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Leitz Summicron 35mm mounted on the macro adapter of the M-Elmar (somehow the 35mm - and also a 50mm - lens fits not good and turns heavy, adapter seems to have features that expect an Macro-Elmar 90mm)

But result is great.

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36 minutes ago, RayD28 said:

Interesting.  Did you intend to have the Golden Spiral crop guide on photo?  Second, how did you get it to print with the photo?  Also, is the Topcor-S a screw mount with M adapter?

Hi Ray, many thanks for your faves.

I'd like to address your questions below:

  • Did you intend to have the Golden Spiral crop guide on photo?
    • Not really, I don't crop photos indeed. The overlapped photo above was a test of the fibonacci spiral layer overlapped against the M10M full frame sizing. And of cause, it would be just fine when the grid type is Rectangular.
  • Second, how did you get it to print with the photo?
    • I am not going to print this photo since it was a screen shot even it was taken on a 6K display.
  • Also, is the Topcor-S a screw mount with M adapter?
    • Yes, it is a vintage L39/LTM lens manufactured in Japan back in 1956.
    • L-M adapter -- Rayqual Mount Adaptor for Leica M body to L Lenses 50-75mm Made in Japan

Cheers,

Erato

Tokyo Kogaku Topcor-S 5cm F2 V2, LTM, M10M

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10 minutes ago, Erato said:

Hi Ray, many thanks for your faves.

I'd like to address your questions below:

  • Did you intend to have the Golden Spiral crop guide on photo?
    • Not really, I don't crop photos indeed. The overlapped photo above was a test of the fibonacci spiral layer overlapped against the M10M full frame sizing. And of cause, it would be just fine when the grid type is Rectangular.
  • Second, how did you get it to print with the photo?
    • I am not going to print this photo since it was a screen shot even it was taken on a 6K display.
  • Also, is the Topcor-S a screw mount with M adapter?
    • Yes, it is a vintage L39/LTM lens manufactured in Japan back in 1956.
    • L-M adapter -- Rayqual Mount Adaptor for Leica M body to L Lenses 50-75mm Made in Japan

Cheers,

Erato

 

Tokyo Kogaku Topcor-S 5cm F2 V2, LTM, M10M

Thanks for the reply.  I've considered getting a Topcor and your photo makes me want to get one even more.  Not sure if I need another 50 (three as of now) but your photos are making me think, can one have too many 50's?  🙂

Edited by RayD28
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17 minutes ago, RayD28 said:

Thanks for the reply.  I've considered getting a Topcor and your photo makes me want to get one even more.  Not sure if I need another 50 (three as of now) but your photos are making me think, can one have too many 50's?  🙂

I'm enjoying subtle differences against multiple 50mm and 35mm lenses.

And I believed that there are many pals here feels the same as I do, especially vintage lenses are exquisite and fabulous to me.

 

Tokyo Kogaku Topcor-S 5cm F2 V2, LTM, M10-P

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Leica M9 with Elmar-C 1:4/90 (originally designed for the film Leica CL).  An under-rated lens in my view, affordable and very portable compared with the APO-Summicron.

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M10P ASC + converted 196X TH Cooke Speed Panchro 75/2 Ser. II, probably @ f/2.8

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M10 + Canon 50mm 1.2 LTM

Claus

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90mm Angénieux P1 f1.8 LTM  (1955) on M10-P

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90mm Angénieux P1 f1.8 LTM  (1955) on M10-P

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M10P ASC + 1954 Angénieux R11 28/3.5 (Exakta converted to M), wide open @ ISO 6400

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M10P ASC + converted 196X TH Cooke Speed Panchro 75/2 Ser. II, wide open @ MFD

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50mm Canon 1.2 LTM black v1 on M10-P ASC

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50mm Canon 1.2 LTM black v1 on M10-P ASC

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M10, Summicron 5cm, 2.0 Radioactive

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M10 + Summar 5cm 2.0

Claus

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Summar 5cm 2.0  + Ricoh GXR

 

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Similar to the 70/2.7 found on Roland cameras. This one used to belong to a Peggy Norm folding camera.

M10M + converted 1933 Dr. P. Rudolph Kleinbild-Plasmat 50/2.7, wide open

 

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Summar 5cm 2.0  + Ricoh GXR

 

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Leica M3, Elmarit 90 2.8, Adox CMS 20 II Pro (developed in ADOTECH IV), wide open (this lens is sharp!) 

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M10M + uncoupled 1959 Corfield Lumax 45/1.9 v1 LTM, wide open

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