Jump to content

Recommended Posts

Advertisement (gone after registration)

8 minutes ago, oldwino said:

Collioure Blue.

Leica I / Nikkor 50/2 Collapsible LTM / Kodak UltraMax 400

Henry looks like Portra 400 ,  nice color ! 

Best  H 

Edited by Doc Henry
  • Like 1
Link to post
Share on other sites

Chroma Line II  M-A APO 50 E100 & JCH Street Pan 400

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 12
Link to post
Share on other sites

The apple picker.

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 16
Link to post
Share on other sites

vor einer Stunde schrieb Ernest:

Chroma Line II  M-A APO 50 E100 & JCH Street Pan 400

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Breathtaking, Rog. And beautiful.  At least two associations , perhaps  completely different from your intentions,  come crawling at me: this is the description of a relation with deep, hidden emotions, dangerous,  tempting. The second is less romantic: I think this tableau would be a moving war memorial... the horrors of the past  are not over,  they are  only hidden from our conscience, lest we dare to look at them. And last not least a quote from a --horribile dictu- Woody Allen film comes to my mind, the finishing sentence actually: ... two things that are important in life, sex and death...

K.  

  • Like 1
  • Thanks 1
Link to post
Share on other sites

12 minutes ago, Kl@usW. said:

Breathtaking, Rog. And beautiful.  At least two associations , perhaps  completely different from your intentions,  come crawling at me: this is the description of a relation with deep, hidden emotions, dangerous,  tempting. The second is less romantic: I think this tableau would be a moving war memorial... the horrors of the past  are not over,  they are  only hidden from our conscience, lest we dare to look at them. And last not least a quote from a --horribile dictu- Woody Allen film comes to my mind, the finishing sentence actually: ... two things that are important in life, sex and death...

K.  

Dark and wounded, it started as a line, then the line registered as a laceration. Horrifying, yet the color is so seductive, but I shouldn't speak out because it should speak for itself, as you so poetically phrase it, "crawling" toward the audience. Your readings are each in their way dead on and point out the challenge that a photograph (construction) poses in the face of language, balancing on an allegorical high wire. As you so aptly express it, "the horrors of the past are not over, they are only hidden from our conscience, lest we dare to look at them." Then you usher Woody Allen onstage, pointing to the comic absurdity of it all. Samuel Beckett beat him to the uppercut with Waiting for Godot, though, launching Theatre of the Absurd. Everything changes; it remains the same.

Cut and print,
Rog

  • Like 1
  • Thanks 2
Link to post
Share on other sites

Setting up my new computer, I stumbled upon a virtual shoebox of pictures.  Since my scanner is on strike ( only tangram-like patterns), my M7 is on it´s way to Wetzlar , I´ll object them to the test of time... 

I collected the stranded goods  on the shores of Sardinia in 2006. 

My camera then was a R 9, the lens a Apo-Macro 100, film probably an Ektachrome 100...  my standard staple. ( btw: should have kept all of it... ) The scanner a Minolta-Konica .I took the photo on top of a garden table, lighting by courtesy of the setting sun. 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 19
Link to post
Share on other sites

16 hours ago, Ramesh said:

 

Thanks a lot!  This scene is really a gift that keeps on giving, which is why pretty much everyone who comes to NYC to take photos makes a stop here.  I have one more from that evening on its way, from a slightly different POV... 

13 hours ago, Keith (M) said:

The Fomapan 100 I've been using for the last year or so (after I had run out of Acros 100) bills itself as 'Profi Line Classic' and judging by its response to blue skies is rather more ortho than panchromatic.  This is the first (and last!) time I have used it without either a medium yellow or yellow/green filter. Up until this roll I had always used Rodinal 1:50. In tonality and grain terms, Ilfosol3 suits it quite well.  Once I have used up my stock of Fomapan100 I may well try the combination of FP4Plus in Ilfosol as a comparison  - at least until Acros100 II becomes available!

