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Thanks very much.  Here is a shot with Ilford Delta 3200...

I'll be working this scene with more films and natural light renditions in due course...

 

Wonderful. Great framing , super contrast. Is be interested to know what ISO you rated it at.

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They gave me a ride to the other side of the bridge and then kicked me out of the car.  The sun was rising fast and the light was unbelievable and i ran with all my gear about 15 minutes to the edge of the water on the Queens side to catch the very end of the sunrise (from a random and less than ideal vantage point that i hadnt souted).  My back and knees hurt for days afterward. And i lost my (very nice Linhof) cable release and had to trace back my steps and miraculously found it.   

Here is a shot from the salvaged ordeal...

Dang, Flippin iPhone.. Can only reply inside the thread.

Anyway..Superb, looks like a painting. Love it.

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Henry, James, Philip and Steve - thanks for your opinion on which film matches which photo. The first is the portra 160 and the second is the Ektar.  To me, this is quite clear as the portra has a pastel rendering in relation to what the scene actually looked like, and is also quite sharper (which is consistent with the comparison chart that Henry shared).  The ektar shot was a long exposure hence the motion in the clouds and water.  That's clearly a big difference in effect; but the colors in sky and water help evidence the type of film to me.   

 

Philip - the portra shot does seem cleaner due to the faster shutter relaive to the ektr.  i dont know about producing a scanned file that has an orange mask and then reversing that out in colorperfect.  I just scan the negs via vuescan (usually on auto color mode, but sometime on WB mode) into a tiff file that shows a positive image and then edit in lightroom from there.   i wouldnt read too much into the relative sharpness, noise level and other artifacts of the files posted here, as the files are horrible low res compressions of enormous files (800mb+).   

 

More from Central Park soon...when i return from wet London....

Edited by A miller
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Really love these kodachrome photos. I would like them more without the distracting watermark :ph34r:

thanks for sharing

High Adam,

 

I have minimize the watermarks on my photos to about 3 pica size. I hope that it's acceptable. Some of My photos were used without my permission earlier.

 

Krycek

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Grain Elevator, Western Australia

 

M6, Tmax 400, 35mm summicron

 

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Fabulosi..I'm sure thers a book to be made from your cityscapes..

Very kind, Trev, thanks

At some point, I will be creating a fine art photography studio from a small percentage of the most interesting (MF film) images, and will offer fine prints for sale.

I have already purchased the domain name, which is www.beautifulcityscapes.com

 

I want to measure twice and cut once, so I am taking my time (which I have a limited amount of)...

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Life is a Beach.

 

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M6, Summarit 90, Kodak BM400CN

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The Ramble, Central Park (on a damp, overcast, peak Autumn day)

Each leaf can be a different "arts and craft" project :)

E K T A R (no WB or saturation adjustments)

more to come...

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