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Correct box for "double zero" M3?


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Could collectors and historians please advise what is the correct box for an early M3 with a "double zero" serial number? I see on websites M3 boxes in white, in red, and in pale grey-green, but what M3 box is for the first production?

I found this camera, a battered and bruised survivor, at a furniture auction. Although its cosmetics are poor, with dents and scratches, to my surprise everything works well and the viewfinder is clear and bright. The Summicron glass is clear (protected by a dirty filter for 55 years) and the rings work smoothly. It is a good, historical user.

Does anyone know if the strap is original Leica? It is good quality, not sure if it is leather or a nice substitute, and has the "teardrop" connectors similar to 1950s Leica accessory neck straps.

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Thank you for the correct box information.

I believe many early M3s had the frame selector added, over the decades, by Leica service agents.

Perhaps internal inspection will reveal its history.

 

Definitely worth exploring imo too, since all visible details are encouraging :)

Exposure times, strap lugs, marking on the rewind knob etc. , they all look right.

Congratulations for an interesting find!

 

Does it have the glass film preasure plate?

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Fellow enthusiasts, I am pleased to share the results of an internal examination today by a well-respected Leica technician near Boston, Massachusetts (I took a short 6.5-hour drive from Montreal to visit him). Some pictures are attached, showing interesting details:

a) first-type film tracks

B) matching serial number under the bottom cover plate

c) apparently? some small difference in the accessory shoe?

The technician said that these obvious and some smaller details confirm that this is a very early "double zero" M3, probably from the first two weeks of production, in early 1954. He said it was in good, clean condition inside, working well, with no signs of moisture, dry lubricants, or misuse. The cosmetic damage is limited to the exterior, and might generously be called "patina", or perhaps "battle damage".

He also said the frame selector lever was added "decades ago" by a qualified technician, who probably changed the frame outline in the viewfinder at the same time, and converted the flash sockets to standard PC terminals (easily reversible to original M3 pins). These were common upgrades to early M3 cameras. The double-stroke winder was left original and is solid, no slipping, internal gearing is fine.

The original owner had put a ring of silicone sealer around the eyepiece to protect his eyeglasses. That I removed, under the watchful eye of the technician.

Since everything (including slow speeds and delay timer) works well and the viewfinder is bright and clear, he advised NOT to service it (that would require a complete take-apart). He suggests LEAVE IT ALONE, exercise it a few times a year, BUT DON'T USE IT - it is a collectible survivor, has earned its retirement, and could suffer damage (e.g. light baffle could slip, a known problem) if used weekly (like I had planned to do).

So, I am happy to find this old veteran at a "furniture auction", but now I have to buy my (second) first M3, to actually experience using one! At least I can use the Summicron 50mm that came with M3-700344, after its CLA (the lens already worked smoothly and had clean glass).

Bottom line - I am now "smiling near Boston".

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Yes an M3 is made to use just about forever, mine has been in continuous use for 46 years and in contrast to this one is one of the last major batch. It won't get retired until I can't use it any more.

 

Gerry

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I was given a 55 double-stroke M3 with bad curtain. After repair and CLA the wind clutch slipped on the first couple of rolls, and the repair tech suggested upgrade to S.S. (But I already had a 62 S.S. so I declined.) Now after a year's use the D.S. film wind never slips. (Perhaps a too aggressive lube application?)

So yes, using these old guys is generally good for them. (Same as for us old guys...)

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I should try shooting a roll with this camera, to make the purchase worthwhile. Perhaps during Christmas. I agree it is a bit cruel to have it sit on a display shelf, without a bit of exercise. One suggestion from a Leica person is to trade it for more usable Leica gear, like an M6 outfit, or a modern MP film camera ... so a collector can enjoy the survivor and I can shoot M pictures. For future consideration.

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