Two more from the Ridgeway Fompapan roll:-

 

 

 

Really strong, Keith.  You make that Fomapan sing beautifully.  

7 hours ago, oldwino said:

Collioure Blue.

 

Leica I / Nikkor 50/2 Collapsible LTM / Kodak UltraMax 400

Gorgeous!  Who needs modern technology??!?!

2 hours ago, leitna said:

Trees

Nikon FM2 - Nikkor AIS 2.8 180

 

 

Wow - this one blows me away!  Seriously great photography - Bravo!

  • Like 1
  • Thanks 2
Link to post
Share on other sites

1 hour ago, Kl@usW. said:

Setting up my new computer, I stumbled upon a virtual shoebox of pictures.  Since my scanner is on strike ( only tangram-like patterns), my M7 is on it´s way to Wetzlar , I´ll object them to the test of time... 

I collected the stranded goods  on the shores of Sardinia in 2006. 

My camera then was a R 9, the lens a Apo-Macro 100, film probably an Ektachrome 100...  my standard staple. ( btw: should have kept all of it... ) The scanner a Minolta-Konica .I took the photo on top of a garden table, lighting by courtesy of the setting sun. 

 

Fantastic, Klaus.  Really good abstract and the colors are spot on 👌

  • Like 1
  • Thanks 1
Link to post
Share on other sites

14 hours ago, Keith (M) said:

The Fomapan 100 I've been using for the last year or so (after I had run out of Acros 100) bills itself as 'Profi Line Classic' and judging by its response to blue skies is rather more ortho than panchromatic.  This is the first (and last!) time I have used it without either a medium yellow or yellow/green filter. Up until this roll I had always used Rodinal 1:50. In tonality and grain terms, Ilfosol3 suits it quite well.  Once I have used up my stock of Fomapan100 I may well try the combination of FP4Plus in Ilfosol as a comparison  - at least until Acros100 II becomes available!

Two more from the Ridgeway Fompapan roll:-

 

Those are beautiful !! 

14 hours ago, Keith (M) said:

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

 

  • Thanks 1
Link to post
Share on other sites

Closeup and intimate with a couple of Chinstraps!

LeicaFlex SL2 - 60mm. Macro-Elmarit on Velvia 50 colour slide film.

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 12
  • Haha 2
Link to post
Share on other sites

Chroma Line Works  M-A APO 50 E100 & JCH Street Pan 400

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 15
Link to post
Share on other sites

Shot earlier this year during the southern hemisphere autumn.

Hasselblad 501CM, 80mm Planar, Velvia

Regards,

Ramesh

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 10
Link to post
Share on other sites

Leica iiif + Nippon Kogaku Nikkor 50mm + Fuji Venus 800

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 12
Link to post
Share on other sites

21 hours ago, chrism said:

Building works inside underway. Extension goes on in the spring.

Warning: there will be more...

Ah, good. It looks like there's lots of space for the first meeting of the I Love Film club. When shall we book our flights?

Pete

  • Like 1
  • Haha 5
Link to post
Share on other sites

12 hours ago, Kl@usW. said:

Setting up my new computer, I stumbled upon a virtual shoebox of pictures.  Since my scanner is on strike ( only tangram-like patterns), my M7 is on it´s way to Wetzlar , I´ll object them to the test of time... 

I collected the stranded goods  on the shores of Sardinia in 2006. 

My camera then was a R 9, the lens a Apo-Macro 100, film probably an Ektachrome 100...  my standard staple. ( btw: should have kept all of it... ) The scanner a Minolta-Konica .I took the photo on top of a garden table, lighting by courtesy of the setting sun. 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Beautiful colours and textures - so much to look at & study.

10 hours ago, A miller said:

Some pushed film grit from Wall Street

IIIg, 28mm summaron, Portra 400 @1600

The City Fathers/Planners must have had you in mind when they orientated the street grid pattern!  A powerful image.

9 hours ago, sixteen pads said:

 

Those are beautiful !! 

 

Thank you, Kind Sir!  

  • Thanks 2
Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...