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Wonzo, many thanks!

I had the same experience at 6.3 - really acceptable lens stopped down - it's two lenses in one. 

Finally you could manage to share some portraits before I could and they show very clearly what it means if there is and if there is no light source - or maybe it's only because of no hard contrast?

Your pics confirm my experience that with little LED etc. light sources behind the CSF creates these donuts.

I guess in these cases for my part I don't want to forget to remove the CSF - the electric lights alone create far enough glow.

This amazing lens needs really special treatment in many aspects.

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I don't need to spends 6-8 thousands bucks to take out of focus pictures. I'm such a good photographer that can have out of focus pictures just by using my € 60 Russian Jupiter lens.

Oh could I test that with my Russian Leica screwmount copy?

[emoji6]

 

 

Gesendet von iPhone mit Tapatalk Pro

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@epand56:

I mean this one - it could even mount a screw mount Thambar...  ;)

(Sorry for this only one off topic :) ) 

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Here just another little example, how the Thambar handles light. First one out of focus, second one focus on the balustrade near the center, third one focus on the parking sign. All wide open with filter.

 

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Quite a Walt Disney render, this Thumbar  :D

Ok, I'm joking, I'm sure you all got this. Simply I'm not at all interested in this kind of flou effect in my pictures. Besides,

However, I must say this Thumbar lens is quite a beautiful object. I love the chrome and black finish. If I was very rich, I would buy one just to keep it on a shelf and look at it or to make a very expensive paperweight. 

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For plentiful inspiration of what can be accomplished with a soft focus lens, there is nothing better than looking through the illustrations from Stieglitz's classic "Camera Work", affordably collected here:

 

https://www.amazon.co.uk/Alfred-Stieglitz-Complete-Illustrations-1903-17/dp/3822880728/ref=sr_1_14?ie=UTF8&qid=1512931771&sr=8-14&keywords=camera+works

 

Steichen's portrait of Matisse is but one example:

 

http://www.photogravure.com/collection/searchResults.php?page=7&artist=Steichen,%20Edward&view=medium&file=Camera%20Work_42-43_06

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For plentiful inspiration of what can be accomplished with a soft focus lens, there is nothing better than looking through the illustrations from Stieglitz's classic "Camera Work", affordably collected here:

 

https://www.amazon.co.uk/Alfred-Stieglitz-Complete-Illustrations-1903-17/dp/3822880728/ref=sr_1_14?ie=UTF8&qid=1512931771&sr=8-14&keywords=camera+works

 

Steichen's portrait of Matisse is but one example:

 

http://www.photogravure.com/collection/searchResults.php?page=7&artist=Steichen,%20Edward&view=medium&file=Camera%20Work_42-43_06

Thanks so much! I read about Stieglitz but never had a closer look. Now I ordered at once. Only very few examples available. 

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Cooke makes a similar SF lens for LF..special order...pricey...beautiful lens though..probably nicer than the Thambar..

Fuji makes a nice SF too..for Medium and LF..

And then there are all the 1800's/1900's SF lenses..like the Pinkam Smith..

If you want to see outstanding work with these lenses..go to the Large Format Forum..it's all in there..

Edited by tsleica
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Anybody remember the Rodenstock Imagon ?

I used to have them in 250mm and 350mm sizes, both in large Compound (pneumatic) shutters, when I messed about with a 5x7 Linhof Super Technika. 

 

The "tea strainers" are there to vary the halo effect by cutting out some of the outer light rays.  Of course they also reduce the aperture, much the same way as the central spot filter on the Thambar, which is the reason they have an f-stop rating on them, but they do not act as a diaphram.  As one cannot stop down as normal, the full set also included a neutral density filter, and lens hood.

 

Once again, a look that is sometimes regarded as dated, or to some, just out of focus (which is actually very different), and like the Thambar requires experimentation to achieve the required result, which is an image that is only produced in camera, by a lens designed to do that job - unless one happens to have a jar of Vaseline or toffee wrapper handy...

 

Happy snapping,

 

Susie

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