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14 minutes ago, Aryel said:

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m2, summilux 35 pre-asph (v2), delta 3200 (dd by Malvarrosa), printed on mgfb and scanned

Good to see this lovely shot again...^^b

My hat off to you -- a film lover.

Summicron 50mm F2 V1 Collapsible, M10M

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A portrait of my friend Flavia. Shot on Leica M3 and Summarit 50 1.5 with Kodak Tri-x

 

compressjpeg-5.zip

 

 

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Edited by 4r36
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Sorry if I pose my question here. I tried to use the search function, but, as you can imagine, the words "image", "uploading", "formatting", etc., give countless results.

 

Is there a way to limit the size of a posted image? On my computer, the image posted above is displayed considerably bigger than the previous ones... 

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1 hour ago, 4r36 said:

Sorry if I pose my question here. I tried to use the search function, but, as you can imagine, the words "image", "uploading", "formatting", etc., give countless results.

 

Is there a way to limit the size of a posted image? On my computer, the image posted above is displayed considerably bigger than the previous ones... 

Would this help?

 

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M10M + 1966 Canon 35/1.5 LTM, wide open @ MFD

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M10M + 1956 Canon 50/1.5 LTM, wide open

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Edited by Ecar
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Leica Elmar 50/2,8 wide open with Leica Elpro:

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M11 & cron 35mm 6elements v2 wide open

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Leica M10-R, approx 1957 Zeiss Opton Sonnar 50/1.5, at f8

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Edited by horosu
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Fresh from this morning.

M10M + 1966 Canon 35/1.5 LTM

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A few more. Same camera and lens as above. First probably @ f/2.8 (not my dog, btw...), last two @ f/1.5. Last one slightly cropped, hence no apparent vignetting.

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Edited by Ecar
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M10 + Summar 5cm 2 (1937)

Claus

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M10P ASC + converted 1960-ish TH Cooke Speed Panchro 50/2 Ser. II, wide open

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A lot has been said about hi-res sensors and smearing due to micro-movement: lines blurring across two cells.

The same happens with 'old glass' that has not had a 'Karbe-treatment'. I am testing old glass and see some show just a bit more unsharpness in corners where previously it was less visible.

here M10-R and an old 28mm f5.6 at F8. The first shows the smudge at the top of the building (my lens is not that well aligned, I know).

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It is  more apparent than with the M240 imho

 

 

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here same combo and here it plays out better.

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Edited by Alberti
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M11 & Rigid 50mm Summicron shot wide open at 1m

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4 hours ago, Alberti said:

A lot has been said about hi-res sensors and smearing due to micro-movement: lines blurring across two cells.

The same happens with 'old glass' that has not had a 'Karbe-treatment'. I am testing old glass and see some show just a bit more unsharpness in corners where previously it was less visible.

here M10-R and an old 28mm f5.6 at F8. The first shows the smudge at the top of the building (my lens is not that well aligned, I know).

Can't see it, TBH...

M10P ASC + converted 196X TH Cooke Speed Panchro 50/2 Ser. II, wide open

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M10M + uncoated 1934 CZJ Tessar 50/2.8 (Contax mount with Amedeo adapter)

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I've been seriously considering adding a vintage lens or two to my kit.  So many of these have nice renderings but I'm not very familiar with most of them.  I would prefer to stay with one kind of mount, either a Contax or M42 to not have to get multiple adapters.  

The one lens that does stand out to me is a Zeiss Jena Sonnar 5cm f/2.  Not too expensive to find one in decent condition, but with something pre-war I guess you never know until you try it.  

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