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Bad M10 ISO dial is bad


hteasley

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I also use Auto ISO most of the time. Even when I am changing f and t manually. With auto ISO capped to acceptable high value (3200 for M240 in my case), I can shoot confidently that lowest ISO is chosen. If I get M10, then ISO knob will have the only function of looking good. But I don't mind that since looking good is an important part of M. :)

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The problem with Auto ISO on the M10 is that you don't know what the camera chose until you look at the data on the image.

I know everyone likes a clean OVF...but I would love to have more info while shooting. I want complete control of ISO, auto is a great option, but only if you know what the camera is doing. This is why I love the new ISO dial...I now have completely control and know at a glance exactly where my ISO is set.

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I never use auto ISO but I may be missing a trick. I generally use manual controls, and occasionally aperture priority.

 

I regularly take photos in low light and find that if the light is poor, especially when artificial light is involved, the meter is not nearly as reliable or useful as it is in decent light. So if I used auto ISO I'd have to constantly keep an eye on the ISO setting selected by the camera and make an adjustments to exposure; aperture, shutter speed, or exposure compensation, assuming it works with auto ISO. (Obviously, increasing ISO would normally be a last resort. ) All this would achieve would effectively be to switch the ISO setting from the screen (on my M240) to the shutter speed dial, the aperture ring or, if it works, the EC wheel, all perfectly convenient.

 

So creating another dial seems redundant to me.

 

I'm missing something though, because you wouldn't be using auto ISO unless it conferred some advantage that eluded me. Any help please?

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I use Auto ISO regularly, but not exclusively.  Typically I will be in Manual and set aperture and shutter speed to values that are appropriate to the subject.  If I have a dynamic subject at an event, for example. I might want 1/125 to stop subject motion and f5.6 for a reasonable DOF.  Auto ISO with a max ceiling that I am comfortable with  (3200 on my M-240, higher on my M-246) allows me to shoot quickly and not have to worry about exposure.  Just as with Aperture priority I have to be alert to situations that will fool the meter.  In that case I will pan away from the light, window, etc. and lock exposure with a half press of the shutter and then re-compose.  Works very nicely when you want to work quickly, but not necessary for many situations.

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I use Auto ISO regularly, but not exclusively.  Typically I will be in Manual and set aperture and shutter speed to values that are appropriate to the subject.  If I have a dynamic subject at an event, for example. I might want 1/125 to stop subject motion and f5.6 for a reasonable DOF.  Auto ISO with a max ceiling that I am comfortable with  (3200 on my M-240, higher on my M-246) allows me to shoot quickly and not have to worry about exposure.  Just as with Aperture priority I have to be alert to situations that will fool the meter.  In that case I will pan away from the light, window, etc. and lock exposure with a half press of the shutter and then re-compose.  Works very nicely when you want to work quickly, but not necessary for many situations.

+1

 

I also use the technique of pointing the camera someplace else (of desired brightness) to lock the exposure and bring back and shoot.

 

Very few times I can't use the above technique and I have to manually force the ISO down (by taking off auto) so that it doesn't overexpose. Shooting stage performance is one such example where bright lights on performers tend to fool the meter. You can either do exposure compensation (technique 1) or manually force the ISO down (technique 2). People have their own favorite technique. I myself have oscillated between them. I used to be exposure compensation guy but after I got burned once (shooting a bunch of pics with compensation accidentally on), I moved to explicitly controlling ISO in tricky situations. But exposure compensation is easier and I keep going back and forth.

 

On the issue of checking what ISO camera is using (AUTO ISO and fixed both), I simply point the camera (M240) to the scene and press d-pad button which displays the exposure info on LCD. That clearly shows ISO and shutterspeed at eye level that camera is going to use when I press the shutter.

 

Update: I understand the lure of being able to see ISO in OVF but IMHO, it will clutter it. There had been times when I have mistaken ISO as shutterspeed number on Canon. I would like to see only one number (which is shutterspeed) in OVF. But then I am not too strict with this. As long as the numbers are not confusing, I am fine. I like the way ISO and shutterspeed is displayed in EVF. Very clearly stated on top. That works too.

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The problem with Auto ISO on the M10 is that you don't know what the camera chose until you look at the data on the image.

