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I like film...(open thread)

Doc Henry

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Keith (M)

Keith (M)

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Put my ability to hand-hold the H503CX to test at ridiculously slow shutter speeds!  Inside the NT's Avebury Manor.  Tri-X & Ilfosol 3.

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Martin B

Martin B

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Leica IIIc, Leica 50/2 Summitar (lens made in 1942) with Ilford FP4+ 125 film, developed with Xtol (1:1).

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chrism

chrism

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I guess I'd better run my fixer through a coffee filter.

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Ernest

Ernest

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Chroma Line Diptych II
M-A APO 50 E100, Portra 400, JCH Street Pan 400

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oldwino

oldwino

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Collioure Red.

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Leica I / Nikkor 50/2 Collapsible LTM / Kodak UltraMax 400

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Ernest

Ernest

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Fly-by Recon Triptych
M-A APO 50 JCH Street Pan 400 & Rollei Redbird 400

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AntonioF

AntonioF

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Taranto - Mamiya C330, Sekor C 80/2.8, Pan F

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atournas

atournas

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10 hours ago, Keith (M) said:

Put my ability to hand-hold the H503CX to test at ridiculously slow shutter speeds!  Inside the NT's Avebury Manor.  Tri-X & Ilfosol 3.

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Good results! But... how slow?

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DirkR440

DirkR440

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A picture that I took last year in Cinque Terre (Italy). Just rescanned it today with the Nikon 9000.

Rolleiflex 3.5, Kodak Ektar. Two Pictures stitched together with Lightroom:

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Cinque Terre by Dirk R., auf Flickr

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fotomas

fotomas

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M6, 50 Cron, Silvermax 21, Caffenol

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Kl@usW.

Kl@usW.

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another find in the shoebox: Probably a film not so often seen nowadays: Polapan 135/ black and white. Needed a special dev machine and the negative was something special: a distinct silver sheen unlike any other film, expensive, capricious, toxic grain...but !    The Minox 35 EL  was full format in the size of a cigarette box- equipped with a Triotar 2,8--sharp in the center, but as I see now, not so in the corners. I loved it, but you needed at least 3 of them to have one working...  

Locarno  2001 

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Minox 35 EL, Polapan 

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A miller

A miller

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14 hours ago, Keith (M) said:

 

The City Fathers/Planners must have had you in mind when they orientated the street grid pattern!  A powerful image.

 

Thanks, Keith.  Love that hat :)

14 hours ago, Keith (M) said:

Put my ability to hand-hold the H503CX to test at ridiculously slow shutter speeds!  Inside the NT's Avebury Manor.  Tri-X & Ilfosol 3.

 

 

 

 

Loving your masterful usage of multiple film stocks, Keith 👌

7 hours ago, Ernest said:

Fly-by Recon Triptych
M-A APO 50 JCH Street Pan 400 & Rollei Redbird 400

 

Moon and Mars landing - who needs Hasselblad? 😉

3 hours ago, DirkR440 said:

A picture that I took last year in Cinque Terre (Italy). Just rescanned it today with the Nikon 9000.

Rolleiflex 3.5, Kodak Ektar. Two Pictures stitched together with Lightroom:

Cinque Terre by Dirk R., auf Flickr

Love it, Dirk. Congrats and hope you get the massive file printed large 👌

2 hours ago, Kl@usW. said:

another find in the shoebox: Probably a film not so often seen nowadays: Polapan 135/ black and white. Needed a special dev machine and the negative was something special: a distinct silver sheen unlike any other film, expensive, capricious, toxic grain...but !    The Minox 35 EL  was full format in the size of a cigarette box- equipped with a Triotar 2,8--sharp in the center, but as I see now, not so in the corners. I loved it, but you needed at least 3 of them to have one working...  

Locarno  2001 

 

Minox 35 EL, Polapan 

Minox?? Wow 😲❤️

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A miller

A miller

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A "reflective" winter view from Central Park 😃

SWC, Ektar

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Ernest

Ernest

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36 minutes ago, A miller said:

A "reflective" winter view from Central Park 😃

SWC, Ektar

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We use the term "painterly" when describing the merits of a work, meaning it is artistic in the sense that it bears the personal signature, the unique character of the "painter" and now the photographer. Well, what I am getting around to saying is that this deserves more than a sidelong glance, so painterly. Another for the art museum! Bravo.

