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How can you manage this? Only in case you use the EVF you might notice it a bit. But even then, getting rid of will be another story.

I see two ways: 

1. No CSF or 

2. no light sources in the background.

By the way my experience with EVF: It is helpful but I'm not always able to see in advance the unintended bokeh. 

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@dkmoore and others - about how the blur changes:

 

The following is done with CSF at 2.3, 4.something and something close to 6. 

Seriously - it's a nightmare to keep the focusing in its position while turning the aperture ring in order to stay in focus. 

Tribute to tradition...  :mellow: 

And thanks to my model who didn't lose patience ...  :wub: 
 

Anyway - therefore I cannot say more exactly which aperture it was in the end. 

But maybe it gives an idea of the change in blur. 

That afternoon the sea as a background was best I could find. 

 

So my conclusion: 

In some cases it's really interesting to stop down. 

In others to shot wide open. 

For my part I learnt that I should try all option as much as it is possible to do. 

 

 

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Other example - with a crop which shows how tricky highlights can be. 

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And a last example - bit embarrassing for me - how easily you can fail looking through the RF or even EVF not seeing that a nice highlight on sunglasses can be a horrible flare in the end. 

I show it just in case someone prefers to learn from others mistakes... 

 

 

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And a last example - bit embarrassing for me - how easily you can fail looking through the RF or even EVF not seeing that a nice highlight on sunglasses can be a horrible flare in the end.

I show it just in case someone prefers to learn from others mistakes...

 

Lik, some very interesting results here!

As I commented at some point in this thread, the Thambar is THE hardest lens to use on a predictable basis. I won't say master, because I don't think you can master this lens. It is the lens that loves to hate me!

I thought Live View on the M10 would be the answer to help get a handle on this lens. No! Live View is too distracting and you really can't see the effect too well. The instant playback does help a lot, not having to wait to develop film.

Some great learning going on here.

Edited by derleicaman
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The choice of resurrecting the Thambar still seems a bit curious to me.

The fashion shot above is the perfect setting for this, evoking an era long past but how often will most of us need this effect? If at all? 

'Most of us' may never need it. But most of us never need the Noctilux. The only thing that counts is that some will 'need' it (using the Leica version of the word 'need'), and that Leica is helping those people who do.

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'Most of us' may never need it. But most of us never need the Noctilux. The only thing that counts is that some will 'need' it (using the Leica version of the word 'need'), and that Leica is helping those people who do.

 

 

My actual point is having a Mandler-type lens with the dual character of glow wide-open and great resolution stopped down, seems more practicable. And a Noctilux makes more sense to me even if I'll never buy one. You may 'want' it but I wonder how many will open their wallets for this one-trick pony, as cool as that singular trick might be,

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I probably will not open my wallet, though I have considered it*. 

Same with the Noctilux - just as much a one trick pony, IMO, though that phrase implies a rather narrow view of both of them.

 

* I considered it several years ago, as I do have a need for a forgiving portrait lens for older faces. In the end though, a Hektor 7.3cm was cheaper and satisfies that need for the moment.

Edited by LocalHero1953
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My actual point is having a Mandler-type lens with the dual character of glow wide-open and great resolution stopped down, seems more practicable. And a Noctilux makes more sense to me even if I'll never buy one. You may 'want' it but I wonder how many will open their wallets for this one-trick pony, as cool as that singular trick might be,

 

Perhaps so but 'one-trick pony' fish-eye lenses still sell.

 

Pete.

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This is indeed true. But not at 6,000 euro.

Yes, and it will be interesting to see how many sell.  Numerically, this edition may end up rarer than the original. Regards, Ron

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Same with the Noctilux - just as much a one trick pony, IMO, though that phrase implies a rather narrow view of both of them.

 

 

Agreed that the phrase doesn't do it justice, but the Noctilux behaves differently through its apertures range affording a variety of uses.

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