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P.za Sordello, Mantua, IT

 

Summilux R 50mm/f1,4 @f1,4. EOS 5D mkII, ISO 6400.

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P.za Sordello, Mantua, IT, #2

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That's the lens on camera (mostly he tiny UC-Hexanon is mostly hidden behind the humongous filter):

 

Gabor, you cause quite a stir with your new little friend ;-)

 

Congrats! Every M3 is just beautiful !!!

 

Here is the digital I like most at the moment with the 35/2, that is still my favourite of them all!

 

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still my favourite 35mm by teknopunk.com, on Flickr

 

That's, how it looks like:

 

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tricycle by teknopunk.com, on Flickr

 

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L1054622-M9 Digital Camera--for_flickr by teknopunk.com, on Flickr

 

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couple - chatting by teknopunk.com, on Flickr

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Newly arrived Summicron 5cm f2 LTM Type 1 (1955) on M9. Taken at f2, focus on front leg of bench. Full frame and 100% crop.

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Edited by Keith (M)
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65mm Elmar f/3.5, Visoflex II, M9

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Edited by Michael C. Daily
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Visoflex II, 65mm Elmar f/3.5 (ca.1960), M9

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Edited by Michael C. Daily
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First outing with my newly arrived 1955 Summicron f2 LTM Collapsible, on my M9.

1. The Town Crier

2. Market scene

3. Danger signs.

I am pleased with the way the lens performs :)

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Another from today's outing mit Summicron f2 LTM & M9 - the ubiquitous wall test! ISO 160, f8, 1/250sec.

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5cm Summicron f/2 (1958), M9

"Weaver Rd. with dog"

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Here area a couple of the MM and the fantastic Canon 85 mm f/1.8 LTM. This, along with the Canon 100 mm f/2 LTM, and the Leitz Summicron 90 mm f/2 version 2, are my 3 favorite portrait teles for the Monochrom, due to their tonal rendition, clarify but forgiving rendering of detail....

 

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And 3 from the fantastically tiny Canon 35 mm f/2.8 LTM, which seems to compare quite favorably to the Leitz Summaron 35 mm f/2.8 (similar macrocontrast and microcontrast, different OOF rendition). It pairs well with the 8 element 'cron for unique views at 35 mm...

 

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More from Saturday's test of my 1955 Summicron 5cm LTM Collapsible on M9. First a full-frame at f8 followed by a 100% crop, then a second 100% crop, this time from one taken immediately afterwards at f2. Nothing too unexpected, methinks.

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More from Saturday's test of my 1955 Summicron 5cm LTM Collapsible on M9. First a full-frame at f8 followed by a 100% crop, then a second 100% crop, this time from one taken immediately afterwards at f2. Nothing too unexpected, methinks.

 

Looks fine to me. Some fringing is indeed to be expected at f/2, particularly in contrasty lighting conditions. Not bad for a nearly 60 year old lens...

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M9 + 1953 W-Nikkor-C 35/2.5

 

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My IIIg arrived back from repair on Tuesday so yesterday I fitted my 'new' 1955 Summicron 5cm Collapsible, loaded a roll of Tri-X to test the repair and developed it that evening. Here is one example (one not affected by the light-leak that the repairer failed to correct - the camera is now on it's way back to Red Dot for another repair attempt...)

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Edited by Keith (M)
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Keith, excellent photos with the collapsible Summicron. I knew it would be a good lens :)

 

I am very sorry to hear they failed to fix the light leak problem. I hope they get it right this time.

 

I had a similar problem with an M3 I bought from Tamarkin. It went back over the pond for repair after which it was reported that the problem was a piece of film stuck behind the pressure plate. Upon return to Europe two further film pieces fell out when I opened the camera. Still, the light leak persisted. I eventually sent the camera back for a full refund. The benefits of dealing with an honest and service-minded dealer are never to be underestimated, imho, esp. when they're located far away.

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Before the "Anti-Nuclear Dump in Ennerdale Protest"

 

50mm/2.8 Elmar (1957-1974), TriX @250 in D76 scanned with a V700

Pete

 

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