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Kodak Vision3 500T BW conversion

25mm f4 W-Nikkor (1954)

Leica M7

 

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Rolleiflex 3.5F and Ektar 100.

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kodak TMAX 100 | Ilfotec HC

m6TTL LHSA combo with lux 50 

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Bus terminal

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Ditto film, camera, developer

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Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

textures

kodak TMAX100

M6TTL | 50lux

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Kodak Portra 160

35mm f2 Konica UC Hexanon LTM

Leica M2

 

 

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SWC 903 Adox 100 II in FX 39

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Leica M3 | Summicron 50mm f/2 | Kentmere 400 | Ilfotec DDX

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On 2/16/2025 at 2:12 PM, Olaf_ZG said:

Great images in this thread, as usual.

I have four rolls of new portra 400 135/36 in my fridge. Bought it when I rebought a g1 which I sold to fund the Q43.

Who is interested? I prefer EU due to postage.

No takers?

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8 hours ago, Olaf_ZG said:

No takers?

That’s a very generous offer Olaf. I’m sure there would be many enthusiastic takers from without the EU. I’ll be back in Australia next week but I imagine postage would be quite prohibitive. If it wouldn’t be too expensive I’d be happy to reimburse you for shipping.

Again, many thanks for a very kind and generous offer.

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Here’s one for “I like film and alternative darkroom processes”

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1938 Pontiac hood ornament, 1995 or 96, Pentax Spotmatic F and Takumar Super Multi Coated 50mm 1.4.

used Ektachrome of some sort but there must have been a processing error resulting in a strong blue cast, low contrast and too much density. A few years ago I printed the slide onto Ilford MGRC to make a paper internegative, then contact printed that onto another sheet of MGRC for a positive print. Since typical darkroom paper does not see red, any red dye clouds in the slide show up as light spots giving an overall grainy look, which is also increased when printing to higher contrast. It kind of works here though. 

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Leica M6 | Voigtlander APO Skopar 35mm f/2 | Kentmere 400 | Rodinal

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