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A couple of (older) bikes.

M11 + converted 1970 Carl Zeiss Ultron 50/1.8, both wide open

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Summicron 50 Collapsible + M10R

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35mm Summilux v1 1964

Leica M6  + Kodak Portra 160

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M11 + converted 1956 CZ Biogon 35/2.8, both wide open

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Nikon Micro-Nikkor 2.8/105mm with Novoflex adapter LEM/NIK on M11, both @5.6.

Lex

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M240/ Summon 35 V1

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Leica M10 + Carl-Zeiss Biotar 58mm 1:2 

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M11 + converted 1970 Carl Zeiss Ultron 50/1.8, probably wide open @ ISO 10,000

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Edited by Ecar
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35mm Summilux pre asph v1 1960 + Leica MP 

Ilford 50 Pan F PLus

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Máret Ánne Sara's thought-provoking sculpture 'Goavve-Geabbil' on display in the Turbine Hall, Tate Modern, Bankside, London.

M Monochrom, 40mm f2.8 Rollei Sonnar HFT, 13098 Blue Filter, 1/60 f5.6 @ ISO 1250'

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Philip.

 

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M11M + converted 2005 Nikkor 35/1.8 re-issue, respectively @ f/4 and f/1.8

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35mm Summilux pre asph v1 1960 + Leica MP 

Ilford 50 Pan F PLus

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M10P ASC + 1953 SOM Berthiot Anastigmat 50/2.8 LTM, wide open or @ f/4

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M9, Elmar 5cm 1:3,5 (1937). Fully open, 1/60s, ISO 1250, somewhat cropped.

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50mm f2.3 Bausch & Lomb Baltar + M10-P

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50mm f2.3 Bausch & Lomb Baltar + M10-P

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On 12/10/2025 at 1:32 AM, pippy said:

Máret Ánne Sara's thought-provoking sculpture 'Goavve-Geabbil' on display in the Turbine Hall, Tate Modern, Bankside, London.

M Monochrom, 40mm f2.8 Rollei Sonnar HFT, 13098 Blue Filter, 1/60 f5.6 @ ISO 1250'

 

Philip.

 

Hi Philip, what made you use a blue filter? Were the contrasts too strong?

Lex

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