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12 hours ago, Ernest said:

The benevolent M rangefinder bears the marked pedigree of the violent weapons rangefinder, providing evidence of the skepticism leveled at vacation destinations named after Albert. Is the appropriate expression "Never turn your back," or "There's no turning back?" 

A Bosch bouquet, you have started.

Luckily the initial picture of the orchard was taken with a pinhole camera. No weapons-grade rangefinder involved, though the shutter does bear a more than passing resemblance to a guillotine. In keeping with the Bosch bouquet, I found an illustration of a proposed treatment due to those that did certain deeds in the past - a case of "There's no turning back" I suppose (Marienmuenster Diessen).

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MP, 35, ProImage100

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Late in the evening, looking over the Giffre...   [Agfa Vista 400]  FM3a, Nikkor 28.

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Shaken and stirred...  [Agfa Vista 400]

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Up side down... 

 

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MP Nokton 75/1.5 Tmax 100 in DDX

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Eye test - spot the surfer:

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M4-P - Cron 35 - Portra 160

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Baton
M-A APO 50 Rollei Redbird & Fuji Acros II100

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Summer

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Zeiss Ikon Tenax II, Sonnar 45/2, Fuji Across 100 II

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Really wonderfully done Christoph. The cool background suits the bright flower perfectly.

On 7/30/2020 at 8:14 AM, christoph_d said:

... or perhaps the path leads to the garden of earthly delights?

M6ttl, 50CZO , Vision3 250D

Wow! Talk about in your face, like a monochrome psychedelic dream sequence.

On 7/30/2020 at 7:41 PM, Bobitybob said:

Canon EOS 650, EF 1:1.8/50, Kodak Double X

I can only cite Calvin to describe this, Oh boy, oh boy, oh boy, oh boy, oh boy!

On 7/30/2020 at 8:48 PM, Ernest said:

Burn
M-A Summaron-M 28  ADOX Color Implosion

Incredible how smooth TMax 100 is, like analogue butter.

22 hours ago, mdp said:

MP Nokton 75/1.5 Tmax 100 in DDX

This is a perfect example of the low-key playfulness I often see in your photographs Wayne and which I like so much. 

37 minutes ago, Wayne said:

Summer

Zeiss Ikon Tenax II, Sonnar 45/2, Fuji Across 100 II

 

Edited by philipus
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Canon EOS 1n, EF28-105, Kodak Portra 400

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Modern Language
M-A APO 50 Rollei Redbird & Fuji Acros II 100

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Aorta
M-A Summilux-M 50 BC Rollei Redbird

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Need some funky currency? This gentleman may be able to assist. He's in an alley off Main Street in Tbilisi :D 

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Flickr
50/1.4A Ektachrome 200 CS9000
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Elitechrome, P50 MMJ, Contax

 

Stray Cat, FUJIFILM ASTIA 100F, Rolleiflex 2.8F Xenotar II

Edited by Erato
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On 7/31/2020 at 3:20 PM, mdp said:

MP Nokton 75/1.5 Tmax 100 in DDX

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Less is often more, as demonstrated in the image here. This is more powerful than a full shot of the rider and horse together. In this we are allowed to imagine. The full shot, with context, robs us of the opportunity.

 

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49 minutes ago, Erato said:

 

Stray Cat, FUJIFILM ASTIA 100F, Rolleiflex 2.8F Xenotar II

THE "Stray Cat"? The fair dinkum Ozzie bloke who's likey well locked fown at the moment?  Phil, is that really you?

Love them both.

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If so he's a lot furrier than I had imagined :D I agree, Raymond both are great pictures.

1 hour ago, gbealnz said:

THE "Stray Cat"? The fair dinkum Ozzie bloke who's likey well locked fown at the moment?  Phil, is that really you?

Love them both.

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Have I posted this one already or have I only dreamt that I did? If so, excuse the double post. When I walked around Tbilisi the first time I was there I was inspired by a shot Phil (Stray Cat) had posted quite a while ago that was sort of similar to this, so I simply had to raise my camera to see what it would look like when developed. This is with the new Ektachrome, a film I have more a hate, than a love, relationship with. I find it exceptionally difficult to expose and scan, but this one turned ok.

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Flickr
50/1.4A Ektachrome CS9000
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Photography on a gloomy day... really nothing there.   [Tri-X]

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Cross country

MP Nokton 75/1.5 Tmax100

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