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On 12/14/2023 at 4:19 PM, stray cat said:

distraction

plain, washington 2023

m6ttl, 35mm, fp4+

Very interesting frame! Could stare for good few seconds at least 

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Abandoned malt factory

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Voigtländer Vitomatic IIIb, Lomography Redscale XR

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What's the hurry? Mamiya 7 65mm Portra 400 in cinestill c-41

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ladder stories, USA 2023

m6ttl, 35mm, fp4+

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The great diver in a tomb in Paestum.

Leica M4-P - 75Summilux - Tri-X

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Ford Ranger in a blizzard

 

Leica M5 - 35Summicron - Ilford HP5

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St. Martini church in Braunschweig

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Rollei 35S, HFT Sonnar 2.8/40, Ilford Delta 400

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Under Osaka

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m2, 35mm summicron v1, fp4+ (dd-x)

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Turn left at the Jackass

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Univex Mercury, 35/2 Hexar Anastigmat, Foma 400

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15 hours ago, lekitr said:

First thing that comes to mind... Bergman.

Thanks lekitr
I think the similarity lies in the light.
Bergman's cinematographer Sven Nykvist was famous for his way of handing light
to create athmospheres.
I try to take pictures of the light which is iluminating my subjekt. So I hope to keep
the moode in my picture. Here an other example: For me the light in this moment is more important
than the scene. The House only shows the impect of light. For me it is not a picture of a House,
its a picture that shows a special moment at the Baltic Sea.

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Waders on, Techika III, Xenar 150mm 5.6, Foma100 Edited by DreiPunkte
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Shopping mall

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CL, Summicron-C 1:2/40, Ilford Delta 100

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The 11th roll with my Rolleiflex. Warming period is over, time to get started seriously with portraits, that’s one of the main reasons I bought it.

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