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Elmar 90/4 Collapsible + M9 Monochrom 

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1938 4cm f2 Carl Zeiss Jena Tenax II on M10-P

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2 inch f2 Cooke Amotal (1948)  - Zeiss Ikon ZM - Portra 800

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Zeiss Ikon ZM - 2 inch f2 Cooke Amotal  - Portra 800

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Zeiss Ikon ZM - 2,5cm f4 W-Nikkor LTM - Portra 800

 

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2,5cm f4 W-Nikkor LTM (1956) - Portra 800 - Zeiss Ikon ZM

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1 minute ago, farnz said:

Jean-Marc,

Just a polite reminder to very kindly keep to the forum's rules of Leica camera or lens or both please? 🙂

Pete.

Sure thing Pete , will remember from now on !

Best, Jean-Marc.

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Snow shower at Chiemsee

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Leitz Elmar f:3.5/3.5cm (EKURZ) 1939 (aftermarket coated)

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The castle of Schoten

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Sony A7 + Summicron 50/2 DR

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Astro Telastan 3.5/300 on M10

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hand-held 1/3000 sec and wide open, some tweaks in C1 due to kid of softness and low contrast on f3.5

stopped down to 5.6 and some C1, contrast is little bit better but sharpness and resolution are limited

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vor 14 Stunden schrieb romanus53:

Astro Telastan 3.5/300 on M10

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The light distribution looks strange. Darker in the center, then a brighter zone surrounding it and again fall off in the egdes. Is this a C1 artifact or charakteristic for this lens?

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vor 15 Minuten schrieb ALUX:

The light distribution looks strange. Darker in the center, then a brighter zone surrounding it and again fall off in the egdes. Is this a C1 artifact or charakteristic for this lens?

Sorry too much vignetting-compensation in C1

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A tale of two early J-3s (heavily cropped picture below taken with a converted 195X Angenieux S21 50/1.5 on the M10M, in strict compliance with the rules of this thread…😉)

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Both produced in 1951 in the KMZ factory and only a few hundred serial numbers apart. As confirmed by Skyllaney’s Sonnar expert Chris Andreyo, who CLA’d them a couple of months ago, both were also built using exclusively Schott glass plundered transferred from CZJ.

Interestingly however, the “earliest” one (version PT1627, left one above) is essentially a CZJ 50/1.5 Sonnar lens with a Jupiter beauty ring – like its predecessor, the Zorki ZK – while the “later” one (version PT1630) uses a Soviet-designed aluminium optical block, shows a few additional cosmetic changes and loses the “ears” on the aperture ring. Also, the coatings appear to be different: those on the earlier lens show a blueish tint, while the later lens is brownish.

In terms of rendering, without pixel peeping, I can’t see any obvious difference with the ZK – or a coated CZJ 50/1.5 for that matter. A couple of test shots below, first with the PT1627 on the M10P ASC and 2nd with the PT1630 on the M10M, both wide open @ MFD.

 

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2005 reissue 35mm W-Nikkor Skyllaney  f1.8 M converted with Leica M2 and Kodak Vision3 500T

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same as above, last two done as "off the hip" street shots !

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Has anybody in this forum actually ever used a Leitz Elmar f:4.5/13.5cm (EFERN)?

Here you go:

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@ f:4.5

@f:9 on Sony A9

@f:4.5 on Sony A9

Of course it is nowhere up to modern glass or even to the Hektor, but I have to say that I expected worse!

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Summar 50/2 (1937) + M9 Monochrom 

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Edited by ocean2059
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Same as above...

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80/1.4 Summilux-R with Cannon 5D MkII

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