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Perhaps Leica could develop a clutch so that when you press the rewind switch the rewind ratchets to obviate spring-back.

 

Ya heard it first here. :)

 

Of course, the M5 has a one-way clutch. Fold out the rewind crank and it only turns in the rewind direction. Fold the crank in and the film advances normally. Try to wind with the crank out and strip out the sprocket holes into confetti.

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I find rewinding my MP to be easier & quicker than my M7 as the little handle often slips out of my grasp and then whizzes around in the wrong direction, necessitating more winding to make up lost ground.

Only you know which works better for you, but try positioning the forefinger of the non-winding hand gently against the knob that the winder folds into. If your hand does slip off the winder, the forefinger will work as a brake.

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It only took 1 trip to Leica NJ for my M6ttl bent rewind lever to convince me a knob was the way to go.

 

Cheers,

 

Mike

 

 

 

That certainly an exception. In more than 40 years of using the later rewind I have never had an issue.

 

I call User Error.

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  • 9 months later...

Used both a lot, prefer the lever. Oh the sour M2 thumbs... The fact that you can buy additional rewind levers for the MP and other rewind knob M's should show it all. How can something be working well if you have to buy additional tools to make it work? Design / look wise the knob wins though.

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Loved the lever on my M4 which I owned for a little over 40 years. When I next picked up a iif and then an M2, the knob did feel sort of nostalgic and I came to like the knob. Unless one is under pressure to rewind and reload quickly I don't think it matters much...just different ways to accomplish similar ends.

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Lever every time. I have both.

 

Have you 'knobby' guys ever worked under pressure with a film Leica and tried to change say 13 rolls of film, in a space of say 1.5 hrs, in the dark, while the action in front of you continued whether you are ready or not? That used to be my regular gig for years, shooting two M6's. Lever is much faster where time is critical.

 

Another aspect, IMO, is that it is easier to maintain constant pressure on the film during rewind with the lever. I always worry that slippage when winding with the knob can induce friction/scratching between the film layers because it is a stop-start technique.

 

Have to disagree, maybe my fingers are just too big, but they always slip off the tiny handle and the film looses all tension. So frustrating. While a knob is marginally slower, I've never had the frustration with one I constantly get with a lever.

 

And, I hurt my nose when I advance without moving my eye from the viewfinder (the rewind spins). I know I'm a special type, but it doesn't happen with a knob. Just sayin...

 

I suppose its lucky they make both types...

 

Cheers,

Michael

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And, I hurt my nose when I advance without moving my eye from the viewfinder (the rewind spins). I know I'm a special type, but it doesn't happen with a knob. Just sayin...

 

I suppose its lucky they make both types...

 

Cheers,

Michael

Michael, you are supposed to fold away the re-wind lever when advancing (shooting). That will be kinder to your nose. :)

 

However it seems you have sorted the problem by preferring the 'knob' solution.

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