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Can anyone who owns the Voigt 12mm II and either of the Voigt 10mm or the 12mm III (when available) compare them?  I own the 12mm II and I would like to know if there's any reasons to consider complimenting it with the 10mm or replacing it with the 12mm III.  I don't expect to do so, but I would like to know if others have been impressed with one of the two new lenses relative to the older 12mm II.  Thanks.

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Hello,

 

I have the 12 mm I and the new 10 mm. Since the V II of the 12 mm should be optical the same I guess it is not so far away.

 

10 mm

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and here 12 mm

 

I was astonished how much more is covered by the 10 mm compared to 12 mm.
As you can see the 12 mm leads to red edges on my M 240. Also it is a bit softer the 10 mm.
I guess the new 12 mm will look similar to the 10 mm.

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Can anyone who owns the Voigt 12mm II and either of the Voigt 10mm or the 12mm III (when available) compare them?  I own the 12mm II and I would like to know if there's any reasons to consider complimenting it with the 10mm or replacing it with the 12mm III.  I don't expect to do so, but I would like to know if others have been impressed with one of the two new lenses relative to the older 12mm II.  Thanks.

 

I skipped the 12mm and went from the 15mm VIII to the 10mm and it is better than the 15 in terms of fringing, and really better in every respect. I shoot with no lens selected on the M9, and sometimes with marvelous results using the the 15mm profile in post-processing. I can direct you to a post that addresses this if you wish.

Edited by pico
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just a quick & dirty view from our balcony:

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12 mm II

10mm Hyper wide

 

 

When news came out, that there will be a 10mm wide I knew it was such a MUST HAVE item, and I'm not disappointed.

It's funny to switch both pictures alternating, 12mm view gives a "tele" feeling after looking the 10mm pic. :lol:

 

12mm Ultra Heliar II is coded as 21mm Elmar, this is the coding most recommendet. Even with this coding cornes are much darker than with the (uncoded and no info given to M9!) 10mm Hyper wide Heliar.

Of course both are underexposed, but the 10mm picture is much more balanced  and more correct exposed than the Ver.II 12mm one.

 

I decided to sell my 12mm 'cause that 10mm Hyper is IMO much better....

 

We all venerate Mr. Karbe and his predecessors for their genius in lens design, but these little Voigtländer gems do not deserve to be made anonymously.

 

Thomas

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We all venerate Mr. Karbe and his predecessors for their genius in lens design, but these little Voigtländer gems do not deserve to be made anonymously.

 

Thomas

Agreed Thomas, they are amazing both in the perspective they offer and the price they offer it for. Who is the (lead) designer?

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12mm Ultra Heliar II is coded as 21mm Elmar, this is the coding most recommendet. Even with this coding cornes are much darker than with the (uncoded and no info given to M9!) 10mm Hyper wide Heliar.

Of course both are underexposed, but the 10mm picture is much more balanced  and more correct exposed than the Ver.II 12mm one.

 

Are they underexposed? Are you using an Adobe post-processing program? If you are, try using NO lens profile, input into ACR and push the 'recover' slider all the way to the right. The image might not be underexposed! Finally, as an option use Adobe's 15mm lens correction filter. (Mine downloaded automatically.)

 

More in this thread.

Edited by pico
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  • 1 year later...

Now that 16 months has passed since the thread started (and ended), I'm wondering what the experience is with the latest versions.

 

I only use an M6 & M9M and am thus shying away from the non-RF coupled 10; more inclined toward the 12 because I already own a 21 SEM, therefore 15 doesn't seem radical enough.  :blink:

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10 mm

attachicon.gif16-09-05, 12-17.jpg

 

I was astonished how much more is covered by the 10 mm compared to 12 mm.

As you can see the 12 mm leads to red edges on my M 240. Also it is a bit softer the 10 mm.
I guess the new 12 mm will look similar to the 10 mm.

 

The car down in the right corner seems to be smashed by the foot of Godzilla.

They seem to perform a lot of distortion.

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I find the CV10 to be superior to the CV12 (first version, screw mount) for corner control and central sharpness.  Attached is an image I had taken of the Golden Gate Bridge with the CV10 on an M240, camera code set to 21mm pre-Asph, Adobe Raw pp profile set to CV15, again for best corner control.  Tom

 

 

 

 

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  • 2 months later...

I'm just wondering if the CV10 is rangefinder coupled - not mentioned anywhere I've read (even Gandy's Voigtlander site does not list it as coupled or not  ie the M version - even though he discusses that with CV12's & 15's)

 

I suppose it doesn't really matter for a 10mm lens - hyperfocal focusing would be the way to go (I do the same with my CV15 LTM which isn't coupled)

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& no need for coupling with this DOF, as you have correctly presumed.

 

You have to be careful with sloppy hyperfocal, however, as diffraction is quite severe at f/16 and f/22. With f/8 and f/11 you have most scenes covered.

 

Yes, I generally try to avoid those small apertures (16, 22) for that reason

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Although I love the Heliar 10 for its daring concept and engineering, it does suffer from the worst diffraction that I have ever seen in any lens. Most propably has to do with the angle of light hitting the aperture blades through the extreme UW.

I'm seriously thinking of getting one - skip the CV12 & go straight to the 10 - my LTM CV15 isn't ideal on the M240 (but fantastic on my M & LTM bodies plus X-Pro2, though that is really a 21mm on the Fuji)

 

The price is great, even here in Australia (M version is cheaper than the Sony one)

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