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Posted (edited)
6 hours ago, Ernest said:

Exploring the impressionistic.

A Zen approach to landscape; we have the No-Go mandate to remain outside the landscape, a warning, yet we venture inside by imagination, as if testing the limits of authority.

Neo-noir in color with marching time as a subtext in diptych. Finger snapping applause. Love how you and Dr. Kl@us are fashioning the vertical diptych.

Thank you sincerely Rog. I have to admit that coming across something like the no-go barriers in the Joshua Tree National Park 🏞️ constitutes one of those frantic ‘screech to a halt, get out and take a picture’ moments that probably confirms in the minds of normal people just how crazy photographers really are. Or, at least, some photographers.

Edited by stray cat
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The way down

Hasselblad 203FE & 110mm Planar lens

shooting Reflx Labs color film 220 format.

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Sun Catcher

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Ilford FP4+

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M3 Lux 35 v2 f5,6 1/500 KODAK GOLD 200

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1 hour ago, Kl@usW. said:

Peru 1980

Lake Titicaca, Alt. 3800 m.  A magic place.

new day, new road 

 

Thank you, Klaus, for tracking down these wonderful pictures. They must bring back some incredible memories of a different time and, as you observe, magical places.

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vor 4 Stunden schrieb stray cat:

Thank you, Klaus, for tracking down these wonderful pictures. They must bring back some incredible memories of a different time and, as you observe, magical places.

Phil, thank you for sharing your wonderful old and new work. And thanks as well for the inspiration to dig through the archive. So many memories resurface—some quite ordinary, but also of great encounters and amazing experiences.

I remember the old man with all the questions, with whom I sat on a park bench in Cusco and had an almost philosophical conversation (despite my terrible Spanish):
"Are all the streets in Europe paved?"
"Do people where you come from believe in angels and devils?"

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Swords

MP | 50lux | TMax 100

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Do I live in Paradise?

The view from my balcony would suggest so.

Hasselblad2000FCW & 250mm with multiplier x2 shooting Kodak Gold 200 film

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Domestic humdrum

Definitely not Paradise.

The view on my balcony.

Hasselblad 2000FCW & 110mm Planar lens shooting Kodak Gold 200 film.

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Am 20.5.2025 um 11:27 schrieb Bateleur:

Sun Catcher

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Ilford FP4+

Charles, I really like the composition of this image: the symmetry, the vertical layering with the shadow as a foundation, and the framing of the image sections by the tree. Somehow it feels like Constructivism sneaking in through the back door. In any case, you've convincingly avoided the Pictorialism trap—which I keep falling into myself.

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In the Garden ...

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Contax S2, 1.4/85, Kono Color 400, C-41

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