I like film...(open thread)

[Doc Henry]

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A very nice contre-jour picture, Doc. Please, how did you come to be using Raymond Depardon's camera (if that is what your description indicates)?

 

Stray, no my camera is not Raymond Depardon's camera . I want just to say ,  it's a very fast camera > 120 milliseconds, as said Depardon. I translate below what he said :

 

"I started using Leica devices in 1960. I started with the M2. I had gone to the Algerian war for an expedition to test human resistance to heat. We had witnessed a tragedy: seven conscripts of the contingent had been lost in the Sahara. We managed to save three. Back in Paris, I was stolen my camera, but not the photos, which by chance had remained in my locker of the Agency Dalmas, my first agency. I cried. Today I work with the M7, the fastest camera in the world. Its latency is the shortest, 120 milliseconds between pressing the shutter button and shooting. Some devices do not follow and do not trigger immediately. This one triggers very quickly. Ten times faster than any other digital camera.

 

It is essential to be able to capture a moment as the affectionate gesture of a man for his companion in a street in La Paz or Potosi in Bolivia. The photographer always guilts to miss a picture. I call it mistakes of time. With this device, I increase my chances. I did not go digital and when asked, I reply that I just switched to color! My work will always remain

Of my generation, stuck between the Cartier-Bresson or Doisneau in search of the "decisive moment" and the younger photographers loving more the atmosphere and the staging. I am sensitive to the natural elegance of people. I try to keep my eyes as pure as possible.

 

I traveled a lot, often alone, and my Leica was my only companion. Then I finally succumbed to the fashion of the reflex, but everyone was posing and we were losing moments. So I came back to the Leica. Handling this unit takes time. And since this is not a DSLR, what you see in the viewfinder is not what you take a picture.

This gives him a working-class character, a craftsman whom I love very much"

 

More information on

http://www.lemonde.fr/m-le-mag/article/2016/04/27/raymond-depardon-et-son-inseparable-leica_4909357_4500055.html

Edited December 28, 2016 by Doc Henry

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[gsgary]

And a nod to Adam, this looked great in colour, but of course, who has colour in their camera when such a picture presents itself.

I'll return and do it in colour of course.

M6

28 Elmarit

Fomapan 200

R09 1:50

Plustek 8100

Gary

You know what to do now, carry 2 cameras 1 b+w and 1 colour [emoji3]

 

Sent from my SM-G903F using Tapatalk

[Doc Henry]

You know what to do now, carry 2 cameras 1 b+w and 1 colour [emoji3]

 

Sent from my SM-G903F using Tapatalk

 

Yes Gary my case I always have 2 cameras in my Billi bag

Henry

[Doc Henry]

Well, I just took posession of an Olympus Trip 35; a zone focusing, all auto, no choices, point and shoot. I got it for my wife who just likes to..."point and shoot" so we ran a roll through it to make sure it was in good working order.

 

I must say, it's an amazing little camera. The exposure choices were spot on and even though the inside shots defaulted to 1/40, there was no blur/shake on any of the images.

 

I'm very impressed.

 

This is Kentmere 400 shot at 400 (no choice; the camera reads the code) and dev'd in D76 1:1.

 

the first image is our lunch (with the ever-present Nikon FM2n) and the second shot is me, taken by the wife, slightly backlit. I had her point the camera to the shade away from the direction of the sun and then half -press the shutter to lock the exposure and then since it's zone focusing, you just point it at me! That's as technical as it gets with this camera.

 

 

 

RP, superb the second the odl man ....

In the middle of food... my choice is the camera

Glad see you post

Thanks

Henry

Edited December 28, 2016 by Doc Henry

[Doc Henry]

Back to the Jerusalem market....

M-A, 28mm elmarit pre-asph, Portra 400

 

second...

 

the choice

third....

 

and father and his son

All pictures are superb and have a superb color Adam

Best

H

[Doc Henry]

Can never quite resist taking a photo of an old tyre – especially a frosty one.

 

Ian bravo for the contre jour !

Nice shot

Best

Henry

[Doc Henry]

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Small tree on a Riverbank in Sydney

Nikon F3, 55mm Micro 2.8, Acros, Rodinal

 

Comments are welcome as always...

 

PS. Apologies for the Non Leica post...

 

The tree is in relief on my Eizo screen . I think it's your subject no ?

Fuji Acros has a nice b&w tonality

No problem with non-L post here we highlight film

Thanks for posting

Henry

[Doc Henry]

Artwork by Sally Gabori (RIP)

 

 

NGV Melbourne, December 2016

M6TTL, Summaron 35mm, Tri-X

 

Cheers, Phil

I like this one really superb

Best

Henry

[Doc Henry]

Another Portra 400, MP, Elmarit-M 28mm ASPH shot.

Standing Tall

Nice blue sky Keith

Thanks

Henry

[Doc Henry]

Sunset at Marseille ....  and for Gary 

 

Kodak TX400-MP-50 Lux Asph

 

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Best

Henry

[Doc Henry]

and in Kodak Portra 400-M7-28 Cron Asph

Jet lines are for Philip

 

 

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Henry

[Bobitybob]

Cask Ales ......

