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I think that one above could benefit from a bit of linear/perspective distortion correction. Quite common to need on wide angle. It bothers me that the door is slanted (makes me a little nauseous) but maybe that's just me. The bench top has a funny shape too. But the colours are great.

 

I would suggest reshooting with a spirit level myself, at half ceiling height too ;).

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21 CV Color Skopar on M | Taken while riding a bullet train from Tokyo. The image was crop. 

 

 

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Cairn, Peak District.

 

Leica MP

CV 12mm f5.6 (v1: ltm)

Adox Silvermax

Heliopan O22

 

 

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SL + Voigtlander 15mm 4.5 vIII

 

Amsterdam (color efex post processing)

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Lake Lucerne, Switzerland

 

Voigtlander 15mm f4.5 vIII + SL 601

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I don't know, LOL....there's a point it just starts getting too wide. The 21 renders with a still pretty darn natural look to even the edges, unless you just get something or someone way too up-close and at the edge.

 

The 18mm Super Elmar starts stretching the limit of how wide I want to go. I have the Olympus 7-14 M. Zuiko for my E-M1 Mark II outfit, 7mm being be the equivalent of a 14mm Ultra-wide and you REALLY need the "right" subject for it to look good. Otherwise, it's just this wide expanse of a bunch of tiny objects.

Edited by Gregm61
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