I was a student, some of my colleagues, four or five really strong guys, lifted a professor's car (a nasty guy whom everybody hated) and moved it between two trees, the distance between which was just a hair longer than the length of the car. 😆

But in this case it may be genuinely parked there. I think perspective makes the spot seem smaller than it actually is, plus the car has probably parking sensors and a reverse camera. :)

Edited by Vlad Soare
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A 75mm lens wide open is a lot of fun. 🙂
Voigtländer Nokton 75mm f/1.5

 

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7 hours ago, Vlad Soare said:

Fujicolor 200. It was supposed to be just a test, to see if I can develop C-41 at home. So I got the cheapest film that happened to be in stock that day. 🙂

 

Nicely done.  Colors look great.  

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Thank you. To be honest, I am a bit surprised that it turned out so well, considering that it isn't a fancy, expensive film. But I guess that even at the cheap end of the spectrum a Fuji is still a Fuji.🙂

Edited by Vlad Soare
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Leica M5 + 50mm Summilux ASPH + CineStill 800T

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Leica M5 + 50mm Summilux ASPH + CineStill 800T

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