 

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Canon AF35ML, Kentmere 400

[Keith (M)]

B&W conversion from Portra 400 (MP, 28mm Elmarit-M ASPH)

 

Vanishing Point

 

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[schn€id€r]

This is a small contribution to this wonderful thread

 

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Bruges 2016

503cw, Planar 80mm, TriX, Rodinal

 

Best

Michael

Edited December 28, 2016 by schn€id€r

[Doc Henry]

This is a small contribution to this wonderful thread

 

Brügge 1.jpg

 

 

Bruges 2016

503cw, Planar 80mm, TriX, Rodinal

 

Best

Michael

 

Michael, a "small contribution"  but a superb b&w picture

Nice definition and contrast , I saw it's TX film !

I know this place in Bruges

Welcome to this thread and thanks for your comment

More please

Best

Henry

Edited December 28, 2016 by Doc Henry

[Michael Geschlecht]

Stray, no my camera is not Raymond Depardon's camera . I want just to say ,  it's a very fast camera > 120 milliseconds, as said Depardon. I translate below what he said :

 

"I started using Leica devices in 1960. I started with the M2. I had gone to the Algerian war for an expedition to test human resistance to heat. We had witnessed a tragedy: seven conscripts of the contingent had been lost in the Sahara. We managed to save three. Back in Paris, I was stolen my camera, but not the photos, which by chance had remained in my locker of the Agency Dalmas, my first agency. I cried. Today I work with the M7, the fastest camera in the world. Its latency is the shortest, 120 milliseconds between pressing the shutter button and shooting. Some devices do not follow and do not trigger immediately. This one triggers very quickly. Ten times faster than any other digital camera.

 

It is essential to be able to capture a moment as the affectionate gesture of a man for his companion in a street in La Paz or Potosi in Bolivia. The photographer always guilts to miss a picture. I call it mistakes of time. With this device, I increase my chances. I did not go digital and when asked, I reply that I just switched to color! My work will always remain

Of my generation, stuck between the Cartier-Bresson or Doisneau in search of the "decisive moment" and the younger photographers loving more the atmosphere and the staging. I am sensitive to the natural elegance of people. I try to keep my eyes as pure as possible.

 

I traveled a lot, often alone, and my Leica was my only companion. Then I finally succumbed to the fashion of the reflex, but everyone was posing and we were losing moments. So I came back to the Leica. Handling this unit takes time. And since this is not a DSLR, what you see in the viewfinder is not what you take a picture.

This gives him a working-class character, a craftsman whom I love very much"

 

More information on

http://www.lemonde.fr/m-le-mag/article/2016/04/27/raymond-depardon-et-son-inseparable-leica_4909357_4500055.html

 

Hello Henry,

 

I think that there might be some sort of error in the translation here.

 

It is my understanding that the shutter delay on MECHANICAL "M" camera shutters is 20 milliseconds after the shutter is tripped. That is to say: 1/50 of a second.

 

Best Regards,

 

Michael

[mdachs]

stollen

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m6 2/50IV tri-x

 

Rgds

Joachim

[Michael Geschlecht]

Hello Joachim,

 

Nice photo.

 

I just had some stollen yesterday.

 

I warmed it up in the toaster.

 

Best Regards,

 

Michael

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Hallo,

Look here: Interesting Leica gear

[stray cat]

I like this one really superb

Best

Henry

 

Wonderful classic, Phil.  Thanks for sharing it.

 

 

Thank you so much for your very kind comments, Adam and Henry.

[stray cat]

Stray, no my camera is not Raymond Depardon's camera . I want just to say ,  it's a very fast camera > 120 milliseconds, as said Depardon. I translate below what he said :

 

"I started using Leica devices in 1960. I started with the M2. I had gone to the Algerian war for an expedition to test human resistance to heat. We had witnessed a tragedy: seven conscripts of the contingent had been lost in the Sahara. We managed to save three. Back in Paris, I was stolen my camera, but not the photos, which by chance had remained in my locker of the Agency Dalmas, my first agency. I cried. Today I work with the M7, the fastest camera in the world. Its latency is the shortest, 120 milliseconds between pressing the shutter button and shooting. Some devices do not follow and do not trigger immediately. This one triggers very quickly. Ten times faster than any other digital camera.

 

It is essential to be able to capture a moment as the affectionate gesture of a man for his companion in a street in La Paz or Potosi in Bolivia. The photographer always guilts to miss a picture. I call it mistakes of time. With this device, I increase my chances. I did not go digital and when asked, I reply that I just switched to color! My work will always remain

Of my generation, stuck between the Cartier-Bresson or Doisneau in search of the "decisive moment" and the younger photographers loving more the atmosphere and the staging. I am sensitive to the natural elegance of people. I try to keep my eyes as pure as possible.

 

I traveled a lot, often alone, and my Leica was my only companion. Then I finally succumbed to the fashion of the reflex, but everyone was posing and we were losing moments. So I came back to the Leica. Handling this unit takes time. And since this is not a DSLR, what you see in the viewfinder is not what you take a picture.

This gives him a working-class character, a craftsman whom I love very much"

 

More information on

http://www.lemonde.fr/m-le-mag/article/2016/04/27/raymond-depardon-et-son-inseparable-leica_4909357_4500055.html

Thank you very much for explaining all of this, Henry. Especially for including the words of RD - I find his thoughts extremely interesting and I will copy them down and keep them for inspiration.

 

With best regards, and wishing you a wonderful 2017, Phil