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No, nothing of the sort, fortunately! These are plaster sculptures/models - essentially "raw masters" - from Canova's workshop, aka "La Gypsotheca" (now a museum, wonderful place btw). The dots were positioned so as to guide the transfer to the final marble statue, with the bulk of the carving work being performed by his assistants. Canova himself would then complete the job, including in particular the fine grinding and polishing.

Not all of them suffered from measles, though (same place, camera, lens and settings as above):

 

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Edited by Ecar
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1929 fixed 50mm Elmar f3.5 close focus on Leica 1a with Ektachrome 100

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The Antony Gormley statue 'Another Time', standing atop his pedestal, Watches the River Flow. Limehouse Riverside, London, yesterday morning(*).

M Monochrom, 21mm f4 Super-Angulon (M), Leitz Red filter;

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Sharp-eyed readers will spot another Gormley statue almost centre-of-image. I believe the latter is resident in the garden of Sir Ian 'Gandalf' McKellen who was also responsible for the installation, in 2013, of the former in its rather striking location.

Incidentally Sir Ian is also co-owner of 'The Grapes', a public house dating back to 1583, of which the water-side balconies can be seen here at the point where the wooden steps leading up from the Thames joins the ramshackle agglomeration of rickety platforms. Nice pub!

* I posted this a little bit earlier elsewhere to illustrate a point regarding how to sort-out vignetting with this lens when used on a digi-body but probably just as fitting here.

Edited by pippy
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French countryside from the train

MP - 35 Kinoptik Apochromat - Portra160 (slightly cropped)

 

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MA - Angénieux Alitar S1 Alpa converted to M mount - Silbersaltz 500T

 

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28 mm Elmarit v2 infinity lock 1969  - TMax 400 - Leica MP 0,58

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50 mm Nikkor f1.4 2000 Millenium edition w/ Amedeo adapter on Leica MP 0,58 and TMax 400

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50 mm Nikkor f1.4 2000 Millenium edition w/ Amedeo adapter on Leica MP 0,58 and TMax 400

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M10P ASC + 1947 Fritz Kuhnert Evar 40/2 (Efka 24 converted to M) @ f/4

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Monarch on a pink poppy, slightly cropped to take out distracting daylillies on right.

CL 65 Elmar

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135mm F/4.5 Hektor (1959) with Visoflex I

 

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2 inch Elcan f2 Leica M coupled on M10-P ASC

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2 inch Elcan f2 Leica M coupled on M10-P ASC

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90/2.8 Elmarit-M with M8.

Lake Louise, Canada.

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"Elephant ears"

M10M + 1995 Carl Zeiss Planar 45/2, wide open (DIY conversion of a Contax G45 lens using the Funleader helicoid kit)

Certainly lives up to its reputation for being bitingly sharp.

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Edited by Ecar
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46 minutes ago, Ecar said:

"Elephant ears"

M10M + 1995 Carl Zeiss Planar 45/2, wide open (DIY conversion of a Contax G45 lens using the Funleader helicoid kit)

Certainly lives up to its reputation for being bitingly sharp.

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It bites! Nice shot

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And a couple more, with the same lens as above but on M10P, both wide open @ or near MFD. Entirely forgettable shots. Just meant to show how sharp this lens can be (click on the images for a better view) should anyone be interested in getting one.

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