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The Summilux-M 28mm f/1.4 has upset my existing lens kit.


KanzaKruzer

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Hi there,

did you purchase a Summilux 28mm after the sale? I am thinking 28mm and saving funds, the Summilux is so much more than a Summicron I was hoping to find out if it was worth it.

Thanks. Chris B

 

I ended up purchasing a Sony a7rII, Batis 25/2 and Batis 85/1.8. I sold my Leica 21/3.4 and Leica 90/2. I just listed my 35/1.4 on FM because the 50/2 is always on my M240. My wish list includes a Batis 50mm for the Sony and an M246 to replace the M240. I have decided the Leica 28mm focal length would not be used enough to justify since I have the 25/2 on the Sony. I'll use my 50 APO on the Sony until they release a Batis 50mm.

 

My long term goal goal is now the following:

 

Color: a7rII | 25 | 50 | 85

B&W: M246 | 50

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For some reason I have never got on with 50mm lenses and tend to shoot quite wide. Not long ago I went down to just three lenses and have found it so much better to work with. Less lenses - less choices. The 28 lux really is something special and I love working with it. For me 21 Elm, 28 lux and 75 lux with two bodies works perfectly. I don't miss my 35 or 90 at all. The 21 and the 28 are my work horses and I use the 75 for portraits mostly.

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I ended up purchasing a Sony a7rII, Batis 25/2 and Batis 85/1.8. I sold my Leica 21/3.4 and Leica 90/2. I just listed my 35/1.4 on FM because the 50/2 is always on my M240. My wish list includes a Batis 50mm for the Sony and an M246 to replace the M240. I have decided the Leica 28mm focal length would not be used enough to justify since I have the 25/2 on the Sony. I'll use my 50 APO on the Sony until they release a Batis 50mm.

 

My long term goal goal is now the following:

 

Color: a7rII | 25 | 50 | 85

B&W: M246 | 50

That is why this kind of thread are so meaningless. You got all kinds of good advice but ended up in a completely other direction. Your new kit only proves you suffer from GAS and cure seems out of sight

[emoji1]. The good thing is nothing hinders you to go back to the starting point of your journey.

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I ended up purchasing a Sony a7rII, Batis 25/2 and Batis 85/1.8. I sold my Leica 21/3.4 and Leica 90/2. I just listed my 35/1.4 on FM because the 50/2 is always on my M240. My wish list includes a Batis 50mm for the Sony and an M246 to replace the M240. I have decided the Leica 28mm focal length would not be used enough to justify since I have the 25/2 on the Sony. I'll use my 50 APO on the Sony until they release a Batis 50mm.

 

My long term goal goal is now the following:

 

Color: a7rII | 25 | 50 | 85

B&W: M246 | 50

After reflecting on this strategy, I now want to keep my M240 and will use the funds I received from selling my 35/1.4 to put toward a 28/2. I just need to sell a few more items to cash flow. That would make my proposed kit as follows:

 

a7rII | 25/2 | 85/1.8

M240 | 28/2 | 50/2

 

The 28 | 50 combo just seems like the right travel kit.

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The problem of mixing systems is that you will lose out should your Sony break down in a backup situation. Personally I prefer all my lenses to fit all my bodies when traveling. In the end you'll settle for one brand.

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The problem of mixing systems is that you will lose out should your Sony break down in a backup situation. Personally I prefer all my lenses to fit all my bodies when traveling. In the end you'll settle for one brand.

I was down to one system (not counting RX100 pocket camera) when I had the M240 and four lenses (21, 35, 50, 90) and found I needed flash, auto-focus, etc. on some occasions. I really don't take both systems out at the same time, even though I can use the Leica lenses on my Sony. I really prefer native mounts. I thought it would be better to differentiate the Leica from the Sony by trading the M240 for the M246, but the M240 | 28 | 50 has broader capabilities. I now know, a two lens system is all I will ever use with my Leica. I could have saved money by using only a 50mm for the first year, but the lead time was so long back in 2012 that I purchased more than I should have just to get on the list. I enjoy the Leica for the pure joy of the rangefinder experience, and that it makes me a better photographer. The a7rII and pair of Batis lenses cost less than one Leica lens. The Sony system is used more than I ever used the 21mm and 90 mm lenses, so in my mind it was a good trade. I just should have passed on some of my purchases, but I guess it is difficult to know the destination without taking the journey. Because of advice on this thread I will end up saving money by purchasing the 28/2 instead of the 28/1.4 which will better fit my needs. I have found the 25mm focal length on the Sony is used quite often and I like having two focal lengths to chose from. The 28mm on the Leica will offer a broader spread from the 50mm.

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If you didn't already have the 35, I'd say yeah give the new 28 lux a try. But, I'd consider the 28 too close to the 35, and wouldn't sell the amazing 21 and 90 to get a lens that is too close to another I have.

I'm down to the 50/2 lens for my M240. Will probably end up with a 28/2, but I need to sell some additional items to fund the purchase.

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  • 2 weeks later...

I'm down to the 50/2 lens for my M240. Will probably end up with a 28/2, but I need to sell some additional items to fund the purchase.

I sold my M240 and bought a used M246. I realized I only use the 50/2 lens and I want to focus on B&W with the M246. I'll still have the a7rII for color.

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I use other brands for seldom used lengths - the differences in IQ on good examples is very slight.  No one would be able to pick them out:

 

Voight 50 1.5 (have a ton of Leitz 50 2.0's - needed the extra stop)

Voight 35 2.5 (tiny!)  Have Summi 2.0

Voight 75 (comes in handy for portraits)

Zeiss 21 (architectural work)

 

In Leitz I have and use a lot; 28 2.0, 35, 40c, 50, collapsible 50, 90, 135 & full Viso III set up

 

Go to lens is Summi ver 4 2.0

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And as for the perfect kit...

 

Depends where you're going

 

Wyoming, tiny villages in Europe, sports, people... kit design is situational. 

 

I'd pick 2 and discover what you're missing in the field

 

The other day kicked myself for not having a 28, which I seldom need.  Oh well... can't get every shot

 

I bet if you canvased everyone on the forum, they use 1 favorite lens 90% of the time.  How we see and portray the world around us is ingrained in every serious shooter.  I don't like the word, but we all have a 'style' whether we know it or not

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  • 1 year later...

28 Lux and 50mm sounds like a perfect match, 75 might be too close though

 

Totally agree on that! Besides some compositional thoughts and leaving the character of a lens aside, cropping is a legit tool nowadays, at least for me. My decision towards a 28mm as an addition to my already existing 50mm was based on the fact, that you can easily crop out a 35mm equivalent photograph of 28mm shot with enough reserves in terms of image quality / megapixels. The same should be true for cropping a 75mm out of a 50mm image. So if you are planning to buy a 75mm, you should definitely try out a 90mm. But that's just my thinking. Anyways, I suppose you are going to by very satisfied with the rock solid combination of a 28mm and a 50mm.

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No, 50 and 75 are perfect. 75 for street life e.g. 90 would be too long.

 

And the 28 matches that duo perfectly. I just wonder why you buy so fast lenses. I come from DSLR and I mind the weight a lot. After a few months now I think that I would have done better with a 50mm 2,0 instead of 1,4 

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