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A miller

A miller

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7 minutes ago, Ernest said:

We use the term "painterly" when describing the merits of a work, meaning it is artistic in the sense that it bears the personal signature, the unique character of the "painter" and now the photographer. Well, what I am getting around to saying is that this deserves more than a sidelong glance, so painterly. Another for the art museum! Bravo.

I really appreciate that, Rog.  I actually am impressed that the image worked out to look just like I had seen it and how I envisioned it.  How about that! 🤷‍♂️

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philipus

philipus

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Wow this is wonderful. I can see it printed A1 on a wall :)

On 12/9/2019 at 10:13 PM, leitna said:

Trees

Nikon FM2 - Nikkor AIS 2.8 180

 

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Sublimt Klaus, really wonderful textures and colours too. I hope your scanner and M7 will recover soon. I just got my TTL back from Wetzlar. I had forgotten it on an airplane a few months ago and it was shipped back to me lying all alone without padding in a large box which caused the rangefinder to become misaligned. Now it's back and fit for the holiday fight :)

On 12/9/2019 at 11:33 PM, Kl@usW. said:

Setting up my new computer, I stumbled upon a virtual shoebox of pictures.  Since my scanner is on strike ( only tangram-like patterns), my M7 is on it´s way to Wetzlar , I´ll object them to the test of time... 

I collected the stranded goods  on the shores of Sardinia in 2006. 

My camera then was a R 9, the lens a Apo-Macro 100, film probably an Ektachrome 100...  my standard staple. ( btw: should have kept all of it... ) The scanner a Minolta-Konica .I took the photo on top of a garden table, lighting by courtesy of the setting sun. 

Wonderful Adelie, I really enjoy the photos you've been posting lately. 

On 12/10/2019 at 2:23 AM, adelie said:

Closeup and intimate with a couple of Chinstraps!

LeicaFlex SL2 - 60mm. Macro-Elmarit on Velvia 50 colour slide film.

I'm game :)

On 12/10/2019 at 9:51 AM, Stealth3kpl said:

Ah, good. It looks like there's lots of space for the first meeting of the I Love Film club. When shall we book our flights?

Pete

Lovely vintage photo. I have a Minox 35 and find it quite decent actually. The guess-focus takes some getting used to but with a fast film it's a point and shoot with often great results. 

10 hours ago, Kl@usW. said:

another find in the shoebox: Probably a film not so often seen nowadays: Polapan 135/ black and white. Needed a special dev machine and the negative was something special: a distinct silver sheen unlike any other film, expensive, capricious, toxic grain...but !    The Minox 35 EL  was full format in the size of a cigarette box- equipped with a Triotar 2,8--sharp in the center, but as I see now, not so in the corners. I loved it, but you needed at least 3 of them to have one working...  

Locarno  2001 

Minox 35 EL, Polapan 

A re-flec-tion!!!! Yes! Great shot Adam.

7 hours ago, A miller said:

A "reflective" winter view from Central Park 😃

SWC, Ektar

 

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philipus

philipus

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There are lots of murals in Tbilisi in the many underpasses that burrow through the city's innards.

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Flickr
40 CFE Ektar X1
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Wayne

Wayne

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Rural Route

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Rolleicord Ia, CZJ Triotar 75/3.3, FP4

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Keith (M)

Keith (M)

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More action from Saturday's stroll on the Ridgeway.  H503CX, Planar 80mm, Fomapan 100, Ilfosol 3.

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Keith (M)

Keith (M)

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14 hours ago, atournas said:

Good results! But... how slow?

1/60th - I have the 40mm wide heavy-duty Hasselblad strap on the camera and brace the camera against myself to form a fairly stable platform (triangulation & all that). It was only afterwards I realised I had forgotten that I could / should have used the mirror-lockup function but despite the clunk-clack of the mirror doing its thing, the images came out reasonably sharp.  

Back in early 2017 with my (then) H500C, 60mm Distagon and Portra 400 I used a similar bracing method plus mirror lockup and took this shot at 1/30th.  Did not have any real expectation of a useable result but luck must have been on my side that day.

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