I know everyone likes a clean OVF...but I would love to have more info while shooting. I want complete control of ISO, auto is a great option, but only if you know what the camera is doing. This is why I love the new ISO dial...I now have completely control and know at a glance exactly where my ISO is set.

See my previous response. On M240, you can see ISO on LCD used by pressing the center D-pad button while pointing the camera to the scene. I guess M10 should work similarly.

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I use Auto ISO regularly, but not exclusively.  Typically I will be in Manual and set aperture and shutter speed to values that are appropriate to the subject.  If I have a dynamic subject at an event, for example. I might want 1/125 to stop subject motion and f5.6 for a reasonable DOF.  Auto ISO with a max ceiling that I am comfortable with  (3200 on my M-240, higher on my M-246) allows me to shoot quickly and not have to worry about exposure.  Just as with Aperture priority I have to be alert to situations that will fool the meter.  In that case I will pan away from the light, window, etc. and lock exposure with a half press of the shutter and then re-compose.  Works very nicely when you want to work quickly, but not necessary for many situations.

 

 

Interesting.

 

After three years of daily use, I've never even tried auto iso so I didn't realise that locking exposure also locked the auto iso. Obvious really!

 

Never to late to learn.

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Its on your camera too, Rick :p

 

Oh, thanks... is that what that "A" is on my ISO dial.  Just to get this straight.  You mean to say I don't even have to use the menu for this "Auto ISO" thing?  That dial is even more useful than I thought.   :p  :p

 

RickAnalog

 

 

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See my previous response. On M240, you can see ISO on LCD used by pressing the center D-pad button while pointing the camera to the scene. I guess M10 should work similarly.

 

I stand corrected. You can see the ISO on the LCD by doing nothing :)

 

But I use the rangefinder 80% of the time...so I don't want to turn on the LCD just to see what auto ISO is doing. But this is why I love the new dial.

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I stand corrected. You can see the ISO on the LCD by doing nothing :)

 

But I use the rangefinder 80% of the time...so I don't want to turn on the LCD just to see what auto ISO is doing. But this is why I love the new dial.

I also use RF most of the times. I don't worry about ISO since I trust the algorithm which is very good.

 

Only when there is difficult light, I simply press the d-pad button to check ISO. (Note: I am not talking LV, it is simply INFO screen displayed on LCD)

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I also use RF most of the times. I don't worry about ISO since I trust the algorithm which is very good.

 

Only when there is difficult light, I simply press the d-pad button to check ISO. (Note: I am not talking LV, it is simply INFO screen displayed on LCD)

 

ahhh...ok, thats very useful. Thanks,

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The ISO setting comes into play twice during the making on an image.

Exactly.

 

F-stop and shutter speed are the exposure parameters; they determine how much of the incident light is actually captured by the sensor (or film for that matter).

 

The ISO setting, on the other hand, tells the camera how much light – i.e. what number of photons – is sufficient for a correct exposure. Thus changing the ISO setting influences which shutter speed will be chosen, provided it is chosen automatically.

 

The ISO setting may also determine, completely or partly, which amplification is applied to the pixel voltages before they are fed to an analogue-to-digital converter. To what extent the amplification actually depends on the ISO value is a different question. Depending on the noise characteristics of the sensor it may be advisable to increase the amplification only up to a certain value. With modern, mostly ISO-less sensors the benefits of increasing amplification are quite limited, and in the interest of maximising dynamic range, high levels of amplification should rather be avoided.

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I wasn't aware ISO affected DR, but would when I think about it it's probably a gain bandwidth product limitation, with the product remaining constant.

But, why does it take longer to write to the SD card with higher ISO settings?

At higher ISO there is more noice in the raw file, so it doesn't compress as well.  Compression ( .zip style is used) requires building a table of what's in the file and the noise requires a bigger table and makes a bigger output file, which takes longer...

 

scott 

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At higher ISO there is more noice in the raw file, so it doesn't compress as well.  Compression ( .zip style is used) requires building a table of what's in the file and the noise requires a bigger table and makes a bigger output file, which takes longer...

 

scott

 

Even if one saves RAW only? I wasn't aware RAW files are compressed.

Again thinking about it, noise has high frequency components, and unless filtered by the electronics it will fill the bandwidth to be stored.

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