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Putting Perch Rock into context


andybarton

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Went for a walk out to MY lighthouse last night, and the tide was out about as far as it goes. (There's a sand bank further along the coast where the brave or foolhardy can walk around a mile out into Liverpool Bay at these tides...)

 

Therefore it was possible to put the lighthouse in the context of the town that it belongs to, by walking "out to sea" and looking back towards New Brighton.

 

R8/28(ROM)/Astia 100 x 3

 

(Astia is such a great film. It's a pity it's only available by mail order now... Who needs Kodachrome? ;))

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AND this is one stonking lens, now that it has come back from Leica.

 

This is a 100% crop from the extreme left hand edge of the shot above. (Scanned on the Coolscan V @ 4000dpi btw) Minimal noise reduction and LAB mode USM

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Lovely shot Andy - who needs a Hasselblad X-Pan? (I had one, sold it and haven't missed it)

 

John Dobson

 

Went for a walk out to MY lighthouse last night, and the tide was out about as far as it goes. (There's a sand bank further along the coast where the brave or foolhardy can walk around a mile out into Liverpool Bay at these tides...)

 

Therefore it was possible to put the lighthouse in the context of the town that it belongs to, by walking "out to sea" and looking back towards New Brighton.

 

R8/28(ROM)/Astia 100 x 3

 

(Astia is such a great film. It's a pity it's only available by mail order now... Who needs Kodachrome? ;))

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Great shot. I really like the partial reflection of the lighthouse in the water in the foreground.

 

Truly astounding resolution too.

 

It appears that the Coolscan V is also up to the task. I have one on my list.

 

G.

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Andy

 

An incredible shot - just like the panoramas you posted a couple of days back and beautifully composed.

 

As a novice is it possible to ask you to explain how you are able to shoot film and get a finished product so quickly? Can you describe the workflow between taking the shot and getting it into the final version?

 

I'm put off film cameras because of the perception that it takes so long to get from the shot to your screen but if you shot and developed since last night perhaps I am out of touch with what is involved (its been about 25 years since I seriously used film)

 

TIA

 

LouisB

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Thanks Louis

 

With regards to showing pictures so quickly, it's obviously much easier if you shoot negatives. I process my own B&W, so can have those "scan ready" in an hour or so, and processing of C41 is still readily available in the High Street, or supermarket, of course.

 

With slides, it's more difficult. I have a pro shop relatively near my office and dropped these ones off on my way back from a meeting, collecting them later in the day. They can do the whole thing in 90 minutes. (I am on the look out for a Jobo processor, so that I can process my own slides, but they are now increasing in value as they become rarer on eBay.) If you are in London, you have lots of pro shops to choose from (do a search on this board).

 

Then, it's just a case of scanning them when I get home.

 

I also use postal processing by both Fuji and the 7dayshop (both of whom are very good). My last ever roll of Kodachrome is somewhere between here and Switzerland...

 

I find that scanning slides is much, much easier than scanning negatives. One just has to be more careful with the exposure, and accept that the dynamic range is narrower. However, Astia scans beautifully and gives me a natural look that I prefer. When I have finished my last 6 rolls of Velvia 50, I will not buy any more (Velvia 100). It's too "in-ya-face" for my taste.

 

However, I can feel that maybe my time with film may be drawing to an end...

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I love all your lighthouse and New Brighton pictures. This one is terrific. New Brighton, seen through your lens, does not look a bad place. Quite attractive from the sea. (Martin Parr -- maybe it was some years ago -- made it look very different!) All the best